A small tool to view real-world ActivityPub objects as JSON! Enter a URL
or username from Mastodon or a similar service below, and we'll send a
request with
the right
Accept
header
to the server to view the underlying object.
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"content": "<p>"Call me Ishmael" ... like an invocation. "Tell us, O Muse" ... And the name itself, "Ishmael," so strange and evocative — of Antiquity, of pagan wilderness and uncertain paths of righteousness, when human experience was all happening for the first time.</p>",
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"content": "<p>Any prose that really moves a reader has some poetic power to it, simple or complex, direct or implied. "Call me Ishmael." Three words, an assertion of preference, nothing more. Yet they are like a door swinging open, beyond which is an enthralling and strange new world.</p>",
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"content": "<p>But that simple phrasing comes amidst the larger poetic weave of a prose narrative about an individual on a strange journey that will ultimately transform him. The simplicity of "He ate the hamburger" is _part_ of the poetry of the prose.</p>",
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"content": "<p>The poetics of prose are often what's NOT said. Are often everything AROUND what's said. This rhythm, of imaginative flights offset by simple statements and assertions, creates a space rich with implication. The reader's job is to fill in that space. You just help them get there.</p>",
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"content": "<p>Robinson's economy of language turns each sentence into levers with which he moves worlds. Those are poetical levers, part of a grand structure of description, assertion, vision, rhythm, revelation and resolution.</p>",
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"content": "<p>"It was getting hotter." Kim Stanley Robinson opens "Ministry for the Future" with that sentence. Understatement of the millennium in a book about global warming, by an author famously economical with words, yet profligate in the telling.</p>",
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"content": "<p>Whether a situation is directly stated, creatively implied or extravagantly described — what matters is that it's about what's being felt. We're looking for that poetry, and wielding it with precision, within the prose, when the time is right.</p>",
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"content": "<p>Poetry-in-prose can get extravagant, and it can be worth the risk. But sometimes plain and clean language is all it takes to hit the reader right over the head, and break their imagination wide open.</p>",
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"content": "<p>Perhaps you should not merely state that the character intends to take a walk in the rain. Perhaps you need to describe them pressing on as the thunderhead approaches, rain-flecked gusts tossing their hair about, the smell of ozone giving them gooseflesh.</p>",
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"content": "<p>As an editor, I've found describing what the character _feels_, rather than stating what the character _intends_, can achieve a level of poetry-within-prose that's both clear about the action, and also emotionally significant.</p>",
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"content": "<p>We can say what a character is going to do. The characters themselves can do the same. But so what? Stating intention can have its own poetic force, but it can also be, and too often is, little more than reading a weather report.</p>",
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"content": "<p>Recently this has played out for me in terms of the dreaded "show vs. tell," and specifically in the action of characters within the narrative.</p>",
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"content": "<p>I'm finding, in my own voyage as a fiction editor, that the poetry of prose is often what turns a plot cliche into something that moves a reader, and elevates a story beyond its cliches.</p>",
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"content": "<p>This matter, of writers needing to reach for the poetics within prose, isn't a "rule." I hate the rules of fiction — though I must grudgingly admit that many such rules do amount to excellent advice that can greatly improve a work of fiction.</p>",
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"content": "<p>THE POETRY WITHIN PROSE: In the course of editing prose fiction, I find myself continually returning to what makes this sort of prose succeed. For me, and for The Fabulist's purposes, it is the inherent poetry of the prose, which emerges from the writer's art and craft.</p>",
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"content": "<p>OK, so we're going to try and recreate a few key Fabulist Mag threads from Twitter that need to live somewhere else in case the whole thing disappears in a cloud of billionaire bluster because Elon. Bear with us while we move this forward ...</p>",
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"content": "<p>The latest edition of our e-zine, The Pocket Pixelarium, is here! Collecting 12 new fantastical and far-out tales of chlorophilia, body shocks, strange visitations and much more. This is a benefit for our Yarn Spinner, Story Teller and Lore Keeper patrons. <br /><a href=\"https://www.patreon.com/posts/pocket-vol-2-no-74825376?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"><span class=\"invisible\">https://www.</span><span class=\"ellipsis\">patreon.com/posts/pocket-vol-2</span><span class=\"invisible\">-no-74825376?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator</span></a></p>",
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"content": "<p>New Story! If you could go back in time, would you really change just one thing? "Umpteenth," by Ewan Davis. <a href=\"https://fabulistmagazine.com/umpteenth/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"ellipsis\">fabulistmagazine.com/umpteenth</span><span class=\"invisible\">/</span></a></p>",
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"content": "<p>Hi! We've made it over to Mastodon. We love fantastical and speculative fiction of all sorts. Here's a direct link to our story feed ... come have a browse ... <br /><a href=\"https://fabulistmagazine.com/category/words/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"ellipsis\">fabulistmagazine.com/category/</span><span class=\"invisible\">words/</span></a></p>",
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