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"content": "Fritz Stüssi, A Swiss Romantic<br />👉 𝐖𝐨𝐫𝐥𝐝 𝐏𝐫𝐞𝐦𝐢𝐞𝐫𝐞 𝐑𝐞𝐜𝐨𝐫𝐝𝐢𝐧𝐠 <br /><br />Smart links, preorders and more social links here:<br /><br /><a href=\"https://orcd.co/album-fritz-stuessi\" target=\"_blank\">https://orcd.co/album-fritz-stuessi</a><br /><br />Zürcher Kammerphilharmonie<br />Zürcher Sing-Akademie<br />Florian Helgath<br /><br />𝐅𝐫𝐢𝐭𝐳 𝐒𝐭𝐮̈𝐬𝐬𝐢<br /><br />Fritz Stüssi (1874 - 1923) attended the Gymnasium in Zurich as well as the Zurich Music School, from which he graduated as a pianist and composer.<br /><br />He then continued his studies at the Royal Academy of Music in Berlin (counterpoint with Reinhold Succo, composition with Max Bruch).<br /><br />After his return to Switzerland, Stüssi took over the direction of various choirs in Wädenswil, where he also took up residence in 1898. In 1902 he was elected organist and from then on had a lasting influence on musical events in and around Wädenswil. Stüssi’s oratorio “Vergehen und Auferstehen” was performed in 1914 and the “28th Psalm” in 1921. Between 1898 and 1912, Stüssi also took over the direction of other choirs and orchestras in Uster, Männedorf, Rapperswil, Lachen, Richterswil, Thalwil and Zurich. He was thus a kind of music king around Lake Zurich.<br /><br />The associated workload took its toll on Stüssi’s health. He died completely unexpectedly on 14 March 1923. Fritz Stüssi left around 130 compositions to posterity, including six orchestral works, two oratorios as well as various cantatas, motets and songs. The handwritten music of his works was kept privately by the composer’s son, Prof. Dr. Fritz Stüssi, until 1979, when it was handed over to the Zurich Central Library by one of the composer’s grandsons, Dr. Hans Kaspar Schulthess, with the agreement of the Stüssi heirs. As the composer’s grandson, Dr Ulrich Stüssi is now making the work known to the public again for the first time in about 100 years.<br /><br />𝐅𝐥𝐨𝐫𝐢𝐚𝐧 𝐇𝐞𝐥𝐠𝐚𝐭𝐡<br /><br />Florian Helgath has established himself as one of the leading choral conductors of this generation. He has been Artistic Director of ChorWerk Ruhr since 2011 and was appointed Artistic Director of the Zürcher Sing-Akademie in 2017. With these two ensembles he explores choral music from all eras, ranging from a cappella repertoire to the vast choral works of the symphonic genre.<br /><br />Florian Helgath regularly appears as guest conductor with many leading vocal ensembles and has collaborated with renowned orchestras. He has performed in many major concert halls, and at festivals including the Berliner Festspiele, Schwetzinger Festspiele, Audi Sommerkonzerte, Eclat Festival Neue Musik Stuttgart and Thüringer Bachwochen. He has developed a particular connection with the Ruhrtriennale; his projects for this festival include numerous contemporary music theatre productions.<br /><br />His discography includes a number of prize-winning recordings: his interpretations have achieved accolades including the ICMA and ECHO Klassik, as well as Grammy nomination. Florian Helgath’s formative musical experiences took place in his native town, where he was a member of the Regensburger Domspatzen; he continued his studies at the Hochschule für Musik und Theater in München. Among his most influential teachers were Michael Gläser, Stefan Parkman, and Dan Olof Stenlund, whose guidance was pivotal in shaping his career as a conductor.<br /><br />𝐙𝐮̈𝐫𝐜𝐡𝐞𝐫 𝐒𝐢𝐧𝐠-𝐀𝐤𝐚𝐝𝐞𝐦𝐢𝐞<br /><br />The Zürcher Sing-Akademie is renowned for its versatility and flexibility, performing at the highest level in both chamber and symphonic settings. The Swiss choir collaborates with many eminent orchestras within Switzerland and internationally, and boasts an extensive symphonic repertoire. The ensemble also frequently presents a cappella programmes and plays a prominent part in the promotion of Swiss composers, both historical and contemporary.<br /><br />Central to its ethos is the continued development of the choral landscape: the Zürcher Sing-Akademie frequently commissions new works and has given many première performances. Florian Helgath has been conductor and artistic director of the Zürcher Sing-Akademie since 2017.<br /><br />Since its formation in 2011, the choir has collaborated with numerous conductors including Bernard Haitink, David Zinman, Daniel Barenboim, Sir Roger Norrington, Pablo Heras-Casado, Neeme Järvi, Giovanni Antonini, Paavo Järvi, and RenéJacobs.<br /><br />Concert tours have taken the Zürcher Sing-Akademie to Germany, Italy, Israel, the Netherlands, Lebanon, Taiwan, China, and as well as many European cities. Particular highlights include concerts at the BBC Proms in London, in the Philharmonie de Paris, Concertgebouw Amsterdam, Philharmonie Köln, and in the National Concert Hall Taipeh. In addition to its long association with the Tonhalle-Orchester Zürich, the choir regularly performs with acclaimed ensembles such as the Freiburger Barockorchester, Luzerner Sinfonieorchester, Orchestre de la Suisse Romande, Kammerorchester Basel, Musikkollegium Winterthur, Hofkapelle München, and the baroque orchestra La Scintilla.<br /><br />Many of the ensembles CD recordings have won acclaim in the form of prestigious awards. The most recent additions to its discography are Beethoven’s Choral Fantasy conducted by Pablo Heras-Casado and Weber’s opera Der Freischütz, both with the Freiburg Baroque Orchestra, for Harmonia Mundi. In autumn 2022, the first a cappella recording of the ensemble was released at the Swiss label Claves Records.<br /><br />𝐀𝐫𝐭𝐢𝐬𝐭𝐬<br /><br />Hannah Morrison, soprano<br />Ingeborg Danz, alto<br />Fabio Trümpy, ténor<br />Krešimir Stražanac, bass<br />Johanna Soller, organ<br />Zürcher Sing-Akademie<br />Zürcher Kammerphilharmonie<br />Florian Helgath, conductor<br /><br />Read more on www.claves.ch<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=FritzStüssi\" title=\"#FritzStüssi\" class=\"u-url hashtag\" target=\"_blank\">#FritzStüssi</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Rare\" title=\"#Rare\" class=\"u-url hashtag\" target=\"_blank\">#Rare</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=classicalmusic\" title=\"#classicalmusic\" class=\"u-url hashtag\" target=\"_blank\">#classicalmusic</a>",
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"content": "Fritz Stüssi, A Swiss Romantic\n👉 𝐖𝐨𝐫𝐥𝐝 𝐏𝐫𝐞𝐦𝐢𝐞𝐫𝐞 𝐑𝐞𝐜𝐨𝐫𝐝𝐢𝐧𝐠 \n\nSmart links, preorders and more social links here:\n\nhttps://orcd.co/album-fritz-stuessi\n\nZürcher Kammerphilharmonie\nZürcher Sing-Akademie\nFlorian Helgath\n\n𝐅𝐫𝐢𝐭𝐳 𝐒𝐭𝐮̈𝐬𝐬𝐢\n\nFritz Stüssi (1874 - 1923) attended the Gymnasium in Zurich as well as the Zurich Music School, from which he graduated as a pianist and composer.\n\nHe then continued his studies at the Royal Academy of Music in Berlin (counterpoint with Reinhold Succo, composition with Max Bruch).\n\nAfter his return to Switzerland, Stüssi took over the direction of various choirs in Wädenswil, where he also took up residence in 1898. In 1902 he was elected organist and from then on had a lasting influence on musical events in and around Wädenswil. Stüssi’s oratorio “Vergehen und Auferstehen” was performed in 1914 and the “28th Psalm” in 1921. Between 1898 and 1912, Stüssi also took over the direction of other choirs and orchestras in Uster, Männedorf, Rapperswil, Lachen, Richterswil, Thalwil and Zurich. He was thus a kind of music king around Lake Zurich.\n\nThe associated workload took its toll on Stüssi’s health. He died completely unexpectedly on 14 March 1923. Fritz Stüssi left around 130 compositions to posterity, including six orchestral works, two oratorios as well as various cantatas, motets and songs. The handwritten music of his works was kept privately by the composer’s son, Prof. Dr. Fritz Stüssi, until 1979, when it was handed over to the Zurich Central Library by one of the composer’s grandsons, Dr. Hans Kaspar Schulthess, with the agreement of the Stüssi heirs. As the composer’s grandson, Dr Ulrich Stüssi is now making the work known to the public again for the first time in about 100 years.\n\n𝐅𝐥𝐨𝐫𝐢𝐚𝐧 𝐇𝐞𝐥𝐠𝐚𝐭𝐡\n\nFlorian Helgath has established himself as one of the leading choral conductors of this generation. He has been Artistic Director of ChorWerk Ruhr since 2011 and was appointed Artistic Director of the Zürcher Sing-Akademie in 2017. With these two ensembles he explores choral music from all eras, ranging from a cappella repertoire to the vast choral works of the symphonic genre.\n\nFlorian Helgath regularly appears as guest conductor with many leading vocal ensembles and has collaborated with renowned orchestras. He has performed in many major concert halls, and at festivals including the Berliner Festspiele, Schwetzinger Festspiele, Audi Sommerkonzerte, Eclat Festival Neue Musik Stuttgart and Thüringer Bachwochen. He has developed a particular connection with the Ruhrtriennale; his projects for this festival include numerous contemporary music theatre productions.\n\nHis discography includes a number of prize-winning recordings: his interpretations have achieved accolades including the ICMA and ECHO Klassik, as well as Grammy nomination. Florian Helgath’s formative musical experiences took place in his native town, where he was a member of the Regensburger Domspatzen; he continued his studies at the Hochschule für Musik und Theater in München. Among his most influential teachers were Michael Gläser, Stefan Parkman, and Dan Olof Stenlund, whose guidance was pivotal in shaping his career as a conductor.\n\n𝐙𝐮̈𝐫𝐜𝐡𝐞𝐫 𝐒𝐢𝐧𝐠-𝐀𝐤𝐚𝐝𝐞𝐦𝐢𝐞\n\nThe Zürcher Sing-Akademie is renowned for its versatility and flexibility, performing at the highest level in both chamber and symphonic settings. The Swiss choir collaborates with many eminent orchestras within Switzerland and internationally, and boasts an extensive symphonic repertoire. The ensemble also frequently presents a cappella programmes and plays a prominent part in the promotion of Swiss composers, both historical and contemporary.\n\nCentral to its ethos is the continued development of the choral landscape: the Zürcher Sing-Akademie frequently commissions new works and has given many première performances. Florian Helgath has been conductor and artistic director of the Zürcher Sing-Akademie since 2017.\n\nSince its formation in 2011, the choir has collaborated with numerous conductors including Bernard Haitink, David Zinman, Daniel Barenboim, Sir Roger Norrington, Pablo Heras-Casado, Neeme Järvi, Giovanni Antonini, Paavo Järvi, and RenéJacobs.\n\nConcert tours have taken the Zürcher Sing-Akademie to Germany, Italy, Israel, the Netherlands, Lebanon, Taiwan, China, and as well as many European cities. Particular highlights include concerts at the BBC Proms in London, in the Philharmonie de Paris, Concertgebouw Amsterdam, Philharmonie Köln, and in the National Concert Hall Taipeh. In addition to its long association with the Tonhalle-Orchester Zürich, the choir regularly performs with acclaimed ensembles such as the Freiburger Barockorchester, Luzerner Sinfonieorchester, Orchestre de la Suisse Romande, Kammerorchester Basel, Musikkollegium Winterthur, Hofkapelle München, and the baroque orchestra La Scintilla.\n\nMany of the ensembles CD recordings have won acclaim in the form of prestigious awards. The most recent additions to its discography are Beethoven’s Choral Fantasy conducted by Pablo Heras-Casado and Weber’s opera Der Freischütz, both with the Freiburg Baroque Orchestra, for Harmonia Mundi. In autumn 2022, the first a cappella recording of the ensemble was released at the Swiss label Claves Records.\n\n𝐀𝐫𝐭𝐢𝐬𝐭𝐬\n\nHannah Morrison, soprano\nIngeborg Danz, alto\nFabio Trümpy, ténor\nKrešimir Stražanac, bass\nJohanna Soller, organ\nZürcher Sing-Akademie\nZürcher Kammerphilharmonie\nFlorian Helgath, conductor\n\nRead more on www.claves.ch\n\n#clavesrecords #FritzStüssi #Rare #classicalmusic",
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"content": "New review by Artalinna (ArtaMag) for the last album of Joachim Carr:<br /><br />\"La couleur sonore, ce gris perle avec nuages que Busoni a inventé dans son piano pour y faire entrer l’orgue intime de Ich ru zu dir, Herr Jesu Christ par lequel Joachim Carr ouvre ce qui semble son second disque solo est la même que celle choisie par César Franck, cet autre organiste, pour Prélude, Choral et Fugue qui referme l’album.<br /><br />Un cercle parfait, de la mystique de clavier pur, dont les deux Légendes de Liszt seront les ancrages romantiques, récits sacrés beaux comme des Piero della Francesca que le jeune pianiste norvégien joue large et profond, les gorgeant de timbres plus que d’effets.[..]\" - Jean-Charles Hoffelé<br /><br /><br /><a href=\"http://www.artalinna.com/2023/08/08/piano-mystique/\" target=\"_blank\">http://www.artalinna.com/2023/08/08/piano-mystique/</a><br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=piano\" title=\"#piano\" class=\"u-url hashtag\" target=\"_blank\">#piano</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=JaochimCarr\" title=\"#JaochimCarr\" class=\"u-url hashtag\" target=\"_blank\">#JaochimCarr</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=newrelease\" title=\"#newrelease\" class=\"u-url hashtag\" target=\"_blank\">#newrelease</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=review\" title=\"#review\" class=\"u-url hashtag\" target=\"_blank\">#review</a> ",
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"content": "New review by Artalinna (ArtaMag) for the last album of Joachim Carr:\n\n\"La couleur sonore, ce gris perle avec nuages que Busoni a inventé dans son piano pour y faire entrer l’orgue intime de Ich ru zu dir, Herr Jesu Christ par lequel Joachim Carr ouvre ce qui semble son second disque solo est la même que celle choisie par César Franck, cet autre organiste, pour Prélude, Choral et Fugue qui referme l’album.\n\nUn cercle parfait, de la mystique de clavier pur, dont les deux Légendes de Liszt seront les ancrages romantiques, récits sacrés beaux comme des Piero della Francesca que le jeune pianiste norvégien joue large et profond, les gorgeant de timbres plus que d’effets.[..]\" - Jean-Charles Hoffelé\n\n\nhttp://www.artalinna.com/2023/08/08/piano-mystique/\n\n#clavesrecords #piano #JaochimCarr #newrelease #review ",
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"content": "Excellence Musik und Theater !<br /><br />Nolwenn Bargin, Flute<br />Maki Wiederkehr, piano<br />Ensemble Chant du Vent<br /><br />\"[..] Eine gewisse salonhafte Süsse lässt sich vielen seiner Stücke kaum absprechen, aber es ist eine leichte, schwebende, flüchtige Süsse – ein leichter Zuckerguss, oder noch eher: Ein Hauch von Puderzucker – zum Schmelzen schön!\" - Reinmar Wagner<br /><br /><a href=\"https://mutheute.com/meilenstein/\" target=\"_blank\">https://mutheute.com/meilenstein/</a><br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Gaubert\" title=\"#Gaubert\" class=\"u-url hashtag\" target=\"_blank\">#Gaubert</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=NolwennBargin\" title=\"#NolwennBargin\" class=\"u-url hashtag\" target=\"_blank\">#NolwennBargin</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Flute\" title=\"#Flute\" class=\"u-url hashtag\" target=\"_blank\">#Flute</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Classicalmusic\" title=\"#Classicalmusic\" class=\"u-url hashtag\" target=\"_blank\">#Classicalmusic</a> ",
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"content": "Excellence Musik und Theater !\n\nNolwenn Bargin, Flute\nMaki Wiederkehr, piano\nEnsemble Chant du Vent\n\n\"[..] Eine gewisse salonhafte Süsse lässt sich vielen seiner Stücke kaum absprechen, aber es ist eine leichte, schwebende, flüchtige Süsse – ein leichter Zuckerguss, oder noch eher: Ein Hauch von Puderzucker – zum Schmelzen schön!\" - Reinmar Wagner\n\nhttps://mutheute.com/meilenstein/\n\n#clavesrecords #Gaubert #NolwennBargin #Flute #Classicalmusic ",
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"content": "Comedy, because in those days, composed for theater and cinema, these little musics lived in images or on theater stages.<br /><br />Once the curtain closed, these melodies would return to a drawer, silently clinging to their paper staves.<br /><br />So I brought them out again in a quartet: a saxophone vocal, another on tuba (a quiet genius), a faithful American on piano, and an airy percussion. Definitely, 4 actors very attentive to the \"beautiful work\": craftsmen of the beautiful sound, without artifice, a certain humility, without however forgetting the canaille, pirate spirit.<br /><br />So, a second life for these melodic fulgurances that have frequented Molière and also many lesser-known people, Helvetian film-makers, magnificent theater directors, then sister inspirations, born on a piano, like this \"Chili con carpate\" souvenir of the eternal journey from East to West or vice versa, but surely an immense gratitude to popular music. Influences? Nino Rota, Kurt Weil, Wayne Shorter, Egberto Gismonti, Harpo Marx, and so many others from the great family of poets who never cease to illuminate us with their childlike gaze.<br />Antoine Auberson, composer, May 2023 <br /><br /><a href=\"https://www.youtube.com/watch?v=0GyKxwfMIyk&list=PLy5IRCYvmbSxL5w1_nz2HWabZtbugMat-&index=1&pp=gAQBiAQB\" target=\"_blank\">https://www.youtube.com/watch?v=0GyKxwfMIyk&list=PLy5IRCYvmbSxL5w1_nz2HWabZtbugMat-&index=1&pp=gAQBiAQB</a>",
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"content": "Comedy, because in those days, composed for theater and cinema, these little musics lived in images or on theater stages.\n\nOnce the curtain closed, these melodies would return to a drawer, silently clinging to their paper staves.\n\nSo I brought them out again in a quartet: a saxophone vocal, another on tuba (a quiet genius), a faithful American on piano, and an airy percussion. Definitely, 4 actors very attentive to the \"beautiful work\": craftsmen of the beautiful sound, without artifice, a certain humility, without however forgetting the canaille, pirate spirit.\n\nSo, a second life for these melodic fulgurances that have frequented Molière and also many lesser-known people, Helvetian film-makers, magnificent theater directors, then sister inspirations, born on a piano, like this \"Chili con carpate\" souvenir of the eternal journey from East to West or vice versa, but surely an immense gratitude to popular music. Influences? Nino Rota, Kurt Weil, Wayne Shorter, Egberto Gismonti, Harpo Marx, and so many others from the great family of poets who never cease to illuminate us with their childlike gaze.\nAntoine Auberson, composer, May 2023 \n\nhttps://www.youtube.com/watch?v=0GyKxwfMIyk&list=PLy5IRCYvmbSxL5w1_nz2HWabZtbugMat-&index=1&pp=gAQBiAQB",
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"content": "<a href=\"https://www.claves.ch/fr/collections/new-releases/products/comedy-quartet-antoine-auberson\" target=\"_blank\">https://www.claves.ch/fr/collections/new-releases/products/comedy-quartet-antoine-auberson</a><br /><br />Sortie ce jour !<br /><br />Comedy Quartet 2023<br /><br />Comédie, parce qu’en ce temps-là, composées pour le théâtre et le cinéma, ces petites musiques vivaient dans des images ou sur des scènes de théâtre.<br /><br />Une fois le rideau fermé, ces mélodies retournaient dans un tiroir, silencieusement accrochées à leurs portées de papier.<br /><br />Alors je les ai ressorties dans un quatuor : un chant de saxophone, un autre de tuba (un génie calme) un américain fidèle au piano, et une percussion aérienne. Définitivement, 4 acteurs très attentif à la « belle ouvrage » : artisans du beau son, sans artifice, une certaine humilité, sans toutefois oublier l’esprit canaille, pirate.<br /><br />Donc, une seconde vie pour ces fulgurances mélodiques qui ont fréquenté Molière et aussi beaucoup de moins connus, des cinéastes d’Helvétie, des directeurs de théâtre magnifiques, puis des inspirations sœurs, nées sur un piano, comme ce « Chili con carpate » souvenir de l’éternel voyage d’est en ouest ou vice versa, mais sûrement une immense gratitude aux musiques populaires. Influences? Nino Rota, Kurt Weil, et aussi Wayne Shorter, Egberto Gismonti, et aussi Harpo Marx, eux et tant d’autres de la grande famille des poètes qui ne cesseront jamais de nous enluminer par leur regard d’enfants.<br /><br />Antoine Auberson, compositeur, mai 2023<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=jazz\" title=\"#jazz\" class=\"u-url hashtag\" target=\"_blank\">#jazz</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Auberson\" title=\"#Auberson\" class=\"u-url hashtag\" target=\"_blank\">#Auberson</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Sax\" title=\"#Sax\" class=\"u-url hashtag\" target=\"_blank\">#Sax</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Switzerland\" title=\"#Switzerland\" class=\"u-url hashtag\" target=\"_blank\">#Switzerland</a> ",
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"content": "https://www.claves.ch/fr/collections/new-releases/products/comedy-quartet-antoine-auberson\n\nSortie ce jour !\n\nComedy Quartet 2023\n\nComédie, parce qu’en ce temps-là, composées pour le théâtre et le cinéma, ces petites musiques vivaient dans des images ou sur des scènes de théâtre.\n\nUne fois le rideau fermé, ces mélodies retournaient dans un tiroir, silencieusement accrochées à leurs portées de papier.\n\nAlors je les ai ressorties dans un quatuor : un chant de saxophone, un autre de tuba (un génie calme) un américain fidèle au piano, et une percussion aérienne. Définitivement, 4 acteurs très attentif à la « belle ouvrage » : artisans du beau son, sans artifice, une certaine humilité, sans toutefois oublier l’esprit canaille, pirate.\n\nDonc, une seconde vie pour ces fulgurances mélodiques qui ont fréquenté Molière et aussi beaucoup de moins connus, des cinéastes d’Helvétie, des directeurs de théâtre magnifiques, puis des inspirations sœurs, nées sur un piano, comme ce « Chili con carpate » souvenir de l’éternel voyage d’est en ouest ou vice versa, mais sûrement une immense gratitude aux musiques populaires. Influences? Nino Rota, Kurt Weil, et aussi Wayne Shorter, Egberto Gismonti, et aussi Harpo Marx, eux et tant d’autres de la grande famille des poètes qui ne cesseront jamais de nous enluminer par leur regard d’enfants.\n\nAntoine Auberson, compositeur, mai 2023\n\n#clavesrecords #jazz #Auberson #Sax #Switzerland ",
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"content": "Summer 2023<br />Have a great summer!<br />Schöne Ferien und einen schönen Sommer!<br />Bonnes vacances et bel été !<br /><br />A tout bientôt Claves Records <br /><br />www.claves.ch<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=TheSwissClassicalLabel\" title=\"#TheSwissClassicalLabel\" class=\"u-url hashtag\" target=\"_blank\">#TheSwissClassicalLabel</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Lausanne\" title=\"#Lausanne\" class=\"u-url hashtag\" target=\"_blank\">#Lausanne</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=PatrickPeikert\" title=\"#PatrickPeikert\" class=\"u-url hashtag\" target=\"_blank\">#PatrickPeikert</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=classicalmusic\" title=\"#classicalmusic\" class=\"u-url hashtag\" target=\"_blank\">#classicalmusic</a>",
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"content": "Summer 2023\nHave a great summer!\nSchöne Ferien und einen schönen Sommer!\nBonnes vacances et bel été !\n\nA tout bientôt Claves Records \n\nwww.claves.ch\n\n#clavesrecords #TheSwissClassicalLabel #Lausanne #PatrickPeikert #classicalmusic",
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"content": "<a href=\"https://www.minds.com/search?f=top&t=all&q=InfinityClassical\" title=\"#InfinityClassical\" class=\"u-url hashtag\" target=\"_blank\">#InfinityClassical</a> <br /><br />Peter-Lukas Graf, <a href=\"https://www.minds.com/search?f=top&t=all&q=flute\" title=\"#flute\" class=\"u-url hashtag\" target=\"_blank\">#flute</a><br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=classicalmusic\" title=\"#classicalmusic\" class=\"u-url hashtag\" target=\"_blank\">#classicalmusic</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=musiqueclassique\" title=\"#musiqueclassique\" class=\"u-url hashtag\" target=\"_blank\">#musiqueclassique</a> <br /><br /><a href=\"https://www.youtube.com/watch?v=zs1g0IoDHTU&list=UULPJ0OoTwBhf4nmPg3iX7WSIQ&index=2&pp=gAQBiAQB\" target=\"_blank\">https://www.youtube.com/watch?v=zs1g0IoDHTU&list=UULPJ0OoTwBhf4nmPg3iX7WSIQ&index=2&pp=gAQBiAQB</a>",
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"content": "<a href=\"https://www.minds.com/search?f=top&t=all&q=SummerClassical\" title=\"#SummerClassical\" class=\"u-url hashtag\" target=\"_blank\">#SummerClassical</a> <br /><br />\"Albert Roussel’s composition \"Joueurs de Flûte” is typical of the works to be heard on this recording: French flute music written by French composers for French flautists. <br /><br />Paul Taffanel (1844 -1908) was the man who sparked the prodigious development of the flute repertoire in France on the Boehm instrument. His work was carried on by his outstanding pupil Philippe Gaubert, and he in turn was followed by generations of flautists who have ensured that this tradition has stayed vibrantly alive up to the present day.<br /><br />The music collected here is testimony of this activity over more than 5 decades. Almost all the works are dedicated to famous flute teachers (Taffanel, Gaubert, Hennebains, Blanquart, Fleury, Moyse); and, with the exception of the piece by Roussel, they were all intended for their pupils, graduates of the Conservatoire National in Paris. Marcel Moyse, for example, won the first prize in 1906 playing the compulsory piece composed by Gaubert (\"Nocturne et Allegretto Scherzando”).<br /><br />This selection, then, concentrates on compositions from the early 20th century: Chaminade, Enesco, Gaubert and Hüe were writing brilliant works at that time, pieces which have continued to hold their own as etudes and even in some cases in the concert repertoire of flautists up to the present day. Their suave melodic lines and attractive virtuosity contrast with Roussel’s \"Joueurs de Flûte”. <br /><br />This composition has very idiosyncratic and essentially modern aspects, which are astonishing in view of the fact that Roussel died before all the other composers represented here. Finally, Messiaen added a very original work to the flute repertoire in \"Le merle noir”, which is very typical of this innovative composer.<br />Flautists will find this programme very welcome; it illuminates a part of the repertoire that is rarely heard in the concert halls. <br /><br />Listeners will enjoy the wide expressive range of the flute extended by the development of French instrumental technique: colourful and soft lyricism and light, brilliant virtuosity.\"<br /><br />Peter-Lukas Graf<br /><br />Peter-Lukas Graf was born in 1929. He studied with Andre Jaunet (Zurich) and Marcel Moyse and Roger Cortet (Paris). He was awarded first prize as and received a conductor’s Diploma at the Conservatoire National in Paris. In 1953, he received first prize as at the International Music Contest in Munich; in 1958, the Bablock Prize of the H. Cohan International Music Award, London.<br />From 1951 until 1957 he was solo flautist in the Winterthur City Orchestra; from 1961 until 1966 opera conductor at the City Theatre in Lucerne. Since 1973 he has taught at the Basel Music Academy, Peter-Lukas Graf performs throughout Europe, South America, Israel, Russia, Australia and Japan. <br /><br />Listen on YouTube: <br /><br /><a href=\"https://www.youtube.com/watch?v=n6F4aZ7uxZI&list=PLy5IRCYvmbSz6MOnj35CYhN3VlXR0kDey&index=33&pp=gAQBiAQB8AUB\" target=\"_blank\">https://www.youtube.com/watch?v=n6F4aZ7uxZI&list=PLy5IRCYvmbSz6MOnj35CYhN3VlXR0kDey&index=33&pp=gAQBiAQB8AUB</a><br /><br />More info, CD order and album collection here: <br /><a href=\"https://www.claves.ch/collections/peter-lukas-graf/products/french-music-for-flute\" target=\"_blank\">https://www.claves.ch/collections/peter-lukas-graf/products/french-music-for-flute</a><br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=Flute\" title=\"#Flute\" class=\"u-url hashtag\" target=\"_blank\">#Flute</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=PeterLukasGraf\" title=\"#PeterLukasGraf\" class=\"u-url hashtag\" target=\"_blank\">#PeterLukasGraf</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=classicalmusic\" title=\"#classicalmusic\" class=\"u-url hashtag\" target=\"_blank\">#classicalmusic</a> ",
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"content": "#SummerClassical \n\n\"Albert Roussel’s composition \"Joueurs de Flûte” is typical of the works to be heard on this recording: French flute music written by French composers for French flautists. \n\nPaul Taffanel (1844 -1908) was the man who sparked the prodigious development of the flute repertoire in France on the Boehm instrument. His work was carried on by his outstanding pupil Philippe Gaubert, and he in turn was followed by generations of flautists who have ensured that this tradition has stayed vibrantly alive up to the present day.\n\nThe music collected here is testimony of this activity over more than 5 decades. Almost all the works are dedicated to famous flute teachers (Taffanel, Gaubert, Hennebains, Blanquart, Fleury, Moyse); and, with the exception of the piece by Roussel, they were all intended for their pupils, graduates of the Conservatoire National in Paris. Marcel Moyse, for example, won the first prize in 1906 playing the compulsory piece composed by Gaubert (\"Nocturne et Allegretto Scherzando”).\n\nThis selection, then, concentrates on compositions from the early 20th century: Chaminade, Enesco, Gaubert and Hüe were writing brilliant works at that time, pieces which have continued to hold their own as etudes and even in some cases in the concert repertoire of flautists up to the present day. Their suave melodic lines and attractive virtuosity contrast with Roussel’s \"Joueurs de Flûte”. \n\nThis composition has very idiosyncratic and essentially modern aspects, which are astonishing in view of the fact that Roussel died before all the other composers represented here. Finally, Messiaen added a very original work to the flute repertoire in \"Le merle noir”, which is very typical of this innovative composer.\nFlautists will find this programme very welcome; it illuminates a part of the repertoire that is rarely heard in the concert halls. \n\nListeners will enjoy the wide expressive range of the flute extended by the development of French instrumental technique: colourful and soft lyricism and light, brilliant virtuosity.\"\n\nPeter-Lukas Graf\n\nPeter-Lukas Graf was born in 1929. He studied with Andre Jaunet (Zurich) and Marcel Moyse and Roger Cortet (Paris). He was awarded first prize as and received a conductor’s Diploma at the Conservatoire National in Paris. In 1953, he received first prize as at the International Music Contest in Munich; in 1958, the Bablock Prize of the H. Cohan International Music Award, London.\nFrom 1951 until 1957 he was solo flautist in the Winterthur City Orchestra; from 1961 until 1966 opera conductor at the City Theatre in Lucerne. Since 1973 he has taught at the Basel Music Academy, Peter-Lukas Graf performs throughout Europe, South America, Israel, Russia, Australia and Japan. \n\nListen on YouTube: \n\nhttps://www.youtube.com/watch?v=n6F4aZ7uxZI&list=PLy5IRCYvmbSz6MOnj35CYhN3VlXR0kDey&index=33&pp=gAQBiAQB8AUB\n\nMore info, CD order and album collection here: \nhttps://www.claves.ch/collections/peter-lukas-graf/products/french-music-for-flute\n\n#clavesrecords #Flute #PeterLukasGraf #classicalmusic ",
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"content": "<a href=\"https://www.minds.com/search?f=top&t=all&q=SummerClassical\" title=\"#SummerClassical\" class=\"u-url hashtag\" target=\"_blank\">#SummerClassical</a> <br /><br />\"The Tharice Virtuosi are a string ensemble made up of remarkably trained musicians; whose virtuosity; instrumental perfection and joy of performing are admirable.\"<br /><br />Tharice Virtuosi<br /><br /><a href=\"https://www.claves.ch/products/svendsen-bruch-string-octets\" target=\"_blank\">https://www.claves.ch/products/svendsen-bruch-string-octets</a><br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=clavesrecords\" title=\"#clavesrecords\" class=\"u-url hashtag\" target=\"_blank\">#clavesrecords</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=summer\" title=\"#summer\" class=\"u-url hashtag\" target=\"_blank\">#summer</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=classicalmusic\" title=\"#classicalmusic\" class=\"u-url hashtag\" target=\"_blank\">#classicalmusic</a>",
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"content": "#SummerClassical \n\n\"The Tharice Virtuosi are a string ensemble made up of remarkably trained musicians; whose virtuosity; instrumental perfection and joy of performing are admirable.\"\n\nTharice Virtuosi\n\nhttps://www.claves.ch/products/svendsen-bruch-string-octets\n\n#clavesrecords #summer #classicalmusic",
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