ActivityPub Viewer

A small tool to view real-world ActivityPub objects as JSON! Enter a URL or username from Mastodon or a similar service below, and we'll send a request with the right Accept header to the server to view the underlying object.

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{ "@context": [ "https://www.w3.org/ns/activitystreams", { "ostatus": "http://ostatus.org#", "atomUri": "ostatus:atomUri", "inReplyToAtomUri": "ostatus:inReplyToAtomUri", "conversation": "ostatus:conversation", "sensitive": "as:sensitive", "toot": "http://joinmastodon.org/ns#", "votersCount": "toot:votersCount", "Hashtag": "as:Hashtag" } ], "id": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459", "type": "Note", "summary": null, "inReplyTo": null, "published": "2024-10-10T07:03:59Z", "url": "https://fedihum.org/@dehypotheses/113281849091225459", "attributedTo": "https://fedihum.org/users/dehypotheses", "to": [ "https://www.w3.org/ns/activitystreams#Public" ], "cc": [ "https://fedihum.org/users/dehypotheses/followers" ], "sensitive": false, "atomUri": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459", "inReplyToAtomUri": null, "conversation": "tag:fedihum.org,2024-10-10:objectId=10559204:objectType=Conversation", "content": "<p>Ignacio Zuloaga zeigte in seinen Gemälden die ambivalente Identität Spaniens im 19. und frühen 20. Jahrhundert. Dabei nahm er die harte Lebensrealität der Menschen in den Blick - so auch in &quot;Frauen von Sepúlveda&quot; (1909), das die romantisierten Vorstellungen des Landes in Frage stellt.</p><p><a href=\"https://lernlitlmu.hypotheses.org/6122\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"\">lernlitlmu.hypotheses.org/6122</span><span class=\"invisible\"></span></a></p><p><a href=\"https://fedihum.org/tags/Kunstgeschichte\" class=\"mention hashtag\" rel=\"tag\">#<span>Kunstgeschichte</span></a> <a href=\"https://fedihum.org/tags/Spanien\" class=\"mention hashtag\" rel=\"tag\">#<span>Spanien</span></a></p>", "contentMap": { "de": "<p>Ignacio Zuloaga zeigte in seinen Gemälden die ambivalente Identität Spaniens im 19. und frühen 20. Jahrhundert. Dabei nahm er die harte Lebensrealität der Menschen in den Blick - so auch in &quot;Frauen von Sepúlveda&quot; (1909), das die romantisierten Vorstellungen des Landes in Frage stellt.</p><p><a href=\"https://lernlitlmu.hypotheses.org/6122\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"><span class=\"invisible\">https://</span><span class=\"\">lernlitlmu.hypotheses.org/6122</span><span class=\"invisible\"></span></a></p><p><a href=\"https://fedihum.org/tags/Kunstgeschichte\" class=\"mention hashtag\" rel=\"tag\">#<span>Kunstgeschichte</span></a> <a href=\"https://fedihum.org/tags/Spanien\" class=\"mention hashtag\" rel=\"tag\">#<span>Spanien</span></a></p>" }, "attachment": [], "tag": [ { "type": "Hashtag", "href": "https://fedihum.org/tags/kunstgeschichte", "name": "#kunstgeschichte" }, { "type": "Hashtag", "href": "https://fedihum.org/tags/Spanien", "name": "#Spanien" } ], "replies": { "id": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459/replies", "type": "Collection", "first": { "type": "CollectionPage", "next": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459/replies?only_other_accounts=true&page=true", "partOf": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459/replies", "items": [] } }, "likes": { "id": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459/likes", "type": "Collection", "totalItems": 0 }, "shares": { "id": "https://fedihum.org/users/dehypotheses/statuses/113281849091225459/shares", "type": "Collection", "totalItems": 0 } }