A small tool to view real-world ActivityPub objects as JSON! Enter a URL
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the right
Accept
header
to the server to view the underlying object.
{
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"content": "Toshio Okada, co-founder and former president of Gainax, explains why Netflix original anime is bad.<br /><br />English is my 3rd language so there are some weird stuff I couldn't translate well.<br /><br />Also Okada Toshio himself is making his own sub on the video.<br /><br />But here I go.<br /><br /><a href=\"https://www.youtube.com/watch?v=S07nKEBwdWQ\" target=\"_blank\">https://www.youtube.com/watch?v=S07nKEBwdWQ</a><br /><br />>From 0:25 to 8:11.<br /><br />From Yatsuu, teenage, male. Person from youtube free version.<br /><br />\"My friend told me that I'm a otaku because I like movies and animes. According to 'Entrance to Otaku Study'...\" Ah, It's the book I wrote. \"Otaku is an person with high ability to reference. And the people who just like movies and anime are just mania or fans. What is considered otaku nowadays?\"<br /><br />Hmmm... The definition of otaku, right?<br /><br />For me otaku is something obviously continuous to be.<br /><br />So when the one is 15 to 20 years old there are no apparent characteristic. Just loves it a lot but not an apparent characteristic. I think after 20 you get a different point of view and idea due to what you accumulate in your life.<br /><br />For example... The netflix makes original dramas (live action), right? The dramas are reasonably good. I had a fun watching The Alice in Borderland. Then why netflix anime is bad when the netflix original dramas are reasonably good? There is a good reason for this.<br /><br />When you understand the reason, you will understand the works.<br /><br />I predict: I think the netflix anime will continue to be boring unless this problem is not solved. 2020 I got to talk with many anime studios to give consultation about releasing a project for netflix. They were told to release the project for netflix but they were in doubt about it. <br /><br />So they consulted me.<br /><br />The reason for this is the netflix have the all right over the netflix original anime. The director and scriptwriter have no rights. So the anime studio have no rights. Of course the animators have zero rights too.<br /><br />Of course in japan there are a lot of system that the company holds the right but it's considered normal to have all same staff when the sequel is made.<br /><br />In Japan,the culture of \"this work belongs to this studio/people\" is protected despite being no rights in paper. So that's why there were an uproar when the company tried to change the director of kemono friends. This is considered the normal here.<br /><br />But Netflix is different. Netflix originals are made in a \"purchase\" kind of way so the directors and the staff is treated like slaves. So the netflix projects are made in a \"do it and run\" kind of way. The truly interesting projects doesn't go to netflix. They do the projects by themselves in the way that they hold the rights.<br /><br />I can't say which work it is but there are a lot of anime that was like \"top notch director doing an anime that could be a hit but the result is 'what the...'\", right?<br /><br />That's because all the rights will go to netflix so... How I should say... It's like a plan to left behind...So everyone end up trying to profit over the production budget. <br /><br />So the work they really wants to do and that will sell in long run is made only by themselves, holding it's right.<br /><br />So in order to get the budget for anime they want to make they send some easy projects with reasonable buzz in order to profit over the production budget. <br /><br />Everyone think like this no matter what to do. That's why there are a lot of works like this.<br /><br />There were an interview in the ITmedia Business with Netflix anime producer Sho Sakurai. He was asked \"If netflix holds 100% of the rights doesn't it diminish the role of anime studio in making the project?\" He asked an very straight question.<br /><br />So the anime producer, or chief producer maybe? Well, the Sakurai answer it like this.\"No way. I think the anime studio we work together is not thinking like that. The people of studio and the director always participate in the plannings. I think it's not an relation of just outsourcing an already completed project.\"<br /><br />>Link to interview (japanese)<br /><a href=\"https://www.itmedia.co.jp/business/articles/2004/08/news033_2.html\" target=\"_blank\">https://www.itmedia.co.jp/business/articles/2004/08/news033_2.html</a><br /><br />Sho Sakurai says this but he is known to interfere in the contents of project. So he interfere the work to be made in a way he see it sells in american territory. So how it is for anime studio? They end up thinking like \"The netflix producer interfere us to make the anime THEY want instead of anime we want to make. Not only that, all the rights belongs to netflix. Well, then how about let's just make an anime to profit over the production budget?\"<br /><br />When it comes to drama (live action), from NHK to commercial television, buying all the rights are the norm.<br /><br />The reason is unlike anime, almost no one in drama thought to profit over the sell of DVD. It was considered normal to profit over the production budget. So they have almost no resistance when it comes to netflix way of doing the stuff. But when it comes to anime studio, since the era of Osamu Tezuka's Astro Boy, they make stuff in low budget but get a huge profit over copyright or products. There are a lot of places that make anime in the same way like buying an lottery ticket. That's why they don't fall for the netflix's talk of buying all the rights and work like slaves.<br /><br />So, it's a bad way to say it but they changed their tactics to just get the money by making half assed projects. This is how I see it. So I think Netflix anime section must report to Netflix HQ in America that they must allow to anime studios have the rights or else the japaneses will not make the anime seriously. They must report that it's necessary to change the stragegy.<br /><br />Or Netflix have to create their own anime studio. Like Disney or Pixar. And then hire animators and directors and give them netflix's stock. It has to do that way or else it will result in big budget but normal/mediocre anime for ever.<br /><br />Then to the response for Yasuo's what is an otaku question. This is the way the otaku have their point of view. This is the way the otaku have their idea.<br /><br />It's ok to just like the stuff. But when you continue to like it for years and decades, it get's connected to experience with the life and you get able to see and read things that way. When you get able to do it the animation become more fun to watch.<br /><br />It's hard to define what otaku is in each era but I define otaku as someone who continues and have an unique point of view.",
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"published": "2021-01-22T15:42:36+00:00",
"source": {
"content": "Toshio Okada, co-founder and former president of Gainax, explains why Netflix original anime is bad.\n\nEnglish is my 3rd language so there are some weird stuff I couldn't translate well.\n\nAlso Okada Toshio himself is making his own sub on the video.\n\nBut here I go.\n\nhttps://www.youtube.com/watch?v=S07nKEBwdWQ\n\n>From 0:25 to 8:11.\n\nFrom Yatsuu, teenage, male. Person from youtube free version.\n\n\"My friend told me that I'm a otaku because I like movies and animes. According to 'Entrance to Otaku Study'...\" Ah, It's the book I wrote. \"Otaku is an person with high ability to reference. And the people who just like movies and anime are just mania or fans. What is considered otaku nowadays?\"\n\nHmmm... The definition of otaku, right?\n\nFor me otaku is something obviously continuous to be.\n\nSo when the one is 15 to 20 years old there are no apparent characteristic. Just loves it a lot but not an apparent characteristic. I think after 20 you get a different point of view and idea due to what you accumulate in your life.\n\nFor example... The netflix makes original dramas (live action), right? The dramas are reasonably good. I had a fun watching The Alice in Borderland. Then why netflix anime is bad when the netflix original dramas are reasonably good? There is a good reason for this.\n\nWhen you understand the reason, you will understand the works.\n\nI predict: I think the netflix anime will continue to be boring unless this problem is not solved. 2020 I got to talk with many anime studios to give consultation about releasing a project for netflix. They were told to release the project for netflix but they were in doubt about it. \n\nSo they consulted me.\n\nThe reason for this is the netflix have the all right over the netflix original anime. The director and scriptwriter have no rights. So the anime studio have no rights. Of course the animators have zero rights too.\n\nOf course in japan there are a lot of system that the company holds the right but it's considered normal to have all same staff when the sequel is made.\n\nIn Japan,the culture of \"this work belongs to this studio/people\" is protected despite being no rights in paper. So that's why there were an uproar when the company tried to change the director of kemono friends. This is considered the normal here.\n\nBut Netflix is different. Netflix originals are made in a \"purchase\" kind of way so the directors and the staff is treated like slaves. So the netflix projects are made in a \"do it and run\" kind of way. The truly interesting projects doesn't go to netflix. They do the projects by themselves in the way that they hold the rights.\n\nI can't say which work it is but there are a lot of anime that was like \"top notch director doing an anime that could be a hit but the result is 'what the...'\", right?\n\nThat's because all the rights will go to netflix so... How I should say... It's like a plan to left behind...So everyone end up trying to profit over the production budget. \n\nSo the work they really wants to do and that will sell in long run is made only by themselves, holding it's right.\n\nSo in order to get the budget for anime they want to make they send some easy projects with reasonable buzz in order to profit over the production budget. \n\nEveryone think like this no matter what to do. That's why there are a lot of works like this.\n\nThere were an interview in the ITmedia Business with Netflix anime producer Sho Sakurai. He was asked \"If netflix holds 100% of the rights doesn't it diminish the role of anime studio in making the project?\" He asked an very straight question.\n\nSo the anime producer, or chief producer maybe? Well, the Sakurai answer it like this.\"No way. I think the anime studio we work together is not thinking like that. The people of studio and the director always participate in the plannings. I think it's not an relation of just outsourcing an already completed project.\"\n\n>Link to interview (japanese)\nhttps://www.itmedia.co.jp/business/articles/2004/08/news033_2.html\n\nSho Sakurai says this but he is known to interfere in the contents of project. So he interfere the work to be made in a way he see it sells in american territory. So how it is for anime studio? They end up thinking like \"The netflix producer interfere us to make the anime THEY want instead of anime we want to make. Not only that, all the rights belongs to netflix. Well, then how about let's just make an anime to profit over the production budget?\"\n\nWhen it comes to drama (live action), from NHK to commercial television, buying all the rights are the norm.\n\nThe reason is unlike anime, almost no one in drama thought to profit over the sell of DVD. It was considered normal to profit over the production budget. So they have almost no resistance when it comes to netflix way of doing the stuff. But when it comes to anime studio, since the era of Osamu Tezuka's Astro Boy, they make stuff in low budget but get a huge profit over copyright or products. There are a lot of places that make anime in the same way like buying an lottery ticket. That's why they don't fall for the netflix's talk of buying all the rights and work like slaves.\n\nSo, it's a bad way to say it but they changed their tactics to just get the money by making half assed projects. This is how I see it. So I think Netflix anime section must report to Netflix HQ in America that they must allow to anime studios have the rights or else the japaneses will not make the anime seriously. They must report that it's necessary to change the stragegy.\n\nOr Netflix have to create their own anime studio. Like Disney or Pixar. And then hire animators and directors and give them netflix's stock. It has to do that way or else it will result in big budget but normal/mediocre anime for ever.\n\nThen to the response for Yasuo's what is an otaku question. This is the way the otaku have their point of view. This is the way the otaku have their idea.\n\nIt's ok to just like the stuff. But when you continue to like it for years and decades, it get's connected to experience with the life and you get able to see and read things that way. When you get able to do it the animation become more fun to watch.\n\nIt's hard to define what otaku is in each era but I define otaku as someone who continues and have an unique point of view.",
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"content": "I love how the moment i type hentai in the search Bar its full of people talking about it and making groups, i thought i would be the minority here but i was wrong xDD",
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"published": "2021-01-15T20:57:51+00:00",
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"content": "I love how the moment i type hentai in the search Bar its full of people talking about it and making groups, i thought i would be the minority here but i was wrong xDD",
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"content": "I wanna FUCK Kuro. <a href=\"https://www.minds.com/search?f=top&t=all&q=swimsuit\" title=\"#swimsuit\" class=\"u-url hashtag\" target=\"_blank\">#swimsuit</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=loli\" title=\"#loli\" class=\"u-url hashtag\" target=\"_blank\">#loli</a> <a href=\"https://www.minds.com/search?f=top&t=all&q=lolicon\" title=\"#lolicon\" class=\"u-url hashtag\" target=\"_blank\">#lolicon</a>",
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"published": "2021-01-16T03:39:06+00:00",
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"content": "I wanna FUCK Kuro. #swimsuit #loli #lolicon",
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"published": "2020-03-21T11:35:06+00:00",
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