ActivityPub Viewer

A small tool to view real-world ActivityPub objects as JSON! Enter a URL or username from Mastodon or a similar service below, and we'll send a request with the right Accept header to the server to view the underlying object.

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{ "@context": "https://www.w3.org/ns/activitystreams", "type": "OrderedCollectionPage", "orderedItems": [ { "type": "Create", "actor": "https://www.minds.com/api/activitypub/users/745883852018294797", "object": { "type": "Note", "id": "https://www.minds.com/api/activitypub/users/745883852018294797/entities/urn:activity:792277744439013376", "attributedTo": "https://www.minds.com/api/activitypub/users/745883852018294797", "content": "Income tax overhaul prompts year-end tips<br />Accountants and tax preparers always advise taxpayers to look for ways to maximize their deductions at year’s end.<br /><br />That’s especially the case this year because of the tax reform package Congress just passed. Among its many provisions is one that increases the standard deduction from $6,350 to $12,000 for single taxpayers and from $12,700 to $24,000 for couples filing joint returns.<br /><br />“It may be a lot tougher for individual taxpayers to itemize now because the standard deduction is so high,” said Jordan Moran, office manager at Stadler & Company Tax Service on Terre Haute’s south side.<br /><br />It’s been estimated that 70 percent of Americans will benefit from the higher standard deduction in 2018 and beyond, but Moran said that figure will likely be higher in Indiana.<br /><br />With so little time left in the calendar year, pre-payment of next year’s property taxes offers one of the few opportunities many taxpayers may have to load up on deductions for 2017 – if they have some extra money.<br /><br />Most county treasurer’s offices accept advance payments as credits against 2018 property tax bills. Officials caution they don’t know yet how much those bills will be for next year but taxpayers can use this year’s bill as a guide.<br /><br />They also advise anyone who may be pre-paying for income tax purposes to consult a tax professional for advice on whether doing so would actually save them money.<br /><br />But Scott Whittenburg, chief deputy treasurer for Vigo County, said it’s not just people who might be trying to maximize deductions that take advantage of pre-payment options.<br /><br />“Some make weekly or monthly payments; it’s sort of a budgeting thing,” he said. “It’s often folks who may not have a bank account.”<br /><br />It’s best if taxpayers can provide their property ID number “but an address is enough,” Whittenburg said.<br /><br />Among Terre Haute area counties, only Clark County, Illinois, is not in the practice of accepting advance property tax payments.<br /><br />“We haven’t done that,” a clerk in the county treasurer’s office said. Treasurer Sheri Higginbotham was unavailable for comment.<br /><br />Anyone wanting to prepay taxes this year has a small window left to do so. Because of the Christmas holiday, most county offices will be open only Wednesday through Friday next week. While hours are generally 8 a.m. to 4 p.m., payments in some places, including Crawford County, Illinois, must be made by 3 p.m. Friday.<br /><br />For most Wabash Valley residents, property taxes alone won’t be enough to reach $10,000 in itemized deductions – even if they manage to pay for two years at a time, Moran noted.<br /><br />However, they might benefit when combining property taxes with mortgage interest, charitable contributions and medical expenses that exceed 10 percent of adjusted gross income.<br /><br />Charitable donations include cash, checks and goods donated to such agencies as Goodwill and Salvation Army, Moran said, adding that receipts are needed to claim the value of donated items.<br /><br />With tax rates headed lower, many people will benefit from deferred compensation, Moran said.<br /><br />While contributions to workplace 401k and 403b and similar accounts must be made by Dec. 31, again a tight window, funds may be deposited into a new or existing individual retirement account until the April 17 deadline for filing federal tax returns. Contributions to traditional IRAs, not ROTH IRAs, qualify for tax benefits.<br /><br />The annual limit on IRA contributions is $5,500 for persons under age 50 and $6,500 for persons 50 and older.<br /><br />Unused funds in a health savings account can also be rolled over into an IRA, Moran said.<br /><br />Dave Taylor can be reached at 812-231-4299 or dave.taylor@tribstar.com. Follow him on Twitter <a class=\"u-url mention\" href=\"https://www.minds.com/TribStarDave\" target=\"_blank\">@TribStarDave</a>.", "to": [ "https://www.w3.org/ns/activitystreams#Public" ], "cc": [ "https://www.minds.com/api/activitypub/users/745883852018294797/followers" ], "tag": [], "url": "https://www.minds.com/newsfeed/792277744439013376", "published": "2017-12-26T06:28:49+00:00", "source": { "content": "Income tax overhaul prompts year-end tips\nAccountants and tax preparers always advise taxpayers to look for ways to maximize their deductions at year’s end.\n\nThat’s especially the case this year because of the tax reform package Congress just passed. Among its many provisions is one that increases the standard deduction from $6,350 to $12,000 for single taxpayers and from $12,700 to $24,000 for couples filing joint returns.\n\n“It may be a lot tougher for individual taxpayers to itemize now because the standard deduction is so high,” said Jordan Moran, office manager at Stadler & Company Tax Service on Terre Haute’s south side.\n\nIt’s been estimated that 70 percent of Americans will benefit from the higher standard deduction in 2018 and beyond, but Moran said that figure will likely be higher in Indiana.\n\nWith so little time left in the calendar year, pre-payment of next year’s property taxes offers one of the few opportunities many taxpayers may have to load up on deductions for 2017 – if they have some extra money.\n\nMost county treasurer’s offices accept advance payments as credits against 2018 property tax bills. Officials caution they don’t know yet how much those bills will be for next year but taxpayers can use this year’s bill as a guide.\n\nThey also advise anyone who may be pre-paying for income tax purposes to consult a tax professional for advice on whether doing so would actually save them money.\n\nBut Scott Whittenburg, chief deputy treasurer for Vigo County, said it’s not just people who might be trying to maximize deductions that take advantage of pre-payment options.\n\n“Some make weekly or monthly payments; it’s sort of a budgeting thing,” he said. “It’s often folks who may not have a bank account.”\n\nIt’s best if taxpayers can provide their property ID number “but an address is enough,” Whittenburg said.\n\nAmong Terre Haute area counties, only Clark County, Illinois, is not in the practice of accepting advance property tax payments.\n\n“We haven’t done that,” a clerk in the county treasurer’s office said. Treasurer Sheri Higginbotham was unavailable for comment.\n\nAnyone wanting to prepay taxes this year has a small window left to do so. Because of the Christmas holiday, most county offices will be open only Wednesday through Friday next week. While hours are generally 8 a.m. to 4 p.m., payments in some places, including Crawford County, Illinois, must be made by 3 p.m. Friday.\n\nFor most Wabash Valley residents, property taxes alone won’t be enough to reach $10,000 in itemized deductions – even if they manage to pay for two years at a time, Moran noted.\n\nHowever, they might benefit when combining property taxes with mortgage interest, charitable contributions and medical expenses that exceed 10 percent of adjusted gross income.\n\nCharitable donations include cash, checks and goods donated to such agencies as Goodwill and Salvation Army, Moran said, adding that receipts are needed to claim the value of donated items.\n\nWith tax rates headed lower, many people will benefit from deferred compensation, Moran said.\n\nWhile contributions to workplace 401k and 403b and similar accounts must be made by Dec. 31, again a tight window, funds may be deposited into a new or existing individual retirement account until the April 17 deadline for filing federal tax returns. Contributions to traditional IRAs, not ROTH IRAs, qualify for tax benefits.\n\nThe annual limit on IRA contributions is $5,500 for persons under age 50 and $6,500 for persons 50 and older.\n\nUnused funds in a health savings account can also be rolled over into an IRA, Moran said.\n\nDave Taylor can be reached at 812-231-4299 or dave.taylor@tribstar.com. Follow him on Twitter @TribStarDave.", "mediaType": "text/plain" } }, "id": "https://www.minds.com/api/activitypub/users/745883852018294797/entities/urn:activity:792277744439013376/activity" }, { "type": "Create", "actor": "https://www.minds.com/api/activitypub/users/745883852018294797", "object": { "type": "Note", "id": "https://www.minds.com/api/activitypub/users/745883852018294797/entities/urn:activity:792018378443993088", "attributedTo": "https://www.minds.com/api/activitypub/users/745883852018294797", "content": "<a href=\"https://www.minds.com/newsfeed/792018378443993088\" target=\"_blank\">https://www.minds.com/newsfeed/792018378443993088</a>", "to": [ "https://www.w3.org/ns/activitystreams#Public" ], "cc": [ "https://www.minds.com/api/activitypub/users/745883852018294797/followers" ], "tag": [], "url": "https://www.minds.com/newsfeed/792018378443993088", "published": "2017-12-25T13:18:15+00:00", "source": { "content": "https://www.minds.com/newsfeed/792018378443993088", "mediaType": "text/plain" } }, "id": "https://www.minds.com/api/activitypub/users/745883852018294797/entities/urn:activity:792018378443993088/activity" }, { "type": "Create", "actor": "https://www.minds.com/api/activitypub/users/745883852018294797", "object": { "type": "Note", "id": "https://www.minds.com/api/activitypub/users/745883852018294797/entities/urn:activity:791864194489778176", "attributedTo": "https://www.minds.com/api/activitypub/users/745883852018294797", "content": "The 405 Chats To: CID RIM<br />Can electronic music be political? And if so, what does it have to say? CID RIM, Clemens Bacher, is adamant that it has a lot to add to the conversation.<br /><br />“The incline of electronic music towards a dark, cynical sound has been going on for some time, and while that’s not just politically motivated, it’s turned out to be an accurate forecast of what's happening to the politics of the world. That’s fair, it’s an accurate way of vibing with the way the world changes. I cannot participate in that as the person that I am. For me, with what’s going on, you need to believe even more in mankind, and use music as a conduit for that.”<br /><br />CID RIM’s latest album Material is vibrant, luminous, magnanimous, philanthropic. It’s as overflowing with compositional flair – whether it’s inverted synthlines, arrhythmic basslines, or “the first drum solo of [his] career” – as it is compassion and buoyancy. It’s a genuinely uplifting listen. And I guess, unlike most of us, Bacher has cause to believe in political systems and the people who uphold them. This time last year, Austria halted – or at least interrupted – the seemingly interminable global sweep of right wing populism through the presidential election victory for Alexander Van der Bellen, the Greens candidate(!); with Bacher’s hometown Vienna embodying its liberal-progressive stronghold. Vienna, Bacher duly informs me, is a city of harmony, collaboration, and creativity; a place where you can make upbeat political music and it doesn’t ring hollow. Vienna transpires to be a hotbed of easygoing ingenuity.<br /><br />“I think Vienna's always one of the top ranking when it comes to quality in electronic music when you compare different cities. But even in general, the quality of living is so relaxed and productive. You physically feel less competition and stress in [people’s] lives, in every job. That’s our politics, our culture, the way we interact. Life is just a bit easier when compared to London, definitely; New York, definitely; probably every other city apart from Zurich or Montreal that I've been to; and with that is a big downside, and that's that you might get a bit lazier and complacent in work. But it gives you time and security, so I think that people who actually make it out of Vienna – with their music – have thought about what they do and are maybe more likely to make a sustainable career in music. Opposed to one hit wonders, you know what I mean? They’ll probably never have massive success but will have healthy, well thought of careers. It's chilled but smart. I think that's how you relate the easiness and the comfort of the city to our music, why our jazz scene and electronic scene click together.”<br /><br />When I point out to Bacher that this Austrian style serves as the polar opposite to the stereotype of pulverising German techno he chuckled; “yeh that’s true actually. Even way back 10 years ago or 15 years ago, Kruder & Dorfmeister were just making really chilled out beat stuff while they were high, and I think they sum up the Vienna style best. They were the first big thing in electronic music that got out of the city and were successful internationally, which reflects the easiness of the city and country.”<br /><br />I was curious whether his label, LuckyMe, with its diverse and distinctive roster, influenced the direction of his sound. When I called Bacher I was wary from past interview experience that my (dulcet and soothing, of course) Glaswegian accent would be difficult to understand via a crinkly phone connection. Bacher hastily dismissed the possibility, reminding me that his label, LuckyMe, are in fact Scottish, and that many of his labelmates, including Hudson Mohawke, hail from Glasgow. Does Vienna share an aesthetic with Glasgow which attracted LuckyMe to artists like Bacher?<br /><br />“There’s definitely a strong mutual vibe. I was aware of what they [LuckyMe] were doing before getting to know them individually, and while there’s not been much physical collaboration, a lot of their sounds, like what they do with bass for example, I’ve picked up on.”<br /><br />It seems if LuckyMe were attracted to the Vienna style, it’s a style which Bacher was critical in shaping and cultivating, and making his own.<br /><br />He continues; “That my music is, from the chord structure side and its basic vibe, optimistic and positive, is of course indebted to changes in politics in the world and here in Austria. It does reflect on those, but before all that it’s my personal choice and an extension of my personality.”<br /><br />As electronic music sustains its post-genre phase, consuming and adapting every sound and movement imaginable from metal to classical, it often takes shape as electronica-plus-affectation rather than a sophisticated or innovative synthesis of ideas. Material sounds unique and feels affectless, a more fluid and individual fusion of the divergent ideologies of jazz and electronic than the vapid, clunky jazztronica subset. Part of this can be explained quite bluntly by Bacher’s talent, his natural gift for melody, harmony, and effectual dissonance which filters so gracefully through his discography. It also harks back to his classical training as a jazz drummer, as an artist steeped in the spontaneity and expressiveness of jazz but shouldering an affinity for the aesthetics of hip hop and trip hop, even traces of dub and bass. When he began making electronic music a few years ago he generally discarded his jazz baggage; only for it to incrementally sneak itself back into his compositions.<br /><br />“For me, at first, it felt like the only jazz ingredients I took into my form of making electronic music was the chords. I started off making hip hop instrumental and trip hop influenced music quite a bit more than now, but I’ve been reincorporating the more classical elements over time. Through the years the entirety of it feeds into one another, the jazz background and my interest in more hip hop-y sounds; suddenly the chords had a bit of a jazzier structure and progression. I actually think I’ve got closer to my jazz roots through evolving my individual production sound, it’s been unconscious. Now I’ve hit a point of balance, where there’s a bit of everything in there. I feel all of my influences and references that are important to me are present.”<br /><br />It’s clear that Material isn’t a political mandate in isolation; but an ingenuous self-reflection of Bacher’s politics and headspace, a stamp of hope, and a time capsule of his music proclivities; and what’s more, that Vienna style - the laidback positivity about politics, the human condition, and music - is personified by him.<br /><br /> <br />“If you have the gift to reach out to people with your art then you have to think about what you want to say in a basic way, but it must be you saying it. I think my music is optimistic and positive and I like it that way. Because it is a statement. It's not a statement with words, but I think you asking me about this kind of proves that it’s working. People think about it, get it, and that’s quite important for me. You can’t lose hope, and you must stay willing to work on the problem.”<br /><br />Authenticity’s a dirty word in music journalism, but it sounds much cleaner applied to Clemens Bacher.<br /><br />Since 'tis the season, Clemens also kindly provided his personal top ten albums of the year;<br /><br />1. Photay - Onism<br /><br />2. Wandl - It's All Good Tho<br /><br />3. Los Pirañas ‎- La Diversión Que Hacía Falta En Mi País<br /><br />4. Claude Speed - Infinity Ultra<br /><br />5. Moses Sumney - Aromanticism<br /><br />6. Mario Rom's Interzone - Choose Your Vision<br /><br />7. Oneohtrix Point Never - Good Time (OST)<br /><br />8. Jacques Green - Feel Infinite<br /><br />9. Sevendeaths - Remote Sympathy<br /><br />10. Namby Pamby Boy - Namby Pamby Boy", "to": [ "https://www.w3.org/ns/activitystreams#Public" ], "cc": [ "https://www.minds.com/api/activitypub/users/745883852018294797/followers" ], "tag": [], "url": "https://www.minds.com/newsfeed/791864194489778176", "published": "2017-12-25T03:05:32+00:00", "source": { "content": "The 405 Chats To: CID RIM\nCan electronic music be political? And if so, what does it have to say? CID RIM, Clemens Bacher, is adamant that it has a lot to add to the conversation.\n\n“The incline of electronic music towards a dark, cynical sound has been going on for some time, and while that’s not just politically motivated, it’s turned out to be an accurate forecast of what's happening to the politics of the world. That’s fair, it’s an accurate way of vibing with the way the world changes. I cannot participate in that as the person that I am. For me, with what’s going on, you need to believe even more in mankind, and use music as a conduit for that.”\n\nCID RIM’s latest album Material is vibrant, luminous, magnanimous, philanthropic. It’s as overflowing with compositional flair – whether it’s inverted synthlines, arrhythmic basslines, or “the first drum solo of [his] career” – as it is compassion and buoyancy. It’s a genuinely uplifting listen. And I guess, unlike most of us, Bacher has cause to believe in political systems and the people who uphold them. This time last year, Austria halted – or at least interrupted – the seemingly interminable global sweep of right wing populism through the presidential election victory for Alexander Van der Bellen, the Greens candidate(!); with Bacher’s hometown Vienna embodying its liberal-progressive stronghold. Vienna, Bacher duly informs me, is a city of harmony, collaboration, and creativity; a place where you can make upbeat political music and it doesn’t ring hollow. Vienna transpires to be a hotbed of easygoing ingenuity.\n\n“I think Vienna's always one of the top ranking when it comes to quality in electronic music when you compare different cities. But even in general, the quality of living is so relaxed and productive. You physically feel less competition and stress in [people’s] lives, in every job. That’s our politics, our culture, the way we interact. Life is just a bit easier when compared to London, definitely; New York, definitely; probably every other city apart from Zurich or Montreal that I've been to; and with that is a big downside, and that's that you might get a bit lazier and complacent in work. But it gives you time and security, so I think that people who actually make it out of Vienna – with their music – have thought about what they do and are maybe more likely to make a sustainable career in music. Opposed to one hit wonders, you know what I mean? They’ll probably never have massive success but will have healthy, well thought of careers. It's chilled but smart. I think that's how you relate the easiness and the comfort of the city to our music, why our jazz scene and electronic scene click together.”\n\nWhen I point out to Bacher that this Austrian style serves as the polar opposite to the stereotype of pulverising German techno he chuckled; “yeh that’s true actually. Even way back 10 years ago or 15 years ago, Kruder & Dorfmeister were just making really chilled out beat stuff while they were high, and I think they sum up the Vienna style best. They were the first big thing in electronic music that got out of the city and were successful internationally, which reflects the easiness of the city and country.”\n\nI was curious whether his label, LuckyMe, with its diverse and distinctive roster, influenced the direction of his sound. When I called Bacher I was wary from past interview experience that my (dulcet and soothing, of course) Glaswegian accent would be difficult to understand via a crinkly phone connection. Bacher hastily dismissed the possibility, reminding me that his label, LuckyMe, are in fact Scottish, and that many of his labelmates, including Hudson Mohawke, hail from Glasgow. Does Vienna share an aesthetic with Glasgow which attracted LuckyMe to artists like Bacher?\n\n“There’s definitely a strong mutual vibe. I was aware of what they [LuckyMe] were doing before getting to know them individually, and while there’s not been much physical collaboration, a lot of their sounds, like what they do with bass for example, I’ve picked up on.”\n\nIt seems if LuckyMe were attracted to the Vienna style, it’s a style which Bacher was critical in shaping and cultivating, and making his own.\n\nHe continues; “That my music is, from the chord structure side and its basic vibe, optimistic and positive, is of course indebted to changes in politics in the world and here in Austria. It does reflect on those, but before all that it’s my personal choice and an extension of my personality.”\n\nAs electronic music sustains its post-genre phase, consuming and adapting every sound and movement imaginable from metal to classical, it often takes shape as electronica-plus-affectation rather than a sophisticated or innovative synthesis of ideas. Material sounds unique and feels affectless, a more fluid and individual fusion of the divergent ideologies of jazz and electronic than the vapid, clunky jazztronica subset. Part of this can be explained quite bluntly by Bacher’s talent, his natural gift for melody, harmony, and effectual dissonance which filters so gracefully through his discography. It also harks back to his classical training as a jazz drummer, as an artist steeped in the spontaneity and expressiveness of jazz but shouldering an affinity for the aesthetics of hip hop and trip hop, even traces of dub and bass. When he began making electronic music a few years ago he generally discarded his jazz baggage; only for it to incrementally sneak itself back into his compositions.\n\n“For me, at first, it felt like the only jazz ingredients I took into my form of making electronic music was the chords. I started off making hip hop instrumental and trip hop influenced music quite a bit more than now, but I’ve been reincorporating the more classical elements over time. Through the years the entirety of it feeds into one another, the jazz background and my interest in more hip hop-y sounds; suddenly the chords had a bit of a jazzier structure and progression. I actually think I’ve got closer to my jazz roots through evolving my individual production sound, it’s been unconscious. Now I’ve hit a point of balance, where there’s a bit of everything in there. I feel all of my influences and references that are important to me are present.”\n\nIt’s clear that Material isn’t a political mandate in isolation; but an ingenuous self-reflection of Bacher’s politics and headspace, a stamp of hope, and a time capsule of his music proclivities; and what’s more, that Vienna style - the laidback positivity about politics, the human condition, and music - is personified by him.\n\n \n“If you have the gift to reach out to people with your art then you have to think about what you want to say in a basic way, but it must be you saying it. I think my music is optimistic and positive and I like it that way. Because it is a statement. It's not a statement with words, but I think you asking me about this kind of proves that it’s working. People think about it, get it, and that’s quite important for me. You can’t lose hope, and you must stay willing to work on the problem.”\n\nAuthenticity’s a dirty word in music journalism, but it sounds much cleaner applied to Clemens Bacher.\n\nSince 'tis the season, Clemens also kindly provided his personal top ten albums of the year;\n\n1. Photay - Onism\n\n2. Wandl - It's All Good Tho\n\n3. Los Pirañas ‎- La Diversión Que Hacía Falta En Mi País\n\n4. Claude Speed - Infinity Ultra\n\n5. Moses Sumney - Aromanticism\n\n6. Mario Rom's Interzone - Choose Your Vision\n\n7. Oneohtrix Point Never - Good Time (OST)\n\n8. Jacques Green - Feel Infinite\n\n9. Sevendeaths - Remote Sympathy\n\n10. 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