A small tool to view real-world ActivityPub objects as JSON! Enter a URL
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Accept
header
to the server to view the underlying object.
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"content": "\"The Hunt\" || Production Music Library - Rejected Submission #1<br />===============================================<br />I composed this cue as a submission to a Production Music Library that focuses more on film music than pop, rap and EDM music submissions. Inspire by music for reality shows such as Life Below Zero and other similar shows and movies, I wanted to do something that had more of an \"ancient\" and \"primal\" feel. Also, after acquiring a Virtual Instrument Package from Danheim Music:<br /><br />I was able to bring my ideas to fruition. This library had a bunch of sounds that were created from things in nature, specifically out in the wilderness, such as tubes, horns, tree branches, rocks and antlers and more. I added some additional Gaelic female voices and electronic EDM stuff for rhythmic elements.<br /><br />Sadly, it was not what they were looking for at that time. That did not detour me as I have been submitting additional cues for review. I did submit to two other library companies my \"general portfolio\" to see if they would sign me as a regular contributor of music to their library. Sadly, they too rejected me outright. That just means I stand out too much and am not generic enough for them. No worries. I continue composing additional music for Richard Band on his scores and will someday soon get to do my own films and rise up through the ranks.<br /><br /><a href=\"https://youtu.be/HJ1C2sTaQjA\" target=\"_blank\">https://youtu.be/HJ1C2sTaQjA</a>",
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"content": "\"The Hunt\" || Production Music Library - Rejected Submission #1\n===============================================\nI composed this cue as a submission to a Production Music Library that focuses more on film music than pop, rap and EDM music submissions. Inspire by music for reality shows such as Life Below Zero and other similar shows and movies, I wanted to do something that had more of an \"ancient\" and \"primal\" feel. Also, after acquiring a Virtual Instrument Package from Danheim Music:\n\nI was able to bring my ideas to fruition. This library had a bunch of sounds that were created from things in nature, specifically out in the wilderness, such as tubes, horns, tree branches, rocks and antlers and more. I added some additional Gaelic female voices and electronic EDM stuff for rhythmic elements.\n\nSadly, it was not what they were looking for at that time. That did not detour me as I have been submitting additional cues for review. I did submit to two other library companies my \"general portfolio\" to see if they would sign me as a regular contributor of music to their library. Sadly, they too rejected me outright. That just means I stand out too much and am not generic enough for them. No worries. I continue composing additional music for Richard Band on his scores and will someday soon get to do my own films and rise up through the ranks.\n\nhttps://youtu.be/HJ1C2sTaQjA",
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"content": "Currently working on my next assignment /gig. I am composing additional music on this upcoming sequel to The Deep Ones. The principle composer - Richard Band - scored the first movie and returns to score this sequel. <br /><br />Since i proved my composing and technical abilities on Scalper, Richard Band asked me back to do some additional work on this movie to help build my professional portfolio. <br /><br />The goal he is wanting achieve with me is to at some point be able to hand off a project in its entirety to me which will help lead to more gigs and not just through him.<br /><br />So he threw me about 5 cues to do under which he then directs me in the same way a director would. He reviews each cue and instructs me on what needs adjustment, what needs changing as parts may not be working for the scene. But what may not work for one scene may work on another so the efforts are never truly lost or rejected. But I tend to hit the mark 90% of the time.<br /><br />I will most likely be credited as a Music Assistant (as well as under my Real Name) as is the common practice in the industry. That’s being generous too as most are deemed Ghost Writers and never receive any credit. Oh, I got paid too. Yay!<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=theoldones\" title=\"#theoldones\" class=\"u-url hashtag\" target=\"_blank\">#theoldones</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=richardband\" title=\"#richardband\" class=\"u-url hashtag\" target=\"_blank\">#richardband</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=supernaturalgenre\" title=\"#supernaturalgenre\" class=\"u-url hashtag\" target=\"_blank\">#supernaturalgenre</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=d4dthecomposer\" title=\"#d4dthecomposer\" class=\"u-url hashtag\" target=\"_blank\">#d4dthecomposer</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=assistantcomposer\" title=\"#assistantcomposer\" class=\"u-url hashtag\" target=\"_blank\">#assistantcomposer</a>",
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"content": "Currently working on my next assignment /gig. I am composing additional music on this upcoming sequel to The Deep Ones. The principle composer - Richard Band - scored the first movie and returns to score this sequel. \n\nSince i proved my composing and technical abilities on Scalper, Richard Band asked me back to do some additional work on this movie to help build my professional portfolio. \n\nThe goal he is wanting achieve with me is to at some point be able to hand off a project in its entirety to me which will help lead to more gigs and not just through him.\n\nSo he threw me about 5 cues to do under which he then directs me in the same way a director would. He reviews each cue and instructs me on what needs adjustment, what needs changing as parts may not be working for the scene. But what may not work for one scene may work on another so the efforts are never truly lost or rejected. But I tend to hit the mark 90% of the time.\n\nI will most likely be credited as a Music Assistant (as well as under my Real Name) as is the common practice in the industry. That’s being generous too as most are deemed Ghost Writers and never receive any credit. Oh, I got paid too. Yay!\n\n#theoldones\n#richardband\n#supernaturalgenre\n#d4dthecomposer\n#assistantcomposer",
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"content": "Back in February 2023, I got to compose additional music on this upcoming sequel to Night Caller. The principle composer - Richard Band - scored the first movie and returns to score this sequel. <br /><br />While the composer was perfectly capable of composing all the music himself he felt it was time for me to cut my teeth on a real project. So he threw me about 5 cues to do under which he then directed me in the same way a director would.<br /><br />It was a great experience, I proved I could do the job and we are working again on another film by the same director currently. I will most likely be credited as a Music Assistant (as well as under my Real Name) as is the common practice in the industry. That’s being generous too as most are deemed Ghost Writers and never receive any credit. Oh, I got paid too. Yay!<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=scalperthemovie\" title=\"#scalperthemovie\" class=\"u-url hashtag\" target=\"_blank\">#scalperthemovie</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=richardband\" title=\"#richardband\" class=\"u-url hashtag\" target=\"_blank\">#richardband</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=slashermovie\" title=\"#slashermovie\" class=\"u-url hashtag\" target=\"_blank\">#slashermovie</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=d4dthecomposer\" title=\"#d4dthecomposer\" class=\"u-url hashtag\" target=\"_blank\">#d4dthecomposer</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=assistantcomposer\" title=\"#assistantcomposer\" class=\"u-url hashtag\" target=\"_blank\">#assistantcomposer</a>",
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"content": "Back in February 2023, I got to compose additional music on this upcoming sequel to Night Caller. The principle composer - Richard Band - scored the first movie and returns to score this sequel. \n\nWhile the composer was perfectly capable of composing all the music himself he felt it was time for me to cut my teeth on a real project. So he threw me about 5 cues to do under which he then directed me in the same way a director would.\n\nIt was a great experience, I proved I could do the job and we are working again on another film by the same director currently. I will most likely be credited as a Music Assistant (as well as under my Real Name) as is the common practice in the industry. That’s being generous too as most are deemed Ghost Writers and never receive any credit. Oh, I got paid too. Yay!\n\n#scalperthemovie\n#richardband\n#slashermovie\n#d4dthecomposer\n#assistantcomposer",
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"content": "Just completed my latest Concept Soundtrack Album. This is my 3rd Rescore Album in my ongoing series of rescoring horror movies. The film I chose to re-score was \"Pumpkinhead\". The music in the background is from my album and segments of 2 different cues. There is over 60 minutes worth of music on the album.<br /><br />Got my website to preview tracks and if you like it, buy it! The album is available for purchase as a Digital Album from my website and is is on sale now for $5 until 11:59 pm PST on 5/16/2023.<br /><br />Coming soon will be several short video clips containing select tracks synced to the scenes for which they were composed.<br /><br /><a href=\"https://youtu.be/rm3YSc3aiB8\" target=\"_blank\">https://youtu.be/rm3YSc3aiB8</a>",
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"published": "2023-04-30T03:02:58+00:00",
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"content": "Just completed my latest Concept Soundtrack Album. This is my 3rd Rescore Album in my ongoing series of rescoring horror movies. The film I chose to re-score was \"Pumpkinhead\". The music in the background is from my album and segments of 2 different cues. There is over 60 minutes worth of music on the album.\n\nGot my website to preview tracks and if you like it, buy it! The album is available for purchase as a Digital Album from my website and is is on sale now for $5 until 11:59 pm PST on 5/16/2023.\n\nComing soon will be several short video clips containing select tracks synced to the scenes for which they were composed.\n\nhttps://youtu.be/rm3YSc3aiB8",
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"content": "\"Time Trap\" Clip 2 || 2023 Indie Film Music Contest Entry 2 of 2<br /><br />=============================================<br /><br />Here is my 2nd submission to the Winter 2022 Indie Film Music Contest. I entered the contest near the end of the submission period. This cue is the 2nd of 2 cues I submitted for this contest. There are 2 clips from this short animated / live action movie for which I composed music for and submitted. This clip continues the story so it was only natural that I continued my musical ideas further. Even the end credits (while still using the same meldoy) makes us of new musical lines.<br /><br />About My Approach<br />------------------------------------------<br />I continued the same appraoch taken i the first clip / submission. I still create more of a sound design score than a traditional orchestral one. I try to play up the isolation that might be felt by the main character. Since it is unclear whether the character is human, robotic, a hybrid, etc. I went with a more forgiegn robotic feel. <br /><br />Again, I used all the same palette of electronic intruments from the previous submission / clip. This ensemble encompasses whaling sounds, techno rhythmic loops, the glissando crescendo synth strings, metallic scrapes, clangs, thumping bass line, drones and the sci-fi beeps and boops to evoke the isolation and hopelessness being felt by the main character now trapped in such desolation.<br /><br />The drums hint at the primal instinct to survive. They play under the moments of the character trying to figure out how to repair the ship.<br /><br />The main theme when heard at the end represents the character's attempts at trying to survive at all costs. It is sort of heroic sounding but not really. This is intentional. But for this segment, the theme becomes more of a motif, truncated to the first four notes of the theme which then gets repeated for action and hor various hits. The main theme is heard in its entirety over the end credits but with a new set of musical rhythmic lines and the meldoy ends on different notes than before. This time the cue ends with a more finalized feel unlike the way the previous cue ended which sounded more like a cliffhanger.<br /><br />About the short film<br />------------------------------------------<br />Time Trap (2013)<br />Director Michael Shanks<br />Writer Michael Shanks<br />Stars Scout JanssonMark Taylor<br /><br />After losing control of his engines, bumbling spaceman Fripp finds himself at the mercy of his malfunctioning spaceship. A thrilling descent through an asteroid belt ensues, after which he finds himself marooned on a post-apocalyptic Earth. Without a working spacecraft, the interstellar time-traveler must dip into the dead planet's history in order to find a way home<br /><br />MUSIC PRODUCTION CREDITS<br />---------------------------------------------------<br />Music Composed and Performed by: D4Disgruntled (aka Matthew C. Hightshoe)<br />Mixed & Engineered by: D4Disgruntled (aka Matthew C. Hightshoe)<br />All Intellectual Property, Copyrights and Licenses regarding the music submission are owned by: D4Disgruntled (aka Matthew C. Hightshoe)<br /><br />VIDEO CREDITS<br />Video clip was supplied by the contest committee for use in this contest.<br /><br /><a href=\"https://youtu.be/L-LLrAez9Xg\" target=\"_blank\">https://youtu.be/L-LLrAez9Xg</a>",
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"content": "\"Time Trap\" Clip 2 || 2023 Indie Film Music Contest Entry 2 of 2\n\n=============================================\n\nHere is my 2nd submission to the Winter 2022 Indie Film Music Contest. I entered the contest near the end of the submission period. This cue is the 2nd of 2 cues I submitted for this contest. There are 2 clips from this short animated / live action movie for which I composed music for and submitted. This clip continues the story so it was only natural that I continued my musical ideas further. Even the end credits (while still using the same meldoy) makes us of new musical lines.\n\nAbout My Approach\n------------------------------------------\nI continued the same appraoch taken i the first clip / submission. I still create more of a sound design score than a traditional orchestral one. I try to play up the isolation that might be felt by the main character. Since it is unclear whether the character is human, robotic, a hybrid, etc. I went with a more forgiegn robotic feel. \n\nAgain, I used all the same palette of electronic intruments from the previous submission / clip. This ensemble encompasses whaling sounds, techno rhythmic loops, the glissando crescendo synth strings, metallic scrapes, clangs, thumping bass line, drones and the sci-fi beeps and boops to evoke the isolation and hopelessness being felt by the main character now trapped in such desolation.\n\nThe drums hint at the primal instinct to survive. They play under the moments of the character trying to figure out how to repair the ship.\n\nThe main theme when heard at the end represents the character's attempts at trying to survive at all costs. It is sort of heroic sounding but not really. This is intentional. But for this segment, the theme becomes more of a motif, truncated to the first four notes of the theme which then gets repeated for action and hor various hits. The main theme is heard in its entirety over the end credits but with a new set of musical rhythmic lines and the meldoy ends on different notes than before. This time the cue ends with a more finalized feel unlike the way the previous cue ended which sounded more like a cliffhanger.\n\nAbout the short film\n------------------------------------------\nTime Trap (2013)\nDirector Michael Shanks\nWriter Michael Shanks\nStars Scout JanssonMark Taylor\n\nAfter losing control of his engines, bumbling spaceman Fripp finds himself at the mercy of his malfunctioning spaceship. A thrilling descent through an asteroid belt ensues, after which he finds himself marooned on a post-apocalyptic Earth. Without a working spacecraft, the interstellar time-traveler must dip into the dead planet's history in order to find a way home\n\nMUSIC PRODUCTION CREDITS\n---------------------------------------------------\nMusic Composed and Performed by: D4Disgruntled (aka Matthew C. Hightshoe)\nMixed & Engineered by: D4Disgruntled (aka Matthew C. Hightshoe)\nAll Intellectual Property, Copyrights and Licenses regarding the music submission are owned by: D4Disgruntled (aka Matthew C. Hightshoe)\n\nVIDEO CREDITS\nVideo clip was supplied by the contest committee for use in this contest.\n\nhttps://youtu.be/L-LLrAez9Xg",
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"content": "\"Time Trap\" Clip 1 || 2023 Indie Film Music Contest Entry 1 of 2<br /><br />**** Please remember to Like so that I might be able to win the Popular Vote Prixe in addition to the Main Contest. Thanks! ****<br /><br />Here is my submission to the Winter 2022 Indie Film Music Contest. I entered the contest near the end of the submission period. This cue is one of 2 cues I submitted for this contest. There are 2 clips from this short animated / live action movie for which I composed music for and submitted. I will be uploading and submitting the 2nd cue in the next week.<br /><br />About My Approach<br />------------------------------------------<br />I am all about trying new things musically. While I know that this animated film is actually a comedy and I have seen the entire short elsewhere here on YouTube, this clip on its own has comedic moments but for the most part is a suspenseful action sequence. So I apporached it more seriously.<br /><br />It was all about energy and propulsiion for me. <br /><br />For the overall soundscape, the goeal for me was to try something different and more alien like. I really like the 1950s styled sci-fi signal beeps and bops to depict outerspace and qory weird outerspace. But then I utilize it within the score elsewhere and will be using it in part 2 (my second submission). In fact, I will be continuing the development of all the material in this cue in the next submission cue to provide a coherence and relation between the 2 entries.<br /><br />I wanted to avoid using percussion that sounded like normal techno or symphonic instrumentation. There is some with the looping bass sequences and the appregios during the flight through the narrow alley but otherwise most instruments I wanted to sound alien and not human. The direction is more like sound design as you cannot really tell what is the actual sound effects used in the short and what is score in some cases.<br /><br />While there is a theme introduced in the beginning and reprises at the end, there is not much room or time during the action to develop it extensively. The second cue will do that. All the material introduced in this cue will get furthered developed in the next entry which continues the story of the short film.<br /><br />About the short film<br />------------------------------------------<br />Time Trap (2013)<br />Director Michael Shanks<br />Writer Michael Shanks<br />Stars Scout JanssonMark Taylor<br /><br />After losing control of his engines, bumbling spaceman Fripp finds himself at the mercy of his malfunctioning spaceship. A thrilling descent through an asteroid belt ensues, after which he finds himself marooned on a post-apocalyptic Earth. Without a working spacecraft, the interstellar time-traveler must dip into the dead planet's history in order to find a way home<br /><br />MUSIC PRODUCTION CREDITS<br />---------------------------------------------------<br />Music Composed and Performed by: D4Disgruntled (aka Matthew C. Hightshoe)<br />Mixed & Engineered by: D4Disgruntled (aka Matthew C. Hightshoe)<br />All Intellectual Property, Copyrights and Licenses regarding the music submission are owned by: D4Disgruntled (aka Matthew C. Hightshoe)<br /><br />VIDEO CREDITS<br />Video clip was supplied by the contest committee for use in this contest.<br /><br /><a href=\"https://youtu.be/Ehak18kmK1Q\" target=\"_blank\">https://youtu.be/Ehak18kmK1Q</a>",
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"content": "\"Time Trap\" Clip 1 || 2023 Indie Film Music Contest Entry 1 of 2\n\n**** Please remember to Like so that I might be able to win the Popular Vote Prixe in addition to the Main Contest. Thanks! ****\n\nHere is my submission to the Winter 2022 Indie Film Music Contest. I entered the contest near the end of the submission period. This cue is one of 2 cues I submitted for this contest. There are 2 clips from this short animated / live action movie for which I composed music for and submitted. I will be uploading and submitting the 2nd cue in the next week.\n\nAbout My Approach\n------------------------------------------\nI am all about trying new things musically. While I know that this animated film is actually a comedy and I have seen the entire short elsewhere here on YouTube, this clip on its own has comedic moments but for the most part is a suspenseful action sequence. So I apporached it more seriously.\n\nIt was all about energy and propulsiion for me. \n\nFor the overall soundscape, the goeal for me was to try something different and more alien like. I really like the 1950s styled sci-fi signal beeps and bops to depict outerspace and qory weird outerspace. But then I utilize it within the score elsewhere and will be using it in part 2 (my second submission). In fact, I will be continuing the development of all the material in this cue in the next submission cue to provide a coherence and relation between the 2 entries.\n\nI wanted to avoid using percussion that sounded like normal techno or symphonic instrumentation. There is some with the looping bass sequences and the appregios during the flight through the narrow alley but otherwise most instruments I wanted to sound alien and not human. The direction is more like sound design as you cannot really tell what is the actual sound effects used in the short and what is score in some cases.\n\nWhile there is a theme introduced in the beginning and reprises at the end, there is not much room or time during the action to develop it extensively. The second cue will do that. All the material introduced in this cue will get furthered developed in the next entry which continues the story of the short film.\n\nAbout the short film\n------------------------------------------\nTime Trap (2013)\nDirector Michael Shanks\nWriter Michael Shanks\nStars Scout JanssonMark Taylor\n\nAfter losing control of his engines, bumbling spaceman Fripp finds himself at the mercy of his malfunctioning spaceship. A thrilling descent through an asteroid belt ensues, after which he finds himself marooned on a post-apocalyptic Earth. Without a working spacecraft, the interstellar time-traveler must dip into the dead planet's history in order to find a way home\n\nMUSIC PRODUCTION CREDITS\n---------------------------------------------------\nMusic Composed and Performed by: D4Disgruntled (aka Matthew C. Hightshoe)\nMixed & Engineered by: D4Disgruntled (aka Matthew C. Hightshoe)\nAll Intellectual Property, Copyrights and Licenses regarding the music submission are owned by: D4Disgruntled (aka Matthew C. Hightshoe)\n\nVIDEO CREDITS\nVideo clip was supplied by the contest committee for use in this contest.\n\nhttps://youtu.be/Ehak18kmK1Q",
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"content": "\"The Blizzard Chase\" || Ryan Leach January 2023 Composing Contest<br /><br />Been busy with personal projects, installing a new composing workstation, reorganizing the work space and new VSTs over the past 2 months while working on my next album. But I found time to compose this little diddy for the January 2023 <a class=\"u-url mention\" href=\"https://www.minds.com/RyanLeach\" target=\"_blank\">@RyanLeach</a> composing contest.<br /><br />ABOUT THE ILLUSTRATION PROVIDED<br />(Illustration by Daniel Terrado)<br /><br />The story I get from the illustration is one that is not a race specifically but of a personal vendetta between the 2 main racers who are seen \"glaring\" at each other. Their personal battle is occuring in conjunction with an fast approaching storm which can be interpreted as well as an analogy for the conflict about to ensue between them.<br /><br />MY MUSICAL APPROACH<br />My approach with the music was to represent both the strom and the personal conflict while also evoking the harsh isolation, desolation and cold landscape. The cue starts out evoking what I imagine the characters would feel out in the middle of nowhere and witnessing a major storm incoming. With little time to think things through, the racers sense they need to flee the area or they will get trapped out there and die. Contrary motions of the strings creating a harsh dissonance build up to techno-like rhythms and tribal shouts and drum hits as the racers all flee. Then the repeating rhythms build in aggression as the 2 main racers still feel the need to battle it out while outrunning a storm that is fastly appraoching behind them. The cue ends with an abruptness to represent that the storm overtook all of them and they all died.<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=ryanleach\" title=\"#ryanleach\" class=\"u-url hashtag\" target=\"_blank\">#ryanleach</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=composercontest\" title=\"#composercontest\" class=\"u-url hashtag\" target=\"_blank\">#composercontest</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=filmmusic\" title=\"#filmmusic\" class=\"u-url hashtag\" target=\"_blank\">#filmmusic</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=action\" title=\"#action\" class=\"u-url hashtag\" target=\"_blank\">#action</a> <br /><a href=\"https://www.minds.com/search?f=top&t=all&q=scifi\" title=\"#scifi\" class=\"u-url hashtag\" target=\"_blank\">#scifi</a> <br /><br /><a href=\"https://youtu.be/q0x4YtflALk\" target=\"_blank\">https://youtu.be/q0x4YtflALk</a>",
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"content": "\"The Blizzard Chase\" || Ryan Leach January 2023 Composing Contest\n\nBeen busy with personal projects, installing a new composing workstation, reorganizing the work space and new VSTs over the past 2 months while working on my next album. But I found time to compose this little diddy for the January 2023 @RyanLeach composing contest.\n\nABOUT THE ILLUSTRATION PROVIDED\n(Illustration by Daniel Terrado)\n\nThe story I get from the illustration is one that is not a race specifically but of a personal vendetta between the 2 main racers who are seen \"glaring\" at each other. Their personal battle is occuring in conjunction with an fast approaching storm which can be interpreted as well as an analogy for the conflict about to ensue between them.\n\nMY MUSICAL APPROACH\nMy approach with the music was to represent both the strom and the personal conflict while also evoking the harsh isolation, desolation and cold landscape. The cue starts out evoking what I imagine the characters would feel out in the middle of nowhere and witnessing a major storm incoming. With little time to think things through, the racers sense they need to flee the area or they will get trapped out there and die. Contrary motions of the strings creating a harsh dissonance build up to techno-like rhythms and tribal shouts and drum hits as the racers all flee. Then the repeating rhythms build in aggression as the 2 main racers still feel the need to battle it out while outrunning a storm that is fastly appraoching behind them. The cue ends with an abruptness to represent that the storm overtook all of them and they all died.\n\n#ryanleach\n#composercontest\n#filmmusic\n#action \n#scifi \n\nhttps://youtu.be/q0x4YtflALk",
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"content": "Sneak Peak at Horror Re-Scored 3: Main Titles / Opening Sequence<br /><br />I have returned to my ongoing series of albums called \"Horror Re-Rescored\" with Volume 3. For this album I am re-scorig \"Pumpkinhead\" as its another of my favorite horror films from my youth that I wanted to tackle. Here is a nseak peak at what's to come.<br /><br />======================<br /><br />After completing the very daunting \"The Erehwon\" concept soundtrack album\" project, D4D is returning to his regularly scheduled program of \"re-scoring:\" horror- films that he liked or had some kind of impact on him in his youth. The film of choice for this project is \"Pumpkinhead\". I am not trying to profit off Pumpkinhead or its success or following. I simply am using the film as a road map to follow around which to structure my new score. I am treating this as though I had been hired to \"re-score\" the picture. <br /><br />He saw this movie when it came outout on hoe video after its theatrical release and the imagery and atmosphere of the film stuck with him. Never a fan of the music that is in the movie currently, he chose to create one that felt more befitting.<br /><br />He explores a more primal sound for Pumpkinhead through lots of drums and varied metallic percussion as well as crickety and echoy manipulated percussion instruments and synth ambient sounds such as screaching birdds and howls.<br /><br />Also, there is minimal use of string sections and brass sections and when used, they are featured doing various effects and not so much creating a melodiy or motif. It is to sound aggressive and menacing like Pumpkinhead himself. The music will clash with anything that is melodic and heartfelt as this is an ancient mythical creature created through witchcraft set loose in a modern world.<br /><br /><a href=\"https://youtu.be/n9_1OELx2Bs\" target=\"_blank\">https://youtu.be/n9_1OELx2Bs</a>",
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"content": "Sneak Peak at Horror Re-Scored 3: Main Titles / Opening Sequence\n\nI have returned to my ongoing series of albums called \"Horror Re-Rescored\" with Volume 3. For this album I am re-scorig \"Pumpkinhead\" as its another of my favorite horror films from my youth that I wanted to tackle. Here is a nseak peak at what's to come.\n\n======================\n\nAfter completing the very daunting \"The Erehwon\" concept soundtrack album\" project, D4D is returning to his regularly scheduled program of \"re-scoring:\" horror- films that he liked or had some kind of impact on him in his youth. The film of choice for this project is \"Pumpkinhead\". I am not trying to profit off Pumpkinhead or its success or following. I simply am using the film as a road map to follow around which to structure my new score. I am treating this as though I had been hired to \"re-score\" the picture. \n\nHe saw this movie when it came outout on hoe video after its theatrical release and the imagery and atmosphere of the film stuck with him. Never a fan of the music that is in the movie currently, he chose to create one that felt more befitting.\n\nHe explores a more primal sound for Pumpkinhead through lots of drums and varied metallic percussion as well as crickety and echoy manipulated percussion instruments and synth ambient sounds such as screaching birdds and howls.\n\nAlso, there is minimal use of string sections and brass sections and when used, they are featured doing various effects and not so much creating a melodiy or motif. It is to sound aggressive and menacing like Pumpkinhead himself. The music will clash with anything that is melodic and heartfelt as this is an ancient mythical creature created through witchcraft set loose in a modern world.\n\nhttps://youtu.be/n9_1OELx2Bs",
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"content": "My latest Concept Soundtrack Album \"The Erehwon\" dropped today! Check it out onmy website at:<br /><a href=\"https://musicbyd4d.com/dda-the-erehwon\" target=\"_blank\">https://musicbyd4d.com/dda-the-erehwon</a><br />",
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"content": "My latest Concept Soundtrack Album \"The Erehwon\" dropped today! Check it out onmy website at:\nhttps://musicbyd4d.com/dda-the-erehwon\n",
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"content": "Check out my latest music composition contest submission.<br /><a href=\"https://youtu.be/nURX8IalGwo\" target=\"_blank\">https://youtu.be/nURX8IalGwo</a>",
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"content": "Check out my latest music composition contest submission.\nhttps://youtu.be/nURX8IalGwo",
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"content": "I have been very busy with a lot of things lately - office day job, additional music assistant work with Richard Band but most importantly, finishing up my next concept soundtrack album.<br /><br />Watch the video to see where I am at in the workflow.<br /><br /><a href=\"https://youtu.be/iEJHw8cYyxI\" target=\"_blank\">https://youtu.be/iEJHw8cYyxI</a><br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=conceptsoundtrackalbum\" title=\"#conceptsoundtrackalbum\" class=\"u-url hashtag\" target=\"_blank\">#conceptsoundtrackalbum</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=d4disgruntled\" title=\"#d4disgruntled\" class=\"u-url hashtag\" target=\"_blank\">#d4disgruntled</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=filmcomposer\" title=\"#filmcomposer\" class=\"u-url hashtag\" target=\"_blank\">#filmcomposer</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=humor\" title=\"#humor\" class=\"u-url hashtag\" target=\"_blank\">#humor</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=workinprogress\" title=\"#workinprogress\" class=\"u-url hashtag\" target=\"_blank\">#workinprogress</a>",
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"content": "I have been very busy with a lot of things lately - office day job, additional music assistant work with Richard Band but most importantly, finishing up my next concept soundtrack album.\n\nWatch the video to see where I am at in the workflow.\n\nhttps://youtu.be/iEJHw8cYyxI\n\n#conceptsoundtrackalbum\n#d4disgruntled\n#filmcomposer\n#humor\n#workinprogress",
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"content": "\"Tubular Bells Re-Imagined\" || From My Single \"Tublar Bells Re-Imagined<br /><br />----------------------------------------<br /><br /><a href=\"https://youtu.be/7SmXSb8YLv4\" target=\"_blank\">https://youtu.be/7SmXSb8YLv4</a><br /><br />----------------------------------------<br /><br />Felt it was time to dust off some of my earlier works and revitalize them with the public. When I completed “Horror Re-Scored: Volvo. 2” (I rescored The Exorcist 3) and a month later I did this Single track in which I do a version of the classic (Exorcist) music that hasn’t been done yet. I made it sound like it’s coming from Hell itself and not a dance club (others do dance remixes). It is orchestrated in the same way the music is orchestrated for my album Horror Re-Scored Vol. 2.<br /><br />----------------------------------------<br /><br />MUSIC PRODUCTION CREDITS<br />Music Composed and Performed by: D4Disgruntled<br />Mixed & Engineered by: D4Disgruntled<br />Artwork by: D4Disgruntled<br />All Intellectual Property, Copyrights and Licenses are owned by: D4Disgruntled<br /><br />VIDEO CREDITS<br />Created & Edited by: D4Disgruntled#horrorrescored <br />",
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"published": "2022-06-12T19:29:47+00:00",
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"content": "\"Tubular Bells Re-Imagined\" || From My Single \"Tublar Bells Re-Imagined\n\n----------------------------------------\n\nhttps://youtu.be/7SmXSb8YLv4\n\n----------------------------------------\n\nFelt it was time to dust off some of my earlier works and revitalize them with the public. When I completed “Horror Re-Scored: Volvo. 2” (I rescored The Exorcist 3) and a month later I did this Single track in which I do a version of the classic (Exorcist) music that hasn’t been done yet. I made it sound like it’s coming from Hell itself and not a dance club (others do dance remixes). It is orchestrated in the same way the music is orchestrated for my album Horror Re-Scored Vol. 2.\n\n----------------------------------------\n\nMUSIC PRODUCTION CREDITS\nMusic Composed and Performed by: D4Disgruntled\nMixed & Engineered by: D4Disgruntled\nArtwork by: D4Disgruntled\nAll Intellectual Property, Copyrights and Licenses are owned by: D4Disgruntled\n\nVIDEO CREDITS\nCreated & Edited by: D4Disgruntled#horrorrescored \n",
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"content": "Track Preview - \"Tribal Divide (Seg 2 of 2) \" || \"Societal Chaos\" - Concept Soundtrack Album<br /><br /><a href=\"https://youtu.be/2Z8UtUggvY4\" target=\"_blank\">https://youtu.be/2Z8UtUggvY4</a><br /><br />This video track preview clip features music from my sci-fi/thriller Concept Soundtrack Album \"Societal Chaos\". While this music does not go to any movie that exists, it tells D4Disgruntled's personal onbservations of the impending pandemic lockdowns, mandates, riots, censorship throughout 2020. The music represents his emotional reaction and fears of the breakdown of society and the insanity it has now become.<br /><br />This track represents the dark future that lies ahead. Much like in \"The Lord Of The Flies\", society has become very much divided. Authoritarianism has taken over, states have secceded from the Union, people have fled their home states to be in states that consist of like minded poeple. Civil War has ravaged the landscape. Oppression and Censorship rule the land and those who still fight for freedom are sought out by the extreme leftists and woke mobs to be destroyed.<br /><br />----------------------------------------<br /><br />MUSIC PRODUCTION CREDITS<br />Music Composed and Performed by: D4Disgruntled<br />Mixed & Engineered by: D4Disgruntled<br />Artwork by: D4Disgruntled<br />All Intellectual Property, Copyrights and Licenses are owned by: D4Disgruntled<br /><br />VIDEO CREDITS<br />Created & Edited by: D4Disgruntled<br /><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=conceptalbum\" title=\"#conceptalbum\" class=\"u-url hashtag\" target=\"_blank\">#conceptalbum</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=societalchaos\" title=\"#societalchaos\" class=\"u-url hashtag\" target=\"_blank\">#societalchaos</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=techno\" title=\"#techno\" class=\"u-url hashtag\" target=\"_blank\">#techno</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=d4disgruntled\" title=\"#d4disgruntled\" class=\"u-url hashtag\" target=\"_blank\">#d4disgruntled</a><br /><a href=\"https://www.minds.com/search?f=top&t=all&q=dystopianfuture\" title=\"#dystopianfuture\" class=\"u-url hashtag\" target=\"_blank\">#dystopianfuture</a>",
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"content": "Track Preview - \"Tribal Divide (Seg 2 of 2) \" || \"Societal Chaos\" - Concept Soundtrack Album\n\nhttps://youtu.be/2Z8UtUggvY4\n\nThis video track preview clip features music from my sci-fi/thriller Concept Soundtrack Album \"Societal Chaos\". While this music does not go to any movie that exists, it tells D4Disgruntled's personal onbservations of the impending pandemic lockdowns, mandates, riots, censorship throughout 2020. The music represents his emotional reaction and fears of the breakdown of society and the insanity it has now become.\n\nThis track represents the dark future that lies ahead. Much like in \"The Lord Of The Flies\", society has become very much divided. Authoritarianism has taken over, states have secceded from the Union, people have fled their home states to be in states that consist of like minded poeple. Civil War has ravaged the landscape. Oppression and Censorship rule the land and those who still fight for freedom are sought out by the extreme leftists and woke mobs to be destroyed.\n\n----------------------------------------\n\nMUSIC PRODUCTION CREDITS\nMusic Composed and Performed by: D4Disgruntled\nMixed & Engineered by: D4Disgruntled\nArtwork by: D4Disgruntled\nAll Intellectual Property, Copyrights and Licenses are owned by: D4Disgruntled\n\nVIDEO CREDITS\nCreated & Edited by: D4Disgruntled\n\n#conceptalbum\n#societalchaos\n#techno\n#d4disgruntled\n#dystopianfuture",
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