A small tool to view real-world ActivityPub objects as JSON! Enter a URL
or username from Mastodon or a similar service below, and we'll send a
request with
the right
Accept
header
to the server to view the underlying object.
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"toot": "http://joinmastodon.org/ns#",
"votersCount": "toot:votersCount",
"Hashtag": "as:Hashtag"
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"published": "2024-04-23T04:37:12Z",
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"content": "<p>↑<br />实际上动画制作公司形成固定风格是非常普遍的，比如#新海诚 的超写实主义、<a href=\"https://mastodon.social/tags/%E4%BA%AC%E9%98%BF%E5%B0%BC\" class=\"mention hashtag\" rel=\"tag\">#<span>京阿尼</span></a> 的#京都脸（ <a href=\"https://zh.moegirl.org.cn/zh-hans/%E4%BA%AC%E9%83%BD%E8%84%B8\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"ellipsis\">zh.moegirl.org.cn/zh-hans/%E4%</span><span class=\"invisible\">BA%AC%E9%83%BD%E8%84%B8</span></a> ）以及木头工作室（<a href=\"https://mastodon.social/tags/MTJJ\" class=\"mention hashtag\" rel=\"tag\">#<span>MTJJ</span></a>）被戏称为「罗小黑画风」的风格（为#宝可梦 制作的贺岁短片《良辰有梦》<a href=\"https://www.bilibili.com/video/BV1mU421o7UC\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://www.</span><span class=\"\">bilibili.com/video/BV1mU421o7UC</span><span class=\"invisible\"></span></a> ）<br />与此相反的是，即使在给定的人物设定下不同作画监督对同一角色的形象理解仍然存在明显差异（ <a href=\"https://zhuanlan.zhihu.com/p/150256082\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"\">zhuanlan.zhihu.com/p/150256082</span><span class=\"invisible\"></span></a> ）。<br />（早在#AIGC 出现以前，通过简单替换和拼接生成立绘的各种生成器也早就漫天飞了。顺便在搜索过程中找到了一个利用AI来识别动画角色的项目 <a href=\"https://www.jiqizhixin.com/articles/2020-10-04-6\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://www.</span><span class=\"ellipsis\">jiqizhixin.com/articles/2020-1</span><span class=\"invisible\">0-04-6</span></a> ）</p><p>实际上，「画风」的跨界「借鉴」也颇为常见，可以试着搜索「Ghibli-styled games」。有款模仿了上世纪#赛璐珞动画 风格的独立游戏 <a href=\"https://mastodon.social/tags/Vivarium\" class=\"mention hashtag\" rel=\"tag\">#<span>Vivarium</span></a> 非常亮眼。</p><p>回到正题，对照宫崎骏自己在东映时期的作品可以看到，今天的「吉卜力画风」是如何承接了「东映画风」而出现的。</p><p>我们得停止把某种创作当作「个体的灵光一现」，忽略促成其出现的坚实土壤了。</p><p>↓</p>",
"contentMap": {
"zh": "<p>↑<br />实际上动画制作公司形成固定风格是非常普遍的，比如#新海诚 的超写实主义、<a href=\"https://mastodon.social/tags/%E4%BA%AC%E9%98%BF%E5%B0%BC\" class=\"mention hashtag\" rel=\"tag\">#<span>京阿尼</span></a> 的#京都脸（ <a href=\"https://zh.moegirl.org.cn/zh-hans/%E4%BA%AC%E9%83%BD%E8%84%B8\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"ellipsis\">zh.moegirl.org.cn/zh-hans/%E4%</span><span class=\"invisible\">BA%AC%E9%83%BD%E8%84%B8</span></a> ）以及木头工作室（<a href=\"https://mastodon.social/tags/MTJJ\" class=\"mention hashtag\" rel=\"tag\">#<span>MTJJ</span></a>）被戏称为「罗小黑画风」的风格（为#宝可梦 制作的贺岁短片《良辰有梦》<a href=\"https://www.bilibili.com/video/BV1mU421o7UC\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://www.</span><span class=\"\">bilibili.com/video/BV1mU421o7UC</span><span class=\"invisible\"></span></a> ）<br />与此相反的是，即使在给定的人物设定下不同作画监督对同一角色的形象理解仍然存在明显差异（ <a href=\"https://zhuanlan.zhihu.com/p/150256082\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"\">zhuanlan.zhihu.com/p/150256082</span><span class=\"invisible\"></span></a> ）。<br />（早在#AIGC 出现以前，通过简单替换和拼接生成立绘的各种生成器也早就漫天飞了。顺便在搜索过程中找到了一个利用AI来识别动画角色的项目 <a href=\"https://www.jiqizhixin.com/articles/2020-10-04-6\" target=\"_blank\" rel=\"nofollow noopener\" translate=\"no\"><span class=\"invisible\">https://www.</span><span class=\"ellipsis\">jiqizhixin.com/articles/2020-1</span><span class=\"invisible\">0-04-6</span></a> ）</p><p>实际上，「画风」的跨界「借鉴」也颇为常见，可以试着搜索「Ghibli-styled games」。有款模仿了上世纪#赛璐珞动画 风格的独立游戏 <a href=\"https://mastodon.social/tags/Vivarium\" class=\"mention hashtag\" rel=\"tag\">#<span>Vivarium</span></a> 非常亮眼。</p><p>回到正题，对照宫崎骏自己在东映时期的作品可以看到，今天的「吉卜力画风」是如何承接了「东映画风」而出现的。</p><p>我们得停止把某种创作当作「个体的灵光一现」，忽略促成其出现的坚实土壤了。</p><p>↓</p>"
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