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"content": "<p>KALEVALA</p><p>Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. It is regarded as the national epic of Karelia and Finland. The first version of the Kalevala, called the Old Kalevala, was published in 1835. The version most commonly known today was first published in 1849.</p><p>The Kalevala begins with the traditional Finnish creation myth, leading into stories of the creation of the earth, plants, creatures, and the sky. Creation, healing, combat and internal story telling are often accomplished by the character(s) involved singing of their exploits or desires. Many parts of the stories involve a character hunting or requesting lyrics (spells) to acquire some skill, such as boat-building or the mastery of iron making. As well as magical spell casting and singing, there are many stories of lust, romance, kidnapping and seduction. The protagonists of the stories often have to accomplish feats that are unreasonable or impossible which they often fail to achieve, leading to tragedy and humiliation.</p><p>The Sampo is a pivotal element of the whole work. Many actions and their consequences are caused by the Sampo itself or a character's interaction with the Sampo. It is described as a magical talisman or device that brings its possessor great fortune and prosperity, but its precise nature has been the subject of debate to the present day.</p><p>Very little is actually known about Elias Lönnrot's personal contributions to the Kalevala. The Finnish historian Väinö Kaukonen suggests that 3% of the Kalevala's lines are Lönnrot's own composition, 14% are Lönnrot compositions from variants, 50% are verses which Lönnrot kept mostly unchanged except for some minor alterations, and 33% are original unedited oral poetry.</p><p>Several artists have been influenced by the Kalevala, most notably Akseli Gallen-Kallela who has painted many pieces relating to the Kalevala. Music is the area which has the richest influence from the Kalevala, which is apt considering the way that the folk poetry and songs were originally performed. Robert Kajanus' Kullervo's Funeral March and the symphonic poem Aino in 1880 and 1885, respectively. Aino is credited with inspiring Jean Sibelius to investigate the richness of the Kalevala.</p><p>Images: 01-1 Väinämöinen playing kantele, artist unknown 01-2 Karelian poem singing brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry, Uhtua, 1894 01-3 Elias Lönnrot at his poet search field trip by A. W. Linsen: "Unus homo nobis currendo restituit rem" – "One man saved everything for us by running". 01-4 The artists searching the lost spirit of the inspiration from the bottom of the bottles, from left to right Axel Gallén (later Akseli Gallen-Kallela), Oskar Merikanto, Robert Kajanus and Jean Sibelius (all the participants liked the painting). Symposion (1st version or sketching), Akseli Gallen-Kallela, 1894</p><p><a class=\"hashtag\" data-tag=\"kalevala\" href=\"https://poa.st/tag/kalevala\">#kalevala</a> <a class=\"hashtag\" data-tag=\"finland\" href=\"https://poa.st/tag/finland\">#finland</a></p>",
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"en": "<p>KALEVALA</p><p>Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. It is regarded as the national epic of Karelia and Finland. The first version of the Kalevala, called the Old Kalevala, was published in 1835. The version most commonly known today was first published in 1849.</p><p>The Kalevala begins with the traditional Finnish creation myth, leading into stories of the creation of the earth, plants, creatures, and the sky. Creation, healing, combat and internal story telling are often accomplished by the character(s) involved singing of their exploits or desires. Many parts of the stories involve a character hunting or requesting lyrics (spells) to acquire some skill, such as boat-building or the mastery of iron making. As well as magical spell casting and singing, there are many stories of lust, romance, kidnapping and seduction. The protagonists of the stories often have to accomplish feats that are unreasonable or impossible which they often fail to achieve, leading to tragedy and humiliation.</p><p>The Sampo is a pivotal element of the whole work. Many actions and their consequences are caused by the Sampo itself or a character's interaction with the Sampo. It is described as a magical talisman or device that brings its possessor great fortune and prosperity, but its precise nature has been the subject of debate to the present day.</p><p>Very little is actually known about Elias Lönnrot's personal contributions to the Kalevala. The Finnish historian Väinö Kaukonen suggests that 3% of the Kalevala's lines are Lönnrot's own composition, 14% are Lönnrot compositions from variants, 50% are verses which Lönnrot kept mostly unchanged except for some minor alterations, and 33% are original unedited oral poetry.</p><p>Several artists have been influenced by the Kalevala, most notably Akseli Gallen-Kallela who has painted many pieces relating to the Kalevala. Music is the area which has the richest influence from the Kalevala, which is apt considering the way that the folk poetry and songs were originally performed. Robert Kajanus' Kullervo's Funeral March and the symphonic poem Aino in 1880 and 1885, respectively. Aino is credited with inspiring Jean Sibelius to investigate the richness of the Kalevala.</p><p>Images: 01-1 Väinämöinen playing kantele, artist unknown 01-2 Karelian poem singing brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry, Uhtua, 1894 01-3 Elias Lönnrot at his poet search field trip by A. W. Linsen: "Unus homo nobis currendo restituit rem" – "One man saved everything for us by running". 01-4 The artists searching the lost spirit of the inspiration from the bottom of the bottles, from left to right Axel Gallén (later Akseli Gallen-Kallela), Oskar Merikanto, Robert Kajanus and Jean Sibelius (all the participants liked the painting). Symposion (1st version or sketching), Akseli Gallen-Kallela, 1894</p><p><a class=\"hashtag\" data-tag=\"kalevala\" href=\"https://poa.st/tag/kalevala\">#kalevala</a> <a class=\"hashtag\" data-tag=\"finland\" href=\"https://poa.st/tag/finland\">#finland</a></p>"
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"content": "KALEVALA\n\nKalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. It is regarded as the national epic of Karelia and Finland. The first version of the Kalevala, called the Old Kalevala, was published in 1835. The version most commonly known today was first published in 1849.\n\nThe Kalevala begins with the traditional Finnish creation myth, leading into stories of the creation of the earth, plants, creatures, and the sky. Creation, healing, combat and internal story telling are often accomplished by the character(s) involved singing of their exploits or desires. Many parts of the stories involve a character hunting or requesting lyrics (spells) to acquire some skill, such as boat-building or the mastery of iron making. As well as magical spell casting and singing, there are many stories of lust, romance, kidnapping and seduction. The protagonists of the stories often have to accomplish feats that are unreasonable or impossible which they often fail to achieve, leading to tragedy and humiliation.\n\nThe Sampo is a pivotal element of the whole work. Many actions and their consequences are caused by the Sampo itself or a character's interaction with the Sampo. It is described as a magical talisman or device that brings its possessor great fortune and prosperity, but its precise nature has been the subject of debate to the present day.\n\nVery little is actually known about Elias Lönnrot's personal contributions to the Kalevala. The Finnish historian Väinö Kaukonen suggests that 3% of the Kalevala's lines are Lönnrot's own composition, 14% are Lönnrot compositions from variants, 50% are verses which Lönnrot kept mostly unchanged except for some minor alterations, and 33% are original unedited oral poetry.\n\nSeveral artists have been influenced by the Kalevala, most notably Akseli Gallen-Kallela who has painted many pieces relating to the Kalevala. Music is the area which has the richest influence from the Kalevala, which is apt considering the way that the folk poetry and songs were originally performed. Robert Kajanus' Kullervo's Funeral March and the symphonic poem Aino in 1880 and 1885, respectively. Aino is credited with inspiring Jean Sibelius to investigate the richness of the Kalevala.\n\nImages:\n01-1 Väinämöinen playing kantele, artist unknown\n01-2 Karelian poem singing brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry, Uhtua, 1894\n01-3 Elias Lönnrot at his poet search field trip by A. W. Linsen: \"Unus homo nobis currendo restituit rem\" – \"One man saved everything for us by running\".\n01-4 The artists searching the lost spirit of the inspiration from the bottom of the bottles, from left to right Axel Gallén (later Akseli Gallen-Kallela), Oskar Merikanto, Robert Kajanus and Jean Sibelius (all the participants liked the painting). Symposion (1st version or sketching), Akseli Gallen-Kallela, 1894\n\n#kalevala #finland",
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"content": "<TLDR: Long, requires IQ120 or above. I had a dream, woke up and it turned out to be true with slight differences in current timeline. So I switched a timeline while at sleep.><br/><br/>Lucid dream<br/><br/>Today another prove of my "film roll theory" (timeline switch) pop out its head.<br/><br/>I saw lucid dream where I met my neighbor last night. We were somewhere abroad and I met her out of a blue. She told me she needs to take some sick orphan kid to hospital immediately.<br/>Then today morning while walking the dog I was thinking about this dream and wishing to see her, turned the corner and there she was taking her dog out. Told about the dream and she answered: "Yes, I took my son to see doctor on Monday."<br/>I immediately realized we had both timeline switch in my dream.<br/><br/>Film roll theory <br/><br/>(copy of my part of discussions with Doctor of Physics Norman Fahrer, "nemsi" at Gab, about the theory of relativity if there is no time, only Now)<br/><br/>Imagine the life as a film rolled open on the table, the past you may see already developed on film, the future may seem fuzzy or not developed yet on your master cut which we call "the current life". Then there is also alternative cuts of the film on the table, the content might differ slightly or greatly but the main story is the same. Then there is also completely different takes of the film on the table, another "movie" with different plots where you are starring. All those films are scrolled open and you are able to jump instantly to any frame on other than master cut (current life) film, to the future or to the past, on master cut you can jump only to the past.<br/><br/>Now, let's imagine that the location in one of the films is in another galaxy and you are able to jump there instantly. What is your velocity, what is your speed? The frame you chose to jump into has no time, regardless if it exists in the past or in the future compared to your master film location , it is Now for you in that film. Then you live through some of the frames from the other than master film, and your master film develops those frames into your current life movie.<br/><br/>That is why people might remember that something happened differently or at different time, because they brought some frames from alternating film, which differs slightly. It is named as Mandela effect.<br/>---- 8< ----<br/>Our goal in this realm called Earth is to learn and gather experiences for future lifes, anything we experience is learning opportunity and we came here to experience exactly it. Earth is extraordinary place, here you have feelings and that is why many souls eager to come here for those experiences. We have given the gift of forgetfulness in this realm, otherwise we would go quite disturbed and mad if we remembered everything from our past, current and future lifes. In my belief framework soul is eternal.<br/><br/>So we get to the final question of God and the intentions of God. In my belief framework you are referring to Creator, if you allow me this interpretation. If you look at anything in nature and see Creator's thumbnail in it, then you already have the answer, and you do not need anymore of hints. Just look close and you see a far away. As below, so above. Our ability to connect to Creator through "3rd eye" has been down shifted or diminished in purpose, so that we can be ruled. That is going to change.<br/><br/>Your dreams are connection to Creator.<br/>You are Creator in Creator.<br/>Any object on Earth is Creator in Creator. For example stone, it creates hiding place under it for rabbits and such, it extracts minerals to the ground for plants to nourish, it preserves sun's heat itself and releases it at night for surrounding and creating a warmth for the night. I am sure you are better Creator than a rock.<br/>Out there, well, there is all the knowledge, but down here is all the feelings and experiences which are missing out there. That's why you are down here, to experience. Enjoy while it lasts, you will get out there and then your soul ponders why didn't it last longer down there.",
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"en": "<TLDR: Long, requires IQ120 or above. I had a dream, woke up and it turned out to be true with slight differences in current timeline. So I switched a timeline while at sleep.><br/><br/>Lucid dream<br/><br/>Today another prove of my "film roll theory" (timeline switch) pop out its head.<br/><br/>I saw lucid dream where I met my neighbor last night. We were somewhere abroad and I met her out of a blue. She told me she needs to take some sick orphan kid to hospital immediately.<br/>Then today morning while walking the dog I was thinking about this dream and wishing to see her, turned the corner and there she was taking her dog out. Told about the dream and she answered: "Yes, I took my son to see doctor on Monday."<br/>I immediately realized we had both timeline switch in my dream.<br/><br/>Film roll theory <br/><br/>(copy of my part of discussions with Doctor of Physics Norman Fahrer, "nemsi" at Gab, about the theory of relativity if there is no time, only Now)<br/><br/>Imagine the life as a film rolled open on the table, the past you may see already developed on film, the future may seem fuzzy or not developed yet on your master cut which we call "the current life". Then there is also alternative cuts of the film on the table, the content might differ slightly or greatly but the main story is the same. Then there is also completely different takes of the film on the table, another "movie" with different plots where you are starring. All those films are scrolled open and you are able to jump instantly to any frame on other than master cut (current life) film, to the future or to the past, on master cut you can jump only to the past.<br/><br/>Now, let's imagine that the location in one of the films is in another galaxy and you are able to jump there instantly. What is your velocity, what is your speed? The frame you chose to jump into has no time, regardless if it exists in the past or in the future compared to your master film location , it is Now for you in that film. Then you live through some of the frames from the other than master film, and your master film develops those frames into your current life movie.<br/><br/>That is why people might remember that something happened differently or at different time, because they brought some frames from alternating film, which differs slightly. It is named as Mandela effect.<br/>---- 8< ----<br/>Our goal in this realm called Earth is to learn and gather experiences for future lifes, anything we experience is learning opportunity and we came here to experience exactly it. Earth is extraordinary place, here you have feelings and that is why many souls eager to come here for those experiences. We have given the gift of forgetfulness in this realm, otherwise we would go quite disturbed and mad if we remembered everything from our past, current and future lifes. In my belief framework soul is eternal.<br/><br/>So we get to the final question of God and the intentions of God. In my belief framework you are referring to Creator, if you allow me this interpretation. If you look at anything in nature and see Creator's thumbnail in it, then you already have the answer, and you do not need anymore of hints. Just look close and you see a far away. As below, so above. Our ability to connect to Creator through "3rd eye" has been down shifted or diminished in purpose, so that we can be ruled. That is going to change.<br/><br/>Your dreams are connection to Creator.<br/>You are Creator in Creator.<br/>Any object on Earth is Creator in Creator. For example stone, it creates hiding place under it for rabbits and such, it extracts minerals to the ground for plants to nourish, it preserves sun's heat itself and releases it at night for surrounding and creating a warmth for the night. I am sure you are better Creator than a rock.<br/>Out there, well, there is all the knowledge, but down here is all the feelings and experiences which are missing out there. That's why you are down here, to experience. Enjoy while it lasts, you will get out there and then your soul ponders why didn't it last longer down there."
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"content": "<TLDR: long, requires IQ120 or above><br/><br/>Lucid dream<br/><br/>Today another prove of my "film roll theory" (timeline switch) pop out its head.<br/><br/>I saw lucid dream where I met my neighbor last night. We were somewhere abroad and I met her out of a blue. She told me she needs to take some sick orphan kid to hospital immediately.<br/>Then today morning while walking the dog I was thinking about this dream and wishing to see her, turned the corner and there she was taking her dog out. Told about the dream and she answered: "Yes, I took my son to see doctor on Monday."<br/>I immediately realized we had both timeline switch in my dream.<br/><br/>Film roll theory <br/><br/>(copy of my part of discussions with Doctor of Physics Norman Fahrer, "nemsi" at Gab, about the theory of relativity if there is no time, only Now)<br/><br/>Imagine the life as a film rolled open on the table, the past you may see already developed on film, the future may seem fuzzy or not developed yet on your master cut which we call "the current life". Then there is also alternative cuts of the film on the table, the content might differ slightly or greatly but the main story is the same. Then there is also completely different takes of the film on the table, another "movie" with different plots where you are starring. All those films are scrolled open and you are able to jump instantly to any frame on other than master cut (current life) film, to the future or to the past, on master cut you can jump only to the past.<br/><br/>Now, let's imagine that the location in one of the films is in another galaxy and you are able to jump there instantly. What is your velocity, what is your speed? The frame you chose to jump into has no time, regardless if it exists in the past or in the future compared to your master film location , it is Now for you in that film. Then you live through some of the frames from the other than master film, and your master film develops those frames into your current life movie.<br/><br/>That is why people might remember that something happened differently or at different time, because they brought some frames from alternating film, which differs slightly. It is named as Mandela effect.<br/>---- 8< ----<br/>Our goal in this realm called Earth is to learn and gather experiences for future lifes, anything we experience is learning opportunity and we came here to experience exactly it. Earth is extraordinary place, here you have feelings and that is why many souls eager to come here for those experiences. We have given the gift of forgetfulness in this realm, otherwise we would go quite disturbed and mad if we remembered everything from our past, current and future lifes. In my belief framework soul is eternal.<br/><br/>So we get to the final question of God and the intentions of God. In my belief framework you are referring to Creator, if you allow me this interpretation. If you look at anything in nature and see Creator's thumbnail in it, then you already have the answer, and you do not need anymore of hints. Just look close and you see a far away. As below, so above. Our ability to connect to Creator through "3rd eye" has been down shifted or diminished in purpose, so that we can be ruled. That is going to change.<br/><br/>Your dreams are connection to Creator.<br/>You are Creator in Creator.<br/>Any object on Earth is Creator in Creator. For example stone, it creates hiding place under it for rabbits and such, it extracts minerals to the ground for plants to nourish, it preserves sun's heat itself and releases it at night for surrounding and creating a warmth for the night. I am sure you are better Creator than a rock.<br/>Out there, well, there is all the knowledge, but down here is all the feelings and experiences which are missing out there. That's why you are down here, to experience. Enjoy while it lasts, you will get out there and then your soul ponders why didn't it last longer down there.",
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"en": "<TLDR: long, requires IQ120 or above><br/><br/>Lucid dream<br/><br/>Today another prove of my "film roll theory" (timeline switch) pop out its head.<br/><br/>I saw lucid dream where I met my neighbor last night. We were somewhere abroad and I met her out of a blue. She told me she needs to take some sick orphan kid to hospital immediately.<br/>Then today morning while walking the dog I was thinking about this dream and wishing to see her, turned the corner and there she was taking her dog out. Told about the dream and she answered: "Yes, I took my son to see doctor on Monday."<br/>I immediately realized we had both timeline switch in my dream.<br/><br/>Film roll theory <br/><br/>(copy of my part of discussions with Doctor of Physics Norman Fahrer, "nemsi" at Gab, about the theory of relativity if there is no time, only Now)<br/><br/>Imagine the life as a film rolled open on the table, the past you may see already developed on film, the future may seem fuzzy or not developed yet on your master cut which we call "the current life". Then there is also alternative cuts of the film on the table, the content might differ slightly or greatly but the main story is the same. Then there is also completely different takes of the film on the table, another "movie" with different plots where you are starring. All those films are scrolled open and you are able to jump instantly to any frame on other than master cut (current life) film, to the future or to the past, on master cut you can jump only to the past.<br/><br/>Now, let's imagine that the location in one of the films is in another galaxy and you are able to jump there instantly. What is your velocity, what is your speed? The frame you chose to jump into has no time, regardless if it exists in the past or in the future compared to your master film location , it is Now for you in that film. Then you live through some of the frames from the other than master film, and your master film develops those frames into your current life movie.<br/><br/>That is why people might remember that something happened differently or at different time, because they brought some frames from alternating film, which differs slightly. It is named as Mandela effect.<br/>---- 8< ----<br/>Our goal in this realm called Earth is to learn and gather experiences for future lifes, anything we experience is learning opportunity and we came here to experience exactly it. Earth is extraordinary place, here you have feelings and that is why many souls eager to come here for those experiences. We have given the gift of forgetfulness in this realm, otherwise we would go quite disturbed and mad if we remembered everything from our past, current and future lifes. In my belief framework soul is eternal.<br/><br/>So we get to the final question of God and the intentions of God. In my belief framework you are referring to Creator, if you allow me this interpretation. If you look at anything in nature and see Creator's thumbnail in it, then you already have the answer, and you do not need anymore of hints. Just look close and you see a far away. As below, so above. Our ability to connect to Creator through "3rd eye" has been down shifted or diminished in purpose, so that we can be ruled. That is going to change.<br/><br/>Your dreams are connection to Creator.<br/>You are Creator in Creator.<br/>Any object on Earth is Creator in Creator. For example stone, it creates hiding place under it for rabbits and such, it extracts minerals to the ground for plants to nourish, it preserves sun's heat itself and releases it at night for surrounding and creating a warmth for the night. I am sure you are better Creator than a rock.<br/>Out there, well, there is all the knowledge, but down here is all the feelings and experiences which are missing out there. That's why you are down here, to experience. Enjoy while it lasts, you will get out there and then your soul ponders why didn't it last longer down there."
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"content": "<TLDR: long, requires IQ120 or above>\n\nLucid dream\n\nToday another prove of my \"film roll theory\" (timeline switch) pop out its head.\n\nI saw lucid dream where I met my neighbor last night. We were somewhere abroad and I met her out of a blue. She told me she needs to take some sick orphan kid to hospital immediately.\nThen today morning while walking the dog I was thinking about this dream and wishing to see her, turned the corner and there she was taking her dog out. Told about the dream and she answered: \"Yes, I took my son to see doctor on Monday.\"\nI immediately realized we had both timeline switch in my dream.\n\nFilm roll theory \n\n(copy of my part of discussions with Doctor of Physics Norman Fahrer, \"nemsi\" at Gab, about the theory of relativity if there is no time, only Now)\n\nImagine the life as a film rolled open on the table, the past you may see already developed on film, the future may seem fuzzy or not developed yet on your master cut which we call \"the current life\". Then there is also alternative cuts of the film on the table, the content might differ slightly or greatly but the main story is the same. Then there is also completely different takes of the film on the table, another \"movie\" with different plots where you are starring. All those films are scrolled open and you are able to jump instantly to any frame on other than master cut (current life) film, to the future or to the past, on master cut you can jump only to the past.\n\nNow, let's imagine that the location in one of the films is in another galaxy and you are able to jump there instantly. What is your velocity, what is your speed? The frame you chose to jump into has no time, regardless if it exists in the past or in the future compared to your master film location , it is Now for you in that film. Then you live through some of the frames from the other than master film, and your master film develops those frames into your current life movie.\n\nThat is why people might remember that something happened differently or at different time, because they brought some frames from alternating film, which differs slightly. It is named as Mandela effect.\n---- 8< ----\nOur goal in this realm called Earth is to learn and gather experiences for future lifes, anything we experience is learning opportunity and we came here to experience exactly it. Earth is extraordinary place, here you have feelings and that is why many souls eager to come here for those experiences. We have given the gift of forgetfulness in this realm, otherwise we would go quite disturbed and mad if we remembered everything from our past, current and future lifes. In my belief framework soul is eternal.\n\nSo we get to the final question of God and the intentions of God. In my belief framework you are referring to Creator, if you allow me this interpretation. If you look at anything in nature and see Creator's thumbnail in it, then you already have the answer, and you do not need anymore of hints. Just look close and you see a far away. As below, so above. Our ability to connect to Creator through \"3rd eye\" has been down shifted or diminished in purpose, so that we can be ruled. That is going to change.\n\nYour dreams are connection to Creator.\nYou are Creator in Creator.\nAny object on Earth is Creator in Creator. For example stone, it creates hiding place under it for rabbits and such, it extracts minerals to the ground for plants to nourish, it preserves sun's heat itself and releases it at night for surrounding and creating a warmth for the night. I am sure you are better Creator than a rock.\nOut there, well, there is all the knowledge, but down here is all the feelings and experiences which are missing out there. That's why you are down here, to experience. Enjoy while it lasts, you will get out there and then your soul ponders why didn't it last longer down there.",
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"content": "<TLDR: Long, requires IQ120 or above. I had a dream, woke up and it turned out to be true with slight differences in current timeline. So I switched a timeline while at sleep.>\n\nLucid dream\n\nToday another prove of my \"film roll theory\" (timeline switch) pop out its head.\n\nI saw lucid dream where I met my neighbor last night. We were somewhere abroad and I met her out of a blue. She told me she needs to take some sick orphan kid to hospital immediately.\nThen today morning while walking the dog I was thinking about this dream and wishing to see her, turned the corner and there she was taking her dog out. Told about the dream and she answered: \"Yes, I took my son to see doctor on Monday.\"\nI immediately realized we had both timeline switch in my dream.\n\nFilm roll theory \n\n(copy of my part of discussions with Doctor of Physics Norman Fahrer, \"nemsi\" at Gab, about the theory of relativity if there is no time, only Now)\n\nImagine the life as a film rolled open on the table, the past you may see already developed on film, the future may seem fuzzy or not developed yet on your master cut which we call \"the current life\". Then there is also alternative cuts of the film on the table, the content might differ slightly or greatly but the main story is the same. Then there is also completely different takes of the film on the table, another \"movie\" with different plots where you are starring. All those films are scrolled open and you are able to jump instantly to any frame on other than master cut (current life) film, to the future or to the past, on master cut you can jump only to the past.\n\nNow, let's imagine that the location in one of the films is in another galaxy and you are able to jump there instantly. What is your velocity, what is your speed? The frame you chose to jump into has no time, regardless if it exists in the past or in the future compared to your master film location , it is Now for you in that film. Then you live through some of the frames from the other than master film, and your master film develops those frames into your current life movie.\n\nThat is why people might remember that something happened differently or at different time, because they brought some frames from alternating film, which differs slightly. It is named as Mandela effect.\n---- 8< ----\nOur goal in this realm called Earth is to learn and gather experiences for future lifes, anything we experience is learning opportunity and we came here to experience exactly it. Earth is extraordinary place, here you have feelings and that is why many souls eager to come here for those experiences. We have given the gift of forgetfulness in this realm, otherwise we would go quite disturbed and mad if we remembered everything from our past, current and future lifes. In my belief framework soul is eternal.\n\nSo we get to the final question of God and the intentions of God. In my belief framework you are referring to Creator, if you allow me this interpretation. If you look at anything in nature and see Creator's thumbnail in it, then you already have the answer, and you do not need anymore of hints. Just look close and you see a far away. As below, so above. Our ability to connect to Creator through \"3rd eye\" has been down shifted or diminished in purpose, so that we can be ruled. That is going to change.\n\nYour dreams are connection to Creator.\nYou are Creator in Creator.\nAny object on Earth is Creator in Creator. For example stone, it creates hiding place under it for rabbits and such, it extracts minerals to the ground for plants to nourish, it preserves sun's heat itself and releases it at night for surrounding and creating a warmth for the night. I am sure you are better Creator than a rock.\nOut there, well, there is all the knowledge, but down here is all the feelings and experiences which are missing out there. That's why you are down here, to experience. Enjoy while it lasts, you will get out there and then your soul ponders why didn't it last longer down there.",
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