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"content": "<p>KALEVALA</p><p>Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. It is regarded as the national epic of Karelia and Finland. The first version of the Kalevala, called the Old Kalevala, was published in 1835. The version most commonly known today was first published in 1849.</p><p>The Kalevala begins with the traditional Finnish creation myth, leading into stories of the creation of the earth, plants, creatures, and the sky. Creation, healing, combat and internal story telling are often accomplished by the character(s) involved singing of their exploits or desires. Many parts of the stories involve a character hunting or requesting lyrics (spells) to acquire some skill, such as boat-building or the mastery of iron making. As well as magical spell casting and singing, there are many stories of lust, romance, kidnapping and seduction. The protagonists of the stories often have to accomplish feats that are unreasonable or impossible which they often fail to achieve, leading to tragedy and humiliation.</p><p>The Sampo is a pivotal element of the whole work. Many actions and their consequences are caused by the Sampo itself or a character's interaction with the Sampo. It is described as a magical talisman or device that brings its possessor great fortune and prosperity, but its precise nature has been the subject of debate to the present day.</p><p>Very little is actually known about Elias Lönnrot's personal contributions to the Kalevala. The Finnish historian Väinö Kaukonen suggests that 3% of the Kalevala's lines are Lönnrot's own composition, 14% are Lönnrot compositions from variants, 50% are verses which Lönnrot kept mostly unchanged except for some minor alterations, and 33% are original unedited oral poetry.</p><p>Several artists have been influenced by the Kalevala, most notably Akseli Gallen-Kallela who has painted many pieces relating to the Kalevala. Music is the area which has the richest influence from the Kalevala, which is apt considering the way that the folk poetry and songs were originally performed. Robert Kajanus' Kullervo's Funeral March and the symphonic poem Aino in 1880 and 1885, respectively. Aino is credited with inspiring Jean Sibelius to investigate the richness of the Kalevala.</p><p>Images: 01-1 Väinämöinen playing kantele, artist unknown 01-2 Karelian poem singing brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry, Uhtua, 1894 01-3 Elias Lönnrot at his poet search field trip by A. W. Linsen: "Unus homo nobis currendo restituit rem" – "One man saved everything for us by running". 01-4 The artists searching the lost spirit of the inspiration from the bottom of the bottles, from left to right Axel Gallén (later Akseli Gallen-Kallela), Oskar Merikanto, Robert Kajanus and Jean Sibelius (all the participants liked the painting). Symposion (1st version or sketching), Akseli Gallen-Kallela, 1894</p><p><a class=\"hashtag\" data-tag=\"kalevala\" href=\"https://poa.st/tag/kalevala\">#kalevala</a> <a class=\"hashtag\" data-tag=\"finland\" href=\"https://poa.st/tag/finland\">#finland</a></p>",
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"en": "<p>KALEVALA</p><p>Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. It is regarded as the national epic of Karelia and Finland. The first version of the Kalevala, called the Old Kalevala, was published in 1835. The version most commonly known today was first published in 1849.</p><p>The Kalevala begins with the traditional Finnish creation myth, leading into stories of the creation of the earth, plants, creatures, and the sky. Creation, healing, combat and internal story telling are often accomplished by the character(s) involved singing of their exploits or desires. Many parts of the stories involve a character hunting or requesting lyrics (spells) to acquire some skill, such as boat-building or the mastery of iron making. As well as magical spell casting and singing, there are many stories of lust, romance, kidnapping and seduction. The protagonists of the stories often have to accomplish feats that are unreasonable or impossible which they often fail to achieve, leading to tragedy and humiliation.</p><p>The Sampo is a pivotal element of the whole work. Many actions and their consequences are caused by the Sampo itself or a character's interaction with the Sampo. It is described as a magical talisman or device that brings its possessor great fortune and prosperity, but its precise nature has been the subject of debate to the present day.</p><p>Very little is actually known about Elias Lönnrot's personal contributions to the Kalevala. The Finnish historian Väinö Kaukonen suggests that 3% of the Kalevala's lines are Lönnrot's own composition, 14% are Lönnrot compositions from variants, 50% are verses which Lönnrot kept mostly unchanged except for some minor alterations, and 33% are original unedited oral poetry.</p><p>Several artists have been influenced by the Kalevala, most notably Akseli Gallen-Kallela who has painted many pieces relating to the Kalevala. Music is the area which has the richest influence from the Kalevala, which is apt considering the way that the folk poetry and songs were originally performed. Robert Kajanus' Kullervo's Funeral March and the symphonic poem Aino in 1880 and 1885, respectively. Aino is credited with inspiring Jean Sibelius to investigate the richness of the Kalevala.</p><p>Images: 01-1 Väinämöinen playing kantele, artist unknown 01-2 Karelian poem singing brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry, Uhtua, 1894 01-3 Elias Lönnrot at his poet search field trip by A. W. Linsen: "Unus homo nobis currendo restituit rem" – "One man saved everything for us by running". 01-4 The artists searching the lost spirit of the inspiration from the bottom of the bottles, from left to right Axel Gallén (later Akseli Gallen-Kallela), Oskar Merikanto, Robert Kajanus and Jean Sibelius (all the participants liked the painting). Symposion (1st version or sketching), Akseli Gallen-Kallela, 1894</p><p><a class=\"hashtag\" data-tag=\"kalevala\" href=\"https://poa.st/tag/kalevala\">#kalevala</a> <a class=\"hashtag\" data-tag=\"finland\" href=\"https://poa.st/tag/finland\">#finland</a></p>"
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"content": "KALEVALA\n\nKalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and retaliatory voyages between the peoples of the land of Kalevala called Väinölä and the land of Pohjola and their various protagonists and antagonists, as well as the construction and robbery of the epic mythical wealth-making machine Sampo. It is regarded as the national epic of Karelia and Finland. The first version of the Kalevala, called the Old Kalevala, was published in 1835. The version most commonly known today was first published in 1849.\n\nThe Kalevala begins with the traditional Finnish creation myth, leading into stories of the creation of the earth, plants, creatures, and the sky. Creation, healing, combat and internal story telling are often accomplished by the character(s) involved singing of their exploits or desires. Many parts of the stories involve a character hunting or requesting lyrics (spells) to acquire some skill, such as boat-building or the mastery of iron making. As well as magical spell casting and singing, there are many stories of lust, romance, kidnapping and seduction. The protagonists of the stories often have to accomplish feats that are unreasonable or impossible which they often fail to achieve, leading to tragedy and humiliation.\n\nThe Sampo is a pivotal element of the whole work. Many actions and their consequences are caused by the Sampo itself or a character's interaction with the Sampo. It is described as a magical talisman or device that brings its possessor great fortune and prosperity, but its precise nature has been the subject of debate to the present day.\n\nVery little is actually known about Elias Lönnrot's personal contributions to the Kalevala. The Finnish historian Väinö Kaukonen suggests that 3% of the Kalevala's lines are Lönnrot's own composition, 14% are Lönnrot compositions from variants, 50% are verses which Lönnrot kept mostly unchanged except for some minor alterations, and 33% are original unedited oral poetry.\n\nSeveral artists have been influenced by the Kalevala, most notably Akseli Gallen-Kallela who has painted many pieces relating to the Kalevala. Music is the area which has the richest influence from the Kalevala, which is apt considering the way that the folk poetry and songs were originally performed. Robert Kajanus' Kullervo's Funeral March and the symphonic poem Aino in 1880 and 1885, respectively. Aino is credited with inspiring Jean Sibelius to investigate the richness of the Kalevala.\n\nImages:\n01-1 Väinämöinen playing kantele, artist unknown\n01-2 Karelian poem singing brothers Poavila and Triihvo Jamanen reciting traditional Finnish folk poetry, Uhtua, 1894\n01-3 Elias Lönnrot at his poet search field trip by A. W. Linsen: \"Unus homo nobis currendo restituit rem\" – \"One man saved everything for us by running\".\n01-4 The artists searching the lost spirit of the inspiration from the bottom of the bottles, from left to right Axel Gallén (later Akseli Gallen-Kallela), Oskar Merikanto, Robert Kajanus and Jean Sibelius (all the participants liked the painting). Symposion (1st version or sketching), Akseli Gallen-Kallela, 1894\n\n#kalevala #finland",
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