A small tool to view real-world ActivityPub objects as JSON! Enter a URL
or username from Mastodon or a similar service below, and we'll send a
request with
the right
Accept
header
to the server to view the underlying object.
{
"@context": "https://www.w3.org/ns/activitystreams",
"type": "OrderedCollectionPage",
"orderedItems": [
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:1151251611433213952",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "1)FR Derrière nos écrans de fumée : le film documentaire de Netflix expose les dangers des réseaux sociaux<br />Jeff Orlowski, réalisateur du documentaire « Derrière nos écrans de fumée », explique comment des entreprises comme Facebook et Twitter en sont venues à exercer un pouvoir à grande échelle. <br /><br /><a href=\"https://ww.hd-stream.fr/film-streaming/15710-derrire-nos-crans-de-fume.html\" target=\"_blank\">https://ww.hd-stream.fr/film-streaming/15710-derrire-nos-crans-de-fume.html</a>",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/1151251611433213952",
"published": "2020-09-11T20:22:52+00:00",
"source": {
"content": "1)FR Derrière nos écrans de fumée : le film documentaire de Netflix expose les dangers des réseaux sociaux\nJeff Orlowski, réalisateur du documentaire « Derrière nos écrans de fumée », explique comment des entreprises comme Facebook et Twitter en sont venues à exercer un pouvoir à grande échelle. \n\nhttps://ww.hd-stream.fr/film-streaming/15710-derrire-nos-crans-de-fume.html",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:1151251611433213952/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:851220224003956736",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "Propaganda Engineering Consent (ARTE FRANCE SUB) with Noam Chomsky<br />How to influence crowds? Through the figure of Edward Bernays (1891-1995), one of the inventors of marketing and the author of \"Propaganda\", a fascinating decoding of the methods of the \"factory of consent\".<br /><br />If the techniques of persuasion of the masses appeared in Europe in the late nineteenth century to fight against workers' revolts, they were developed in the United States to convince Americans to engage in the First World War. Unknown to the general public, nephew of Sigmund Freud, the author of the reference book Propaganda and one of the inventors of marketing, Edward Bernays (1891-1995) was one of the main theorists. Inspired by the codes of advertising and entertainment, these methods of \"making consent\" of crowds address the unconscious desires of these. The industrialists seize it to fight against the strikes with the objective to make join the working class to capitalism and thus transform the citizen into consumer. In 2001, Life magazine ranked Edward Bernays among the 100 most influential American figures of the 20th century. This documentary rich in archives retraces, in the light of a critical analysis - including that of the famous linguist Noam Chomsky -, the course of one who, among others, made women smoke, inspired the Nazi regime, accompanied the New Deal and was the architect of the overthrow of the Guatemalan government in 1954.<br /><br /><a href=\"https://ok.ru/video/754497948359\" target=\"_blank\">https://ok.ru/video/754497948359</a>",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/851220224003956736",
"published": "2018-06-06T22:05:15+00:00",
"source": {
"content": "Propaganda Engineering Consent (ARTE FRANCE SUB) with Noam Chomsky\nHow to influence crowds? Through the figure of Edward Bernays (1891-1995), one of the inventors of marketing and the author of \"Propaganda\", a fascinating decoding of the methods of the \"factory of consent\".\n\nIf the techniques of persuasion of the masses appeared in Europe in the late nineteenth century to fight against workers' revolts, they were developed in the United States to convince Americans to engage in the First World War. Unknown to the general public, nephew of Sigmund Freud, the author of the reference book Propaganda and one of the inventors of marketing, Edward Bernays (1891-1995) was one of the main theorists. Inspired by the codes of advertising and entertainment, these methods of \"making consent\" of crowds address the unconscious desires of these. The industrialists seize it to fight against the strikes with the objective to make join the working class to capitalism and thus transform the citizen into consumer. In 2001, Life magazine ranked Edward Bernays among the 100 most influential American figures of the 20th century. This documentary rich in archives retraces, in the light of a critical analysis - including that of the famous linguist Noam Chomsky -, the course of one who, among others, made women smoke, inspired the Nazi regime, accompanied the New Deal and was the architect of the overthrow of the Guatemalan government in 1954.\n\nhttps://ok.ru/video/754497948359",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:851220224003956736/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:814242135126564864",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "PRESS PAUSE PLAY(2011) VOSTFR<br />Vous vous souvenez de cette vieille époque où l’on considérait que « photographe », « musicien » ou encore « écrivain » étaient des métiers ? On était encore enfants et on se demandait « quel type d’études » il fallait faire pour exercer ces professions.<br />Aujourd’hui, armé d’un appareil photo numérique à moins de 50 euros chez Darty, Instagram, un logiciel de musique, un compte YouTube et un Tumblr, tout le monde peut se réclamer de l’art. C’est ce que le documentaire Press Pause Play illustre.<br />En effet, l’émergence des nouvelles technologies en ligne a rendu possible une e-creativité, terrain de jeux inédit pour les artistes dits « professionnels » mais aussi pour les amateurs. Un nouveau champ des possibles a subitement vu le jour, et avec lui, la multiplication des oeuvres créées.<br />Est-ce à dire que l’art s’est démocratisé et que tout le monde est devenu potentiellement talentueux du jour au lendemain ? Pas nécessairement, et c’est aussi ce que Press Pause Play se propose d’interroger.<br /><br />Do you remember that old age when we considered that \"photographer\", \"musician\" or \"writer\" were trades? We were still children and we were wondering \"what kind of studies\" needed to be done to practice these professions.<br />Today, armed with a digital camera at less than 50 euros , Instagram, a music software, a YouTube account and a Tumblr, everyone can claim art. This is what the documentary Press Pause Play illustrates.<br />Indeed, the emergence of new technologies online has made possible an e-creativity, a new playground for artists called \"professional\" but also for amateurs. A new field of possibilities has suddenly emerged, and with it, the multiplication of created works.<br />Does this mean that art has become democratized and that everyone has become potentially talented overnight? Not necessarily, and that's also what Press Pause Play proposes to question.<br /><a href=\"https://vimeo.com/65631822\" target=\"_blank\">https://vimeo.com/65631822</a>",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/814242135126564864",
"published": "2018-02-24T21:07:32+00:00",
"source": {
"content": "PRESS PAUSE PLAY(2011) VOSTFR\nVous vous souvenez de cette vieille époque où l’on considérait que « photographe », « musicien » ou encore « écrivain » étaient des métiers ? On était encore enfants et on se demandait « quel type d’études » il fallait faire pour exercer ces professions.\nAujourd’hui, armé d’un appareil photo numérique à moins de 50 euros chez Darty, Instagram, un logiciel de musique, un compte YouTube et un Tumblr, tout le monde peut se réclamer de l’art. C’est ce que le documentaire Press Pause Play illustre.\nEn effet, l’émergence des nouvelles technologies en ligne a rendu possible une e-creativité, terrain de jeux inédit pour les artistes dits « professionnels » mais aussi pour les amateurs. Un nouveau champ des possibles a subitement vu le jour, et avec lui, la multiplication des oeuvres créées.\nEst-ce à dire que l’art s’est démocratisé et que tout le monde est devenu potentiellement talentueux du jour au lendemain ? Pas nécessairement, et c’est aussi ce que Press Pause Play se propose d’interroger.\n\nDo you remember that old age when we considered that \"photographer\", \"musician\" or \"writer\" were trades? We were still children and we were wondering \"what kind of studies\" needed to be done to practice these professions.\nToday, armed with a digital camera at less than 50 euros , Instagram, a music software, a YouTube account and a Tumblr, everyone can claim art. This is what the documentary Press Pause Play illustrates.\nIndeed, the emergence of new technologies online has made possible an e-creativity, a new playground for artists called \"professional\" but also for amateurs. A new field of possibilities has suddenly emerged, and with it, the multiplication of created works.\nDoes this mean that art has become democratized and that everyone has become potentially talented overnight? Not necessarily, and that's also what Press Pause Play proposes to question.\nhttps://vimeo.com/65631822",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:814242135126564864/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:780964496435847186",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "Unacknowledged (2017) VOSTFR<br /><a href=\"https://mega.nz/#!O0ExzYQQ!XxZpzHxmUdQsYRDaNbK6xTQCX5tF4-_TpOm2doKSazw\" target=\"_blank\">https://mega.nz/#!O0ExzYQQ!XxZpzHxmUdQsYRDaNbK6xTQCX5tF4-_TpOm2doKSazw</a><br /><br />\"Non reconnu\" se concentre sur les dossiers historiques du Projet de divulgation et sur la manière dont le respect des OVNIS a été implacablement appliqué - et pourquoi. La meilleure preuve de contact extraterrestre, datant de plusieurs décennies, est présentée avec des témoignages directs top-secrets, des documents et des séquences d'OVNIS, dont 80% n'ont jamais été révélés nulle part ailleurs. Les recherches dans les coulisses et les réunions de haut niveau convoquées par le Dr. Steven Greer exposeront le degré d'opérations illégales et secrètes au cœur du secret des ovnis. Des briefings avec le directeur de la CIA, les meilleurs généraux et amiraux du Pentagone, jusqu'au briefing du président Obama par l'intermédiaire du conseiller John Podesta, président de la campagne Hillary Clinton, nous emmenons le spectateur derrière le voile du secret et dans les coulisses du vrai pouvoir. Les secrets d'UFO résident. Le spectateur apprendra qu'un coup d'État silencieux s'est produit depuis les années 1950 et que le Congrès, le président et d'autres dirigeants du monde ont été mis à l'écart par des éléments criminels au sein du complexe militaro-industriel et financier.<br /><br />Unacknowledged (2017)<br /><a href=\"https://archive.org/details/UnacknowledgedFullMovie\" target=\"_blank\">https://archive.org/details/UnacknowledgedFullMovie</a><br /><br />\"Unacknowledged\" focuses on the historic files of the Disclosure Project and how UFO secrecy has been ruthlessly enforced-and why. The best evidence for extraterrestrial contact, dating back decades, is presented with direct top-secret witness testimony, documents and UFO footage, 80% of which has never been revealed anywhere else. The behind-the-scenes research and high-level meetings convened by Dr. Steven Greer will expose the degree of illegal, covert operations at the core of UFO secrecy. From briefings with the CIA Director, top Pentagon Generals and Admirals, to the briefing of President Obama via senior advisor John Podesta, chairman of the Hillary Clinton Campaign, we take the viewer behind the veil of secrecy and into the corridors of real power where the UFO secrets reside. The viewer will learn that a silent coup d'état has occurred dating back to the 1950s and that the Congress, the President and other world leaders have been sidelined by criminal elements within the military-industrial-financial complex.",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/780964496435847186",
"published": "2017-11-25T01:14:02+00:00",
"source": {
"content": "Unacknowledged (2017) VOSTFR\nhttps://mega.nz/#!O0ExzYQQ!XxZpzHxmUdQsYRDaNbK6xTQCX5tF4-_TpOm2doKSazw\n\n\"Non reconnu\" se concentre sur les dossiers historiques du Projet de divulgation et sur la manière dont le respect des OVNIS a été implacablement appliqué - et pourquoi. La meilleure preuve de contact extraterrestre, datant de plusieurs décennies, est présentée avec des témoignages directs top-secrets, des documents et des séquences d'OVNIS, dont 80% n'ont jamais été révélés nulle part ailleurs. Les recherches dans les coulisses et les réunions de haut niveau convoquées par le Dr. Steven Greer exposeront le degré d'opérations illégales et secrètes au cœur du secret des ovnis. Des briefings avec le directeur de la CIA, les meilleurs généraux et amiraux du Pentagone, jusqu'au briefing du président Obama par l'intermédiaire du conseiller John Podesta, président de la campagne Hillary Clinton, nous emmenons le spectateur derrière le voile du secret et dans les coulisses du vrai pouvoir. Les secrets d'UFO résident. Le spectateur apprendra qu'un coup d'État silencieux s'est produit depuis les années 1950 et que le Congrès, le président et d'autres dirigeants du monde ont été mis à l'écart par des éléments criminels au sein du complexe militaro-industriel et financier.\n\nUnacknowledged (2017)\nhttps://archive.org/details/UnacknowledgedFullMovie\n\n\"Unacknowledged\" focuses on the historic files of the Disclosure Project and how UFO secrecy has been ruthlessly enforced-and why. The best evidence for extraterrestrial contact, dating back decades, is presented with direct top-secret witness testimony, documents and UFO footage, 80% of which has never been revealed anywhere else. The behind-the-scenes research and high-level meetings convened by Dr. Steven Greer will expose the degree of illegal, covert operations at the core of UFO secrecy. From briefings with the CIA Director, top Pentagon Generals and Admirals, to the briefing of President Obama via senior advisor John Podesta, chairman of the Hillary Clinton Campaign, we take the viewer behind the veil of secrecy and into the corridors of real power where the UFO secrets reside. The viewer will learn that a silent coup d'état has occurred dating back to the 1950s and that the Congress, the President and other world leaders have been sidelined by criminal elements within the military-industrial-financial complex.",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:780964496435847186/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:773176498147303444",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "Le septième continent <br /><br />The seventeenth continent (french SUB ENG )<br /><br />A shared URGENCY: understanding and reducing plastic pollution for a preserved planet<br /><br />90% of the plastics present at sea come from the continents ... no ocean is preserved by the massive presence of plastics (8 to 10 million tons poured per year, several hundreds of millions of tons identified as on the surface of an ocean) ... these plastics carry endocrine disruptors, heavy metals and other pollutants, and are biodiversity traps for fish, marine mammals and birds that swallow them.<br /><br />While France hosts the climate conference ParisClimat2015, generating a national and international mobilization for the environment, it is high time to UNDERSTAND, EXPLAIN and ACT.<br /><br />This is why Expedition 7th Continent, work for an ocean preserved in 2015 by 2 expeditions combining scientific, pedagogical and media know-how structured around a common commitment through action,<br />from May 15 to June 15, 2015 in the North Atlantic and December 2015 / January 2016 in the South Atlantic.<br /><br /><a href=\"https://www.youtube.com/watch?v=GmDh1j1z1nE\" target=\"_blank\">https://www.youtube.com/watch?v=GmDh1j1z1nE</a>",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/773176498147303444",
"published": "2017-11-03T13:27:17+00:00",
"source": {
"content": "Le septième continent \n\nThe seventeenth continent (french SUB ENG )\n\nA shared URGENCY: understanding and reducing plastic pollution for a preserved planet\n\n90% of the plastics present at sea come from the continents ... no ocean is preserved by the massive presence of plastics (8 to 10 million tons poured per year, several hundreds of millions of tons identified as on the surface of an ocean) ... these plastics carry endocrine disruptors, heavy metals and other pollutants, and are biodiversity traps for fish, marine mammals and birds that swallow them.\n\nWhile France hosts the climate conference ParisClimat2015, generating a national and international mobilization for the environment, it is high time to UNDERSTAND, EXPLAIN and ACT.\n\nThis is why Expedition 7th Continent, work for an ocean preserved in 2015 by 2 expeditions combining scientific, pedagogical and media know-how structured around a common commitment through action,\nfrom May 15 to June 15, 2015 in the North Atlantic and December 2015 / January 2016 in the South Atlantic.\n\nhttps://www.youtube.com/watch?v=GmDh1j1z1nE",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:773176498147303444/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:767387186986229773",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "Operation Hollywood : (2004)<br /><a href=\"https://www.youtube.com/watch?v=YUKSs1JWQLA\" target=\"_blank\">https://www.youtube.com/watch?v=YUKSs1JWQLA</a><br /><br />Pour que le Pentagon soit content, certains producteurs d’Hollywood sont réputés pour transformer les méchants en héros, supprimer des personnages centraux, changer les histoires politiquement sensibles, ou ajouter des opérations de sauvetage militaire dans des films.<br />\"La longue collaboration entre Hollywood et le Pentagone a permis aux studios américains de produire des films aux budgets gigantesques et à l'efficacité redoutable... Retour sur une association fructueuse : connivence, échanges de bons procédés, propagande insidieuse voire censure : ce film retrace les soubresauts d'une coopération fort complexe. Illustré de nombreux extraits de films (Patton, Pearl Harbor, Top Gun, Apocalypse Now, etc.) et de témoignages de cinéastes, de militaires et de journalistes, Opération Hollywood radiographie plus de soixante ans de cinéma de guerre américain et y décrypte l'influence du Pentagone\".<br />\"Je me demande combien de soldats américains tués en Irak se sont engagés parce qu'ils ont vu un film quand ils étaient mômes et qu'ils s'étaient dit : C'est génial, l'armée, je vais m'engager !\". David Robb. Journaliste<br /><br />Operation Hollywood: How The Pentagon Shapes And Censors The Movies (2004)<br /><a href=\"https://www.youtube.com/watch?v=FPZL5WTilRE\" target=\"_blank\">https://www.youtube.com/watch?v=FPZL5WTilRE</a><br /><br />For the Pentagon to be happy, some Hollywood producers are known to turn the bad guys into heroes, remove central characters, change politically sensitive stories, or add military rescue operations to movies.<br />\"The long collaboration between Hollywood and the Pentagon allowed the American studios to produce films with gigantic budgets and formidable effectiveness ... A fruitful association: connivance, exchanges of good practices, insidious propaganda and even censorship: this film (Photo: Patton, Pearl Harbor, Top Gun, Apocalypse Now, etc.) and testimonials from filmmakers, military and journalists, Operation Hollywood radiography over sixty years of American war cinema and decrypts the influence of the Pentagon \".<br /><br />\"I wonder how many American soldiers killed in Iraq got involved because they saw a movie when they were kids and said,\" This is great, the army, I'm going to commit myself! \". David Robb. Journalist",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/767387186986229773",
"published": "2017-10-18T14:02:39+00:00",
"source": {
"content": "Operation Hollywood : (2004)\nhttps://www.youtube.com/watch?v=YUKSs1JWQLA\n\nPour que le Pentagon soit content, certains producteurs d’Hollywood sont réputés pour transformer les méchants en héros, supprimer des personnages centraux, changer les histoires politiquement sensibles, ou ajouter des opérations de sauvetage militaire dans des films.\n\"La longue collaboration entre Hollywood et le Pentagone a permis aux studios américains de produire des films aux budgets gigantesques et à l'efficacité redoutable... Retour sur une association fructueuse : connivence, échanges de bons procédés, propagande insidieuse voire censure : ce film retrace les soubresauts d'une coopération fort complexe. Illustré de nombreux extraits de films (Patton, Pearl Harbor, Top Gun, Apocalypse Now, etc.) et de témoignages de cinéastes, de militaires et de journalistes, Opération Hollywood radiographie plus de soixante ans de cinéma de guerre américain et y décrypte l'influence du Pentagone\".\n\"Je me demande combien de soldats américains tués en Irak se sont engagés parce qu'ils ont vu un film quand ils étaient mômes et qu'ils s'étaient dit : C'est génial, l'armée, je vais m'engager !\". David Robb. Journaliste\n\nOperation Hollywood: How The Pentagon Shapes And Censors The Movies (2004)\nhttps://www.youtube.com/watch?v=FPZL5WTilRE\n\nFor the Pentagon to be happy, some Hollywood producers are known to turn the bad guys into heroes, remove central characters, change politically sensitive stories, or add military rescue operations to movies.\n\"The long collaboration between Hollywood and the Pentagon allowed the American studios to produce films with gigantic budgets and formidable effectiveness ... A fruitful association: connivance, exchanges of good practices, insidious propaganda and even censorship: this film (Photo: Patton, Pearl Harbor, Top Gun, Apocalypse Now, etc.) and testimonials from filmmakers, military and journalists, Operation Hollywood radiography over sixty years of American war cinema and decrypts the influence of the Pentagon \".\n\n\"I wonder how many American soldiers killed in Iraq got involved because they saw a movie when they were kids and said,\" This is great, the army, I'm going to commit myself! \". David Robb. Journalist",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:767387186986229773/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:763412469065457673",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "<a href=\"https://www.youtube.com/watch?v=fDPpzG6u-as\" target=\"_blank\">https://www.youtube.com/watch?v=fDPpzG6u-as</a>",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/763412469065457673",
"published": "2017-10-07T14:48:35+00:00",
"source": {
"content": "https://www.youtube.com/watch?v=fDPpzG6u-as",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:763412469065457673/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:760864439669891072",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "NOTHING TO HIDE (Doc 2016 ENG FR ES GER Versions)<br /><br />is a documentary researched and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. As producers, we have assembled a multi-national team to question the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. All too often the mainstream mantra has become “Surveillance? I have NOTHING TO HIDE!”<br />Mihaela is a Croatian-German video journalist, moderator, writer and TV-production manager. Marc is a political economy journalist for the French press. We worked together in 2014, reporting from the eastern Donbass region during the (ongoing) Ukrainian crisis. (More Bio in TEAM Section).<br /><br />What kind of society are we building?<br /><br />Mihaela has worked on privacy issues, Marc on digital economics and policy. Meeting at events in Berlin, we decided to team up and tackle what is often left out in the surveillance debate. Whereas many post-Snowden reports focus on technical or more abstract aspects of Big Data, we expose its sociological impact, something we all struggle to understand going about our daily lives.<br /><br />The NOTHING TO HIDE argument has not yet been investigated. Ignoring this question does not allow us to answer another: What kind of society are we building for ourselves and future generations? What does it say about us and our societies when we embrace the NOTHING TO HIDE justification?<br /><br />Torrent:(English version)<br /><a href=\"https://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTEN.SUBFORCED.WEB-DL.AAC2.0.torrent\" target=\"_blank\">https://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTEN.SUBFORCED.WEB-DL.AAC2.0.torrent</a><br /><br />Torrent (French Version)<br /><a href=\"https://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTFR.SUBFORCED.WEB-DL.AAC2.0.torrent\" target=\"_blank\">https://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTFR.SUBFORCED.WEB-DL.AAC2.0.torrent</a> (Sous-titres en français)<br /><br />Torrent (Spanish version)<br /><a href=\"https://www.aquilenet.fr/nth/Nothig.to.Hide.1080p.VOSTES.WEB-DL.AAC2.0.torrent\" target=\"_blank\">https://www.aquilenet.fr/nth/Nothig.to.Hide.1080p.VOSTES.WEB-DL.AAC2.0.torrent</a><br /><br />Torrent (German version)<br /><a href=\"https://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTDE.SUBFORCED.WEB-DL.AAC2.0.torrent\" target=\"_blank\">https://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTDE.SUBFORCED.WEB-DL.AAC2.0.torrent</a><br /><br />Le pouvoir est la surveillance du tout.<br />Citation de Platon ; Les définitions - IVe s. av. J.-C.<br /><br />Power is the oversight of the whole.<br />Quotation of Plato; Definitions - IVe s. BC. AD<br /><br />Nothing to Hide licence Creative Commons – Attribution – Non Commercial – No Derivatives (CC-BY-NC-ND<br />kickstarter.com/projects/1587081065/nothing-to-hide-the-documentary<br />facebook.com/Nothing-to-Hide-Documentary-Film-666963573432713/<br />twitter.com/Nothin_to_Hide<br />nothingtohidedoc.wordpress.com/<br />blogs.mediapart.fr/nothing-hide-documentaire (FR)<br />",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/760864439669891072",
"published": "2017-09-30T14:03:36+00:00",
"source": {
"content": "NOTHING TO HIDE (Doc 2016 ENG FR ES GER Versions)\n\nis a documentary researched and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. As producers, we have assembled a multi-national team to question the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. All too often the mainstream mantra has become “Surveillance? I have NOTHING TO HIDE!”\nMihaela is a Croatian-German video journalist, moderator, writer and TV-production manager. Marc is a political economy journalist for the French press. We worked together in 2014, reporting from the eastern Donbass region during the (ongoing) Ukrainian crisis. (More Bio in TEAM Section).\n\nWhat kind of society are we building?\n\nMihaela has worked on privacy issues, Marc on digital economics and policy. Meeting at events in Berlin, we decided to team up and tackle what is often left out in the surveillance debate. Whereas many post-Snowden reports focus on technical or more abstract aspects of Big Data, we expose its sociological impact, something we all struggle to understand going about our daily lives.\n\nThe NOTHING TO HIDE argument has not yet been investigated. Ignoring this question does not allow us to answer another: What kind of society are we building for ourselves and future generations? What does it say about us and our societies when we embrace the NOTHING TO HIDE justification?\n\nTorrent:(English version)\nhttps://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTEN.SUBFORCED.WEB-DL.AAC2.0.torrent\n\nTorrent (French Version)\nhttps://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTFR.SUBFORCED.WEB-DL.AAC2.0.torrent (Sous-titres en français)\n\nTorrent (Spanish version)\nhttps://www.aquilenet.fr/nth/Nothig.to.Hide.1080p.VOSTES.WEB-DL.AAC2.0.torrent\n\nTorrent (German version)\nhttps://www.aquilenet.fr/nth/Nothing.to.Hide.1080p.VOSTDE.SUBFORCED.WEB-DL.AAC2.0.torrent\n\nLe pouvoir est la surveillance du tout.\nCitation de Platon ; Les définitions - IVe s. av. J.-C.\n\nPower is the oversight of the whole.\nQuotation of Plato; Definitions - IVe s. BC. AD\n\nNothing to Hide licence Creative Commons – Attribution – Non Commercial – No Derivatives (CC-BY-NC-ND\nkickstarter.com/projects/1587081065/nothing-to-hide-the-documentary\nfacebook.com/Nothing-to-Hide-Documentary-Film-666963573432713/\ntwitter.com/Nothin_to_Hide\nnothingtohidedoc.wordpress.com/\nblogs.mediapart.fr/nothing-hide-documentaire (FR)\n",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:760864439669891072/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:760665770685374464",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "<a href=\"https://vimeo.com/185535526\" target=\"_blank\">https://vimeo.com/185535526</a><br />Nothing to Hide",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/760665770685374464",
"published": "2017-09-30T00:54:12+00:00",
"source": {
"content": "https://vimeo.com/185535526\nNothing to Hide",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:760665770685374464/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:753759754521681920",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "REVOLUTION (2013)(VOSTFR<br />Revolution est un film qui veut changer le monde. Véritable aventure vécue par Rob Stewart, elle est la suite de l'acclamé documentaire Sharkwater: S.O.S. requins. Elle propose un remarquable voyage qui s'est étendu sur 15 pays pendant quatre ans. Le réalisateur y a découvert que les requins sont en danger, mais que l'humanité entière l'est aussi.<br /><br /><a href=\"https://archive.org/details/Eya_Revolution\" target=\"_blank\">https://archive.org/details/Eya_Revolution</a><br /><br />REVOLUTION (2013)<br />Revolution is a film that wants to change the world. True adventure lived by Rob Stewart, it is the sequel to the acclaimed documentary Sharkwater: S.O.S. sharks. It offers a remarkable trip that has spread over 15 countries for four years. The director discovered that the sharks are in danger, but that the whole humanity is also in danger.",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/753759754521681920",
"published": "2017-09-10T23:32:06+00:00",
"source": {
"content": "REVOLUTION (2013)(VOSTFR\nRevolution est un film qui veut changer le monde. Véritable aventure vécue par Rob Stewart, elle est la suite de l'acclamé documentaire Sharkwater: S.O.S. requins. Elle propose un remarquable voyage qui s'est étendu sur 15 pays pendant quatre ans. Le réalisateur y a découvert que les requins sont en danger, mais que l'humanité entière l'est aussi.\n\nhttps://archive.org/details/Eya_Revolution\n\nREVOLUTION (2013)\nRevolution is a film that wants to change the world. True adventure lived by Rob Stewart, it is the sequel to the acclaimed documentary Sharkwater: S.O.S. sharks. It offers a remarkable trip that has spread over 15 countries for four years. The director discovered that the sharks are in danger, but that the whole humanity is also in danger.",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:753759754521681920/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:753638523474550784",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "THE UNKNOWN KNOWN (2013) VOSTFR<br />un documentaire de Errol Morris avec : Donald Rumsfeld<br /> Au travers d'interviews de Donald Rumsfeld, Errol Morris s'intéresse à la rhétorique et au pouvoir des mots utilisés par l'homme et le gouvernement pour sa communication de guerre, notamment en Irak...<br />Retour sur la carrière du politicien américain Donald Rumsfeld, tour à tour ambassadeur à l'OTAN, membre du Congrès, Secrétaire Général à la Maison Blanche, Secrétaire Général à la Défense jusqu'à sa démission en 2006.<br /><br /><a href=\"https://mega.nz/#!Pkt1AR4a!8cDHnJWDldl38apxmjOvnFNfANaUhEEAxrWbcy9ojYQ\" target=\"_blank\">https://mega.nz/#!Pkt1AR4a!8cDHnJWDldl38apxmjOvnFNfANaUhEEAxrWbcy9ojYQ</a><br /><br /><br />THE UNKNOWN KNOWN (2013)<br />The Unknown Known (also known as The Unknown Known: The Life and Times of Donald Rumsfeld) is a 2013 American documentary film about the political career of former U.S. Secretary of Defense and congressman Donald Rumsfeld, directed by Academy Award winning documentarian and filmmaker Errol Morris. The film is a summary of 33 hours of interviews that Morris conducted with Rumsfeld over eleven separate sessions during visits to Newton, Massachusetts. It is dedicated to the memory of Roger Ebert.<br /><br /><a href=\"https://archive.org/details/The_Unknown_Known\" target=\"_blank\">https://archive.org/details/The_Unknown_Known</a>",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/753638523474550784",
"published": "2017-09-10T15:30:23+00:00",
"source": {
"content": "THE UNKNOWN KNOWN (2013) VOSTFR\nun documentaire de Errol Morris avec : Donald Rumsfeld\n Au travers d'interviews de Donald Rumsfeld, Errol Morris s'intéresse à la rhétorique et au pouvoir des mots utilisés par l'homme et le gouvernement pour sa communication de guerre, notamment en Irak...\nRetour sur la carrière du politicien américain Donald Rumsfeld, tour à tour ambassadeur à l'OTAN, membre du Congrès, Secrétaire Général à la Maison Blanche, Secrétaire Général à la Défense jusqu'à sa démission en 2006.\n\nhttps://mega.nz/#!Pkt1AR4a!8cDHnJWDldl38apxmjOvnFNfANaUhEEAxrWbcy9ojYQ\n\n\nTHE UNKNOWN KNOWN (2013)\nThe Unknown Known (also known as The Unknown Known: The Life and Times of Donald Rumsfeld) is a 2013 American documentary film about the political career of former U.S. Secretary of Defense and congressman Donald Rumsfeld, directed by Academy Award winning documentarian and filmmaker Errol Morris. The film is a summary of 33 hours of interviews that Morris conducted with Rumsfeld over eleven separate sessions during visits to Newton, Massachusetts. It is dedicated to the memory of Roger Ebert.\n\nhttps://archive.org/details/The_Unknown_Known",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:753638523474550784/activity"
},
{
"type": "Create",
"actor": "https://www.minds.com/api/activitypub/users/460793775283773455",
"object": {
"type": "Note",
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:753390879107981312",
"attributedTo": "https://www.minds.com/api/activitypub/users/460793775283773455",
"content": "<a href=\"https://archive.org/details/TRUMPWHATSTHEDEAL\" target=\"_blank\">https://archive.org/details/TRUMPWHATSTHEDEAL</a><br />TRUMP WHAT S THE DEAL (1991)<br />\"Some years ago, we made a documentary about Donald Trump. It wasn't flattering. Trump screamed and shouted and threatened lawsuits and it was never broadcast,\" says the trailer for the new documentary: Trump: What's the Deal? \"But now we think it is time for you to see it, because the old Trump and the new Trump and the same Trump.\"<br /><br />The full documentary about Trump's \"downfall\" in the period from 1988-1991, featuring tons of contemporary celebrities, can be viewed here. It's more than an hour long and so far, nothing major<br />The film was commissioned in 1988 by Leonard Stern as the first of a series on celebrity businessmen and finished in 1991. Back then, the only way for a film to be seen was on television or in the theater. Donald threatened to sue any broadcaster or distributor that took on the film. In effect, it was suppressed.",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://www.minds.com/api/activitypub/users/460793775283773455/followers"
],
"tag": [],
"url": "https://www.minds.com/newsfeed/753390879107981312",
"published": "2017-09-09T23:06:22+00:00",
"source": {
"content": "https://archive.org/details/TRUMPWHATSTHEDEAL\nTRUMP WHAT S THE DEAL (1991)\n\"Some years ago, we made a documentary about Donald Trump. It wasn't flattering. Trump screamed and shouted and threatened lawsuits and it was never broadcast,\" says the trailer for the new documentary: Trump: What's the Deal? \"But now we think it is time for you to see it, because the old Trump and the new Trump and the same Trump.\"\n\nThe full documentary about Trump's \"downfall\" in the period from 1988-1991, featuring tons of contemporary celebrities, can be viewed here. It's more than an hour long and so far, nothing major\nThe film was commissioned in 1988 by Leonard Stern as the first of a series on celebrity businessmen and finished in 1991. Back then, the only way for a film to be seen was on television or in the theater. Donald threatened to sue any broadcaster or distributor that took on the film. In effect, it was suppressed.",
"mediaType": "text/plain"
}
},
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/entities/urn:activity:753390879107981312/activity"
}
],
"id": "https://www.minds.com/api/activitypub/users/460793775283773455/outbox",
"partOf": "https://www.minds.com/api/activitypub/users/460793775283773455/outboxoutbox"
}