A small tool to view real-world ActivityPub objects as JSON! Enter a URL
or username from Mastodon or a similar service below, and we'll send a
request with
the right
Accept
header
to the server to view the underlying object.
{
"@context": [
"https://www.w3.org/ns/activitystreams",
{
"ostatus": "http://ostatus.org#",
"atomUri": "ostatus:atomUri",
"inReplyToAtomUri": "ostatus:inReplyToAtomUri",
"conversation": "ostatus:conversation",
"sensitive": "as:sensitive",
"toot": "http://joinmastodon.org/ns#",
"votersCount": "toot:votersCount"
}
],
"id": "https://g0v.social/users/amokhuxley/statuses/106607585648916863/replies",
"type": "Collection",
"first": {
"id": "https://g0v.social/users/amokhuxley/statuses/106607585648916863/replies?page=true",
"type": "CollectionPage",
"next": "https://g0v.social/users/amokhuxley/statuses/106607585648916863/replies?only_other_accounts=true&page=true",
"partOf": "https://g0v.social/users/amokhuxley/statuses/106607585648916863/replies",
"items": [
{
"id": "https://g0v.social/users/amokhuxley/statuses/106607586776140951",
"type": "Note",
"summary": null,
"inReplyTo": "https://g0v.social/users/amokhuxley/statuses/106607585648916863",
"published": "2021-07-19T13:51:19Z",
"url": "https://g0v.social/@amokhuxley/106607586776140951",
"attributedTo": "https://g0v.social/users/amokhuxley",
"to": [
"https://www.w3.org/ns/activitystreams#Public"
],
"cc": [
"https://g0v.social/users/amokhuxley/followers"
],
"sensitive": false,
"atomUri": "https://g0v.social/users/amokhuxley/statuses/106607586776140951",
"inReplyToAtomUri": "https://g0v.social/users/amokhuxley/statuses/106607585648916863",
"conversation": "tag:g0v.social,2021-04-09:objectId=5801717:objectType=Conversation",
"content": "<p>＊ ＊ ＊<br />三、人事交融締造巧妙平衡<br />香港民主運動的紀錄片可從兩方面概分為四類。<br />梁思眾的《傘上：遍地開花》、陳耀成的《撐傘》主要為國際觀眾而拍；陳梓桓的《亂世備忘》、林子穎的《地厚天高》、「香港紀錄片工作者」的《理大圍城》則主要為香港人而拍。<br />從另一角度再作分類，《地厚天高》乃以人物為主軸；《理大圍城》則以事件為主軸。四大取徑互有組合，亦各有得失。<br />筆者曾向《佔領立法會》暨《理大圍城》的導演請益，他們都思考過此問題。外國觀眾很難理解反送中運動的來龍去脈，但又不想枉費篇幅解釋，而令作品變得淺薄，兩相權衡寧願以香港觀眾為先。<br />然而周導另有追求，拍攝任何作品都想所有人看得懂，還念及五十年後的香港觀眾，即使後人昧於過去依然能理解運動始末。「我唔理係邊度嘅觀眾，我係畀所有一張白紙嘅觀眾。」</p>",
"contentMap": {
"zh": "<p>＊ ＊ ＊<br />三、人事交融締造巧妙平衡<br />香港民主運動的紀錄片可從兩方面概分為四類。<br />梁思眾的《傘上：遍地開花》、陳耀成的《撐傘》主要為國際觀眾而拍；陳梓桓的《亂世備忘》、林子穎的《地厚天高》、「香港紀錄片工作者」的《理大圍城》則主要為香港人而拍。<br />從另一角度再作分類，《地厚天高》乃以人物為主軸；《理大圍城》則以事件為主軸。四大取徑互有組合，亦各有得失。<br />筆者曾向《佔領立法會》暨《理大圍城》的導演請益，他們都思考過此問題。外國觀眾很難理解反送中運動的來龍去脈，但又不想枉費篇幅解釋，而令作品變得淺薄，兩相權衡寧願以香港觀眾為先。<br />然而周導另有追求，拍攝任何作品都想所有人看得懂，還念及五十年後的香港觀眾，即使後人昧於過去依然能理解運動始末。「我唔理係邊度嘅觀眾，我係畀所有一張白紙嘅觀眾。」</p>"
},
"attachment": [],
"tag": [],
"replies": {
"id": "https://g0v.social/users/amokhuxley/statuses/106607586776140951/replies",
"type": "Collection",
"first": {
"type": "CollectionPage",
"next": "https://g0v.social/users/amokhuxley/statuses/106607586776140951/replies?min_id=106607588007100820&page=true",
"partOf": "https://g0v.social/users/amokhuxley/statuses/106607586776140951/replies",
"items": [
"https://g0v.social/users/amokhuxley/statuses/106607588007100820"
]
}
},
"likes": {
"id": "https://g0v.social/users/amokhuxley/statuses/106607586776140951/likes",
"type": "Collection",
"totalItems": 3
},
"shares": {
"id": "https://g0v.social/users/amokhuxley/statuses/106607586776140951/shares",
"type": "Collection",
"totalItems": 1
}
}
]
}
}