A small tool to view real-world ActivityPub objects as JSON! Enter a URL
or username from Mastodon or a similar service below, and we'll send a
request with
the right
Accept
header
to the server to view the underlying object.
{
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],
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],
"name": "Hubert Kah - Rosemarie",
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{
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"name": "Deutsch"
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],
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},
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{
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],
"object": {
"id": "https://feddit.org/activities/create/3ba66596-1004-4d32-be32-af908415dcf0",
"actor": "https://metalhead.club/users/caos",
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],
"object": {
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"id": "https://metalhead.club/users/caos/statuses/113521702325612854",
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"to": [
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],
"name": "🎸 Erstes Linkin-Park-Album nach 7 Jahren - Neuer Anfang vom Ende",
"cc": [],
"content": "<p>🎸 Erstes Linkin-Park-Album nach 7 Jahren - Neuer Anfang vom Ende</p>\n<p><a href=\"https://taz.de/Erstes-Linkin-Park-Album-nach-7-Jahren/!6047206/\" rel=\"nofollow\">https://taz.de/Erstes-Linkin-Park-Album-nach-7-Jahren/!6047206/</a></p>\n<p>"Mit „From Zero“ belebt die Band … sieben Jahre nach dem Suizid ihres Sängers den eigenen Sound wieder – mit Erfolg. Erleben wir eine popkulturelle Renaissance?<br />\n(…) Glasklare Balladen („Over Each Other“)… ebenso wie eine kehlige Zerrstimme, mit der <a href=\"https://metalhead.club/tags/LinkinPark\" rel=\"nofollow\">#LinkinPark</a> nun vielleicht einen ihrer härtesten Metal-Songs jemals produziert haben („Casualty“): <a href=\"https://inv.nadeko.net/watch?v=aoverLVhD-8\" rel=\"nofollow\">https://inv.nadeko.net/watch?v=aoverLVhD-8</a></p>\n<p>“Wenngleich „From Zero“ ein gut gearbeitetes Album ist, klingt es (…)„geisterhaft“ …: ein Stil, der längst nicht mehr lebendig ist, kulturindustriell erneuert („Retro“)”</p>\n<p><a href=\"https://feddit.org/c/musik\" rel=\"nofollow\">@musik</a> <a href=\"https://metalhead.club/tags/Musik\" rel=\"nofollow\">#Musik</a> <a href=\"https://metalhead.club/tags/NuMetal\" rel=\"nofollow\">#NuMetal</a></p>\n",
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"content": "🎸 Erstes Linkin-Park-Album nach 7 Jahren - Neuer Anfang vom Ende\n\n[https://taz.de/Erstes-Linkin-Park-Album-nach-7-Jahren/!6047206/](https://taz.de/Erstes-Linkin-Park-Album-nach-7-Jahren/!6047206/)\n\n\"Mit „From Zero“ belebt die Band ... sieben Jahre nach dem Suizid ihres Sängers den eigenen Sound wieder – mit Erfolg. Erleben wir eine popkulturelle Renaissance? \n(..) Glasklare Balladen („Over Each Other“).. ebenso wie eine kehlige Zerrstimme, mit der [#LinkinPark](https://metalhead.club/tags/LinkinPark) nun vielleicht einen ihrer härtesten Metal-Songs jemals produziert haben („Casualty“): [https://inv.nadeko.net/watch?v=aoverLVhD-8](https://inv.nadeko.net/watch?v=aoverLVhD-8)\n\n\"Wenngleich „From Zero“ ein gut gearbeitetes Album ist, klingt es (...)„geisterhaft“ ..: ein Stil, der längst nicht mehr lebendig ist, kulturindustriell erneuert („Retro“)\"\n\n[@musik](https://feddit.org/c/musik) [#Musik](https://metalhead.club/tags/Musik) [#NuMetal](https://metalhead.club/tags/NuMetal)",
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{
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"name": "Mike Shinoda (l.) und Emily Armstrong mit Linkin Park beim Konzert in Hamburg, 22. September 2024 \nFoto: Christian Charisius/dpa "
}
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"name": "Gates 20h Slaughter 21h",
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"content": "<p>Ich kenn die Bands nicht, aber das Plakat ist so schön stimmungsvoll.🐼\nIch hab mal der Form halber die Onlineauftritte der Herrschaften herausgesucht.</p>\n<p>Wampyric Wrath: <a href=\"https://www.instagram.com/wampyric_wrath/\">www.instagram.com/wampyric_wrath/</a></p>\n<p>GVLA: <a href=\"https://gvla.bandcamp.com/album/invidia\">gvla.bandcamp.com/album/invidia</a></p>\n<p>Dungeon Keeper: <a href=\"https://dungeonkeeper.bandcamp.com/\">dungeonkeeper.bandcamp.com</a></p>\n",
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"content": "Ich kenn die Bands nicht, aber das Plakat ist so schön stimmungsvoll.🐼\nIch hab mal der Form halber die Onlineauftritte der Herrschaften herausgesucht.\n\n\nWampyric Wrath: https://www.instagram.com/wampyric_wrath/\n\n\nGVLA: https://gvla.bandcamp.com/album/invidia\n\n\nDungeon Keeper: https://dungeonkeeper.bandcamp.com/",
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"name": "Dorfterror - No Future Kid (Official Video) [2024, Punk]",
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"content": "<ul>\n<li>Discogs: <a href=\"https://www.discogs.com/de/artist/8968651-Dorfterror\">www.discogs.com/de/artist/8968651-Dorfterror</a></li>\n</ul>\n",
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"content": "- Discogs: https://www.discogs.com/de/artist/8968651-Dorfterror",
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},
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"name": "Arte TRACKS | Wie überleben Indie-Artists mit Spotify und Co?",
"cc": [],
"content": "<blockquote>\n<p>Spotify hat eine Art Monopolmacht, aber trotzdem können nur wenige Künstler:innen davon leben. CEO Daniel Eik legt noch eins drauf und sagt, dass die Kosten für die Musikproduktion heute quasi bei null liegen. James Blake hat deshalb seinen Major-Deal gekündigt und arbeitet jetzt als Indie-Künstler. So bleibt für ihn mehr vom finanziellen Erfolg. Auch andere Indie-Künstler sind gezwungen, neue Wege zu finden, um zu überleben. Trotz guter Streamingzahlen kommt leider kaum etwas bei den Künstler:innen an. Der Berliner BLVTH hat sich eine eigene Nische geschaffen: Er produziert Hit-Alben, hat sein eigenes Artist-Projekt, macht TikTok Comedy und erstellt Merchandise selbst. Er hat sich ein Team aus talentierten Freunden aufgebaut, die sich gegenseitig supporten, ganz nach dem Motto “Bildet Banden”. Auch Inéz fährt mehrgleisig: Hitsingles mit Peter Fox als Feature, ein eigenes Artist-Projekt Ätna und ein Schlager-Podcast. So emanzipieren sie sich wirtschaftlich von den großen Playern und finden neue Wege. Und auch das Label Bamboo Artist will Strukturen schaffen: Acts wie Ski Aggu und 01099 verzeichnen gutes Einkommen, auch ohne Major-Label-Support.</p>\n</blockquote>\n",
"mediaType": "text/html",
"source": {
"content": "> Spotify hat eine Art Monopolmacht, aber trotzdem können nur wenige Künstler:innen davon leben. CEO Daniel Eik legt noch eins drauf und sagt, dass die Kosten für die Musikproduktion heute quasi bei null liegen. James Blake hat deshalb seinen Major-Deal gekündigt und arbeitet jetzt als Indie-Künstler. So bleibt für ihn mehr vom finanziellen Erfolg. Auch andere Indie-Künstler sind gezwungen, neue Wege zu finden, um zu überleben. Trotz guter Streamingzahlen kommt leider kaum etwas bei den Künstler:innen an. Der Berliner BLVTH hat sich eine eigene Nische geschaffen: Er produziert Hit-Alben, hat sein eigenes Artist-Projekt, macht TikTok Comedy und erstellt Merchandise selbst. Er hat sich ein Team aus talentierten Freunden aufgebaut, die sich gegenseitig supporten, ganz nach dem Motto \"Bildet Banden\". Auch Inéz fährt mehrgleisig: Hitsingles mit Peter Fox als Feature, ein eigenes Artist-Projekt Ätna und ein Schlager-Podcast. So emanzipieren sie sich wirtschaftlich von den großen Playern und finden neue Wege. Und auch das Label Bamboo Artist will Strukturen schaffen: Acts wie Ski Aggu und 01099 verzeichnen gutes Einkommen, auch ohne Major-Label-Support.",
"mediaType": "text/markdown"
},
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"published": "2024-11-19T13:57:06.947953Z",
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"type": "Announce",
"id": "https://feddit.org/activities/announce/create/132ca5f8-d00e-479e-973b-127cb08f6115"
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"object": {
"id": "https://feddit.org/activities/create/337fd591-aed3-4d23-b66e-f068d0e6dbe7",
"actor": "https://feddit.nl/u/crimeschneck",
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"object": {
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"id": "https://feddit.nl/post/23992535",
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"to": [
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"name": "SAFI – Ich will ein Leben (Groteske, Offizielles Musikvideo) [Leipzig, Punk, Avantgarde]",
"cc": [],
"content": "<ul>\n<li>MusicBrainz: <a href=\"https://musicbrainz.org/artist/e6fe053e-cf77-4da8-87ff-da4ba34a2c53\">musicbrainz.org/…/e6fe053e-cf77-4da8-87ff-da4ba34…</a></li>\n</ul>\n",
"mediaType": "text/html",
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"mediaType": "text/markdown"
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"attachment": [
{
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"name": "Two Faced (Official Music Video) - Linkin Park",
"cc": [],
"content": "<p>Woooo, another working Invidious!</p>\n",
"mediaType": "text/html",
"source": {
"content": "Woooo, another working Invidious!",
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"name": "Caracho - In Hamburg sagt man JaJa",
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"content": "<p>🎸 🖤 Neues Album von The Cure: “Der Mensch wächst in den Fels”<br />\n<a href=\"https://taz.de/Neues-Album-von-The-Cure/!6046693/\" rel=\"nofollow\">https://taz.de/Neues-Album-von-The-Cure/!6046693/</a></p>\n<p>:guitarcat: “In der schwerelosen Schwermut: Robert Smith und The Cure veröffentlichen zu Beginn der trüben Jahreszeit das neue Album „Songs of a Lost World“.<br />\n(…) Alles vergangen, alles verloren. „Left alone with nothing at the end of every song.“</p>\n<p>Die Zeile aus dem epischen „Endsong“ schließt das neue, bereits seit Langem immer wieder angekündigte und verworfene Album namens „Songs of a Lost World“ von Robert Smiths Band The Cure. Nun ist es seit wenigen Tagen tatsächlich veröffentlicht. Mit Blick auf die USA wirkt die darin vorgetragene Weltuntergangsstimmung plausibel.</p>\n<p>Textlich spannt Robert Smith einen Bogen zum Auftaktsong „Alone“: „This is the end of every song we sing“, verkündet er über langsam schwebenden, von Klaviermotiven durchzogen Synthwolken. Ein Lamento, zitiert aus Ernest Dowsons Gedicht „Dregs“ und bezogen auf die ernüchternde Einsicht: Am Ende bleiben wir unweigerlich allein mit uns selbst. (…) Bereits das Cover sieht düster aus. Es zeigt eine 1975 entstandene Skulptur des slowenischen Bildhauers Janez Pirnat: ein halbes Gesicht – grobporig, konturarm, maskenhaft –, das aus einem nahezu unbehauen wirkenden Stück Fels ragt. Wächst hier der Mensch aus dem Stein, oder ist es doch umgekehrt? Das harte Licht und der schwarze Hintergrund der Coverinszenierung versetzen das Stück in den Weltraum.”</p>\n<p><a href=\"https://plasmatrap.com/tags/TheCure\" rel=\"nofollow\">#TheCure</a> <a href=\"https://plasmatrap.com/tags/Musik\" rel=\"nofollow\">#Musik</a> <a href=\"https://plasmatrap.com/tags/Synth\" rel=\"nofollow\">#Synth</a> <a href=\"https://plasmatrap.com/tags/Darkwave\" rel=\"nofollow\">#Darkwave</a> <a href=\"https://feddit.org/c/musik\" rel=\"nofollow\">@musik@feddit.org</a></p>\n",
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"content": "🎸 🖤 Neues Album von The Cure: \"Der Mensch wächst in den Fels\" \n[https://taz.de/Neues-Album-von-The-Cure/!6046693/](https://taz.de/Neues-Album-von-The-Cure/!6046693/) \n\n:guitarcat: \"In der schwerelosen Schwermut: Robert Smith und The Cure veröffentlichen zu Beginn der trüben Jahreszeit das neue Album „Songs of a Lost World“. \n(...) Alles vergangen, alles verloren. „Left alone with nothing at the end of every song.“ \n\nDie Zeile aus dem epischen „Endsong“ schließt das neue, bereits seit Langem immer wieder angekündigte und verworfene Album namens „Songs of a Lost World“ von Robert Smiths Band The Cure. Nun ist es seit wenigen Tagen tatsächlich veröffentlicht. Mit Blick auf die USA wirkt die darin vorgetragene Weltuntergangsstimmung plausibel. \n\nTextlich spannt Robert Smith einen Bogen zum Auftaktsong „Alone“: „This is the end of every song we sing“, verkündet er über langsam schwebenden, von Klaviermotiven durchzogen Synthwolken. Ein Lamento, zitiert aus Ernest Dowsons Gedicht „Dregs“ und bezogen auf die ernüchternde Einsicht: Am Ende bleiben wir unweigerlich allein mit uns selbst. (...) Bereits das Cover sieht düster aus. Es zeigt eine 1975 entstandene Skulptur des slowenischen Bildhauers Janez Pirnat: ein halbes Gesicht – grobporig, konturarm, maskenhaft –, das aus einem nahezu unbehauen wirkenden Stück Fels ragt. Wächst hier der Mensch aus dem Stein, oder ist es doch umgekehrt? Das harte Licht und der schwarze Hintergrund der Coverinszenierung versetzen das Stück in den Weltraum.\" \n\n[\\#TheCure](https://plasmatrap.com/tags/TheCure) [#Musik](https://plasmatrap.com/tags/Musik) [#Synth](https://plasmatrap.com/tags/Synth) [#Darkwave](https://plasmatrap.com/tags/Darkwave) [@musik@feddit.org](https://feddit.org/c/musik)",
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"name": "🌻 🎸 Das deutsche #Woodstock - Flower-Power in der Pfalz (Doku auf ARTE) - 1972 in Germersheim spielen internationale Künstler wie Pink Floyd und Uriah Heep neben Krautrock-Bands wie Amon Düül 2",
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"content": "<p>🌻 🎸 Das deutsche <a href=\"https://plasmatrap.com/tags/Woodstock\" rel=\"nofollow\">#Woodstock</a> - Flower-Power in der Pfalz (Doku auf ARTE) - 1972 in Germersheim spielen internationale Künstler wie Pink Floyd und Uriah Heep neben Krautrock-Bands wie Amon Düül 2</p>\n<p><a href=\"https://www.arte.tv/de/videos/117162-000-A/das-deutsche-woodstock/\" rel=\"nofollow\">https://www.arte.tv/de/videos/117162-000-A/das-deutsche-woodstock/</a></p>\n<p><a href=\"https://taz.de/Archiv-Suche/!6044313/\" rel=\"nofollow\">TV-Tagestipp der taz</a>: “Chaos pur und gute Laune: Die Arte-Doku feiert die Mutter aller Festivals. Das 2. British Rock Meeting in Germersheim prägt mehr als 50 Jahre später weiterhin die deutsche Festivalkultur. Eine Suche nach Erinnerungen.”</p>\n<p>„Das deutsche Woodstock – Flower-Power in der Pfalz“, 20.15 Uhr, Arte</p>\n<p>“Pfingsten 1972 wird in der <a href=\"https://plasmatrap.com/tags/Pfalz\" rel=\"nofollow\">#Pfalz</a> deutsche <a href=\"https://plasmatrap.com/tags/Musikgeschichte\" rel=\"nofollow\">#Musikgeschichte</a> geschrieben: Beim 2. British Rock Meeting in <a href=\"https://plasmatrap.com/tags/Germersheim\" rel=\"nofollow\">#Germersheim</a> spielen internationale Künstler*innen wie Pink Floyd, Uriah Heep und Status Quo. Bis zu 100.000 Gäste – GIs, Blumenkinder, Rocker, Kiffer – kampieren auf dem Festivalgelände. Das größte deutsche <a href=\"https://plasmatrap.com/tags/Musik-Event\" rel=\"nofollow\">#Musik-Event</a> wird zur Mutter aller bedeutenden deutschen Festivals …</p>\n<p>1972, auf der Insel Grün in Germersheim: Beim 2. British <a href=\"https://plasmatrap.com/tags/Rock\" rel=\"nofollow\">#Rock</a> Meeting spielen internationale Künstler wie <a href=\"https://plasmatrap.com/tags/PinkFloyd\" rel=\"nofollow\">#PinkFloyd</a>, <a href=\"https://plasmatrap.com/tags/UriahHeep\" rel=\"nofollow\">#UriahHeep</a> und <a href=\"https://plasmatrap.com/tags/StatusQuo\" rel=\"nofollow\">#StatusQuo</a> neben <a href=\"https://plasmatrap.com/tags/Krautrock-Bands\" rel=\"nofollow\">#Krautrock-Bands</a> wie <a href=\"https://plasmatrap.com/tags/AmonD%C3%BC%C3%BCl\" rel=\"nofollow\">#AmonDüül</a> 2 und <a href=\"https://plasmatrap.com/tags/GuruGuru\" rel=\"nofollow\">#GuruGuru</a>. Was dieses Festival von anderen abhebt, sind nicht nur die Bühnen-Acts, sondern vor allem die Besucherinnen und Besucher: Bis zu 100.000 Gäste – GIs, Blumenkinder, Rocker, Kiffer – kampieren drei Tage lang auf dem Festivalgelände. Um ein Vielfaches mehr Menschen, als die Veranstalter erwartet haben. Es herrscht gigantisches Chaos und die Infrastruktur ist heillos überlastet – doch die Stimmung ist nahezu durchweg friedlich und fröhlich.</p>\n<p>Das größte deutsche Musik-Event überhaupt wird zur Mutter aller bedeutenden deutschen Festivals von <a href=\"https://plasmatrap.com/tags/Wacken\" rel=\"nofollow\">#Wacken</a> bis Rock am Ring. Das 2. British Rock Meeting ist Ausdruck eines modernen, weltoffenen Deutschlands, das sich vom Rockfieber der Briten und Amerikaner anstecken lässt. Der Auftakt eines Jahrzehnts des Aufbruchs.”</p>\n<p><a href=\"https://feddit.org/c/musik\" rel=\"nofollow\">@musik@feddit.org</a></p>\n",
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"content": "🌻 🎸 Das deutsche [#Woodstock](https://plasmatrap.com/tags/Woodstock) - Flower-Power in der Pfalz (Doku auf ARTE) - 1972 in Germersheim spielen internationale Künstler wie Pink Floyd und Uriah Heep neben Krautrock-Bands wie Amon Düül 2 \n\n[https://www.arte.tv/de/videos/117162-000-A/das-deutsche-woodstock/](https://www.arte.tv/de/videos/117162-000-A/das-deutsche-woodstock/) \n\n[TV-Tagestipp der taz](https://taz.de/Archiv-Suche/!6044313/): \"Chaos pur und gute Laune: Die Arte-Doku feiert die Mutter aller Festivals. Das 2. British Rock Meeting in Germersheim prägt mehr als 50 Jahre später weiterhin die deutsche Festivalkultur. Eine Suche nach Erinnerungen.\" \n\n„Das deutsche Woodstock – Flower-Power in der Pfalz“, 20.15 Uhr, Arte \n\n\"Pfingsten 1972 wird in der [#Pfalz](https://plasmatrap.com/tags/Pfalz) deutsche [#Musikgeschichte](https://plasmatrap.com/tags/Musikgeschichte) geschrieben: Beim 2. British Rock Meeting in [#Germersheim](https://plasmatrap.com/tags/Germersheim) spielen internationale Künstler\\*innen wie Pink Floyd, Uriah Heep und Status Quo. Bis zu 100.000 Gäste – GIs, Blumenkinder, Rocker, Kiffer – kampieren auf dem Festivalgelände. Das größte deutsche [#Musik-Event](https://plasmatrap.com/tags/Musik-Event) wird zur Mutter aller bedeutenden deutschen Festivals ... \n\n1972, auf der Insel Grün in Germersheim: Beim 2. British [#Rock](https://plasmatrap.com/tags/Rock) Meeting spielen internationale Künstler wie [#PinkFloyd](https://plasmatrap.com/tags/PinkFloyd), [#UriahHeep](https://plasmatrap.com/tags/UriahHeep) und [#StatusQuo](https://plasmatrap.com/tags/StatusQuo) neben [#Krautrock-Bands](https://plasmatrap.com/tags/Krautrock-Bands) wie [#AmonDüül](https://plasmatrap.com/tags/AmonDüül) 2 und [#GuruGuru](https://plasmatrap.com/tags/GuruGuru). Was dieses Festival von anderen abhebt, sind nicht nur die Bühnen-Acts, sondern vor allem die Besucherinnen und Besucher: Bis zu 100.000 Gäste – GIs, Blumenkinder, Rocker, Kiffer – kampieren drei Tage lang auf dem Festivalgelände. Um ein Vielfaches mehr Menschen, als die Veranstalter erwartet haben. Es herrscht gigantisches Chaos und die Infrastruktur ist heillos überlastet – doch die Stimmung ist nahezu durchweg friedlich und fröhlich. \n\nDas größte deutsche Musik-Event überhaupt wird zur Mutter aller bedeutenden deutschen Festivals von [#Wacken](https://plasmatrap.com/tags/Wacken) bis Rock am Ring. Das 2. British Rock Meeting ist Ausdruck eines modernen, weltoffenen Deutschlands, das sich vom Rockfieber der Briten und Amerikaner anstecken lässt. Der Auftakt eines Jahrzehnts des Aufbruchs.\" \n\n[@musik@feddit.org](https://feddit.org/c/musik)",
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"content": "<p>“Monochrom monotones Schwarzweiß-Denken ist nicht gerade das, was das rheinisch-bergische Wavepunk-Trio ‘Kontrolle’ ausmacht. Dennoch oder gerade deswegen haben sie mit ‘Grau’ als Singleauskopplung des gleichnamigen Albums, welches am 27.9.24 via Holy Goat Records erscheint, voll ins Schwarze getroffen. Finstere postpunkige ‘Ästhetik’ trifft den inzwischen von vielen liebgewonnen Kipppunkt zwischen Punk und Wave, auch auf dieser 7’'.”</p>\n<p>Link zu <a href=\"https://kontrolleband.bandcamp.com/album/grau-single\" rel=\"nofollow\">Bandcamp</a> -\nLink zum <a href=\"https://www.kontrolleband.de\" rel=\"nofollow\">Webauftritt von Kontrolle</a></p>\n",
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"name": "🎶 🖤 The Cure - Alone (Official Lyric Video - From new album Songs Of A Lost World. Out Nov 1st 2024)",
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"content": "<p>Lyrics „Alone“:</p>\n<p>This is the end of every song that we sing\nThe fire burned out to ash and\nThe stars grown dim with tears\nCold and afraid\nThe ghosts of all that we’ve been\nWe toast, with bitter dregs, to our emptiness\nAnd the birds falling out of our skies\nAnd the words falling out of our minds\nAnd here is to love, so much love\nFalling out of our lives\nHopes and dreams are gone\nThe end of every song\nAnd it all stops we were always sure that\nWe would never change and it all stops\nWе were always sure that wе\nWould stay the same but it all stops\nAnd we close our eyes to sleep\nTo dream a boy and girl\nWho dream the world is nothing but a dream\nWhere did it go? Where did it go?\nBroken voiced lament to call us home\nThis is this end of every song we sing\nWhere did it go? Where did it go?\nWhere did it go? Where did it go?\nBroken voiced lament to call us home\nThis is the end of every song we sing alone</p>\n<p><a href=\"https://www.rollingstone.de/endlich-the-cure-alone-das-video-die-lyrics-anzahl-der-albumtracks-2814963/\" rel=\"nofollow\">Bericht The Rolling Stone</a>:</p>\n<p>“Endlich The Cure: „Alone“ – das Video, die Lyrics, Anzahl der Albumtracks</p>\n<p>Eingebettet in Keyboard-Kissen und einen sanften Gallup-Bass: Dies ist „Alone“, die neue Cure-Single”</p>\n<p>The Cure haben am heutigen Donnerstag (26. September 2024) das Lyric-Video ihrer neuen Single „Alone“ veröffentlicht. Auf Spotify, Apple Music und Co gibt es die erste Cure-Single auch schon zu hören.</p>\n<p>In bester „Disintegration“-Manier beginnt Robert Smiths Gesang erst nach sehr langem Intro. Sanfte Keyboards und ein ebenso sanfter Bass Simon Gallups tragen Smith durch das Lied über das Ende allen … Daseins?</p>\n<p>In Minute 3:24 von 6:50 fängt er an zu singen. Überhaupt ist „Alone“ die bislang längste Single-Auskopplung im Cure-Katalog („Pictures of You“ wurde 1989 in Single-Länge runtergekürzt).</p>\n<p>Nur acht Songs</p>\n<p>Das dazugehörige Album „Songs of a Lost World“ soll am 01. November erscheinen. Einiges davon – das Albumcover, ein neues Porträtfoto Robert Smiths – schient schon geleakt zu sein.</p>\n<p>Auf Spotify und anderen Streamingplattformen gibt es auch Infos über die Anzahl der Album-Songs: acht. So wenige Stücke gab es zuletzt auf der Compilation „Japanese Whispers“ (1983) beziehungsweise auf dem Studioalbum „Pornography“ von 1982.</p>\n",
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"content": "Lyrics „Alone“:\n\nThis is the end of every song that we sing\nThe fire burned out to ash and\nThe stars grown dim with tears\nCold and afraid\nThe ghosts of all that we’ve been\nWe toast, with bitter dregs, to our emptiness\nAnd the birds falling out of our skies\nAnd the words falling out of our minds\nAnd here is to love, so much love\nFalling out of our lives\nHopes and dreams are gone\nThe end of every song\nAnd it all stops we were always sure that\nWe would never change and it all stops\nWе were always sure that wе\nWould stay the same but it all stops\nAnd we close our eyes to sleep\nTo dream a boy and girl\nWho dream the world is nothing but a dream\nWhere did it go? Where did it go?\nBroken voiced lament to call us home\nThis is this end of every song we sing\nWhere did it go? Where did it go?\nWhere did it go? Where did it go?\nBroken voiced lament to call us home\nThis is the end of every song we sing alone\n\n\n[Bericht The Rolling Stone](https://www.rollingstone.de/endlich-the-cure-alone-das-video-die-lyrics-anzahl-der-albumtracks-2814963/): \n\n\"Endlich The Cure: „Alone“ – das Video, die Lyrics, Anzahl der Albumtracks\n\nEingebettet in Keyboard-Kissen und einen sanften Gallup-Bass: Dies ist „Alone“, die neue Cure-Single\"\n\nThe Cure haben am heutigen Donnerstag (26. September 2024) das Lyric-Video ihrer neuen Single „Alone“ veröffentlicht. Auf Spotify, Apple Music und Co gibt es die erste Cure-Single auch schon zu hören.\n\nIn bester „Disintegration“-Manier beginnt Robert Smiths Gesang erst nach sehr langem Intro. Sanfte Keyboards und ein ebenso sanfter Bass Simon Gallups tragen Smith durch das Lied über das Ende allen … Daseins?\n\nIn Minute 3:24 von 6:50 fängt er an zu singen. Überhaupt ist „Alone“ die bislang längste Single-Auskopplung im Cure-Katalog („Pictures of You“ wurde 1989 in Single-Länge runtergekürzt).\n\nNur acht Songs\n\nDas dazugehörige Album „Songs of a Lost World“ soll am 01. November erscheinen. Einiges davon – das Albumcover, ein neues Porträtfoto Robert Smiths – schient schon geleakt zu sein.\n\nAuf Spotify und anderen Streamingplattformen gibt es auch Infos über die Anzahl der Album-Songs: acht. So wenige Stücke gab es zuletzt auf der Compilation „Japanese Whispers“ (1983) beziehungsweise auf dem Studioalbum „Pornography“ von 1982.",
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"name": "FULL FORCE Festival 2025 abgesagt",
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"content": "<blockquote>\n<p>Leider müssen wir Euch heute mitteilen, dass es im Jahr 2025 kein FULL FORCE Festival geben wird. In den vergangenen Wochen und Monaten haben wir unter größten Anstrengungen alles versucht, dass das Festival wie gewohnt stattfinden kann, doch der „most metal place on earth“ muss im kommenden Jahr leider still bleiben. Wir möchten die aktuelle Pause dafür nutzen, um im Jahr 2026 mit voller Kraft zurückzukehren!</p>\n</blockquote>\n<p>Die Gründe für die Absage sind vielschichtig und stellen unser Team vor einige Hürden, die wir mit dem Fokus auf das kommende Jahr nicht ohne Weiteres meistern können. Wir möchten Euch ein Festival bieten, das Euren Bedürfnissen gerecht wird, doch die gegebenen Umstände machen es uns leider unmöglich, das Festival wie gewohnt im kommenden Jahr durchzuführen.</p>\n",
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"content": "> Leider müssen wir Euch heute mitteilen, dass es im Jahr 2025 kein FULL FORCE Festival geben wird. In den vergangenen Wochen und Monaten haben wir unter größten Anstrengungen alles versucht, dass das Festival wie gewohnt stattfinden kann, doch der „most metal place on earth“ muss im kommenden Jahr leider still bleiben. Wir möchten die aktuelle Pause dafür nutzen, um im Jahr 2026 mit voller Kraft zurückzukehren!\n\nDie Gründe für die Absage sind vielschichtig und stellen unser Team vor einige Hürden, die wir mit dem Fokus auf das kommende Jahr nicht ohne Weiteres meistern können. Wir möchten Euch ein Festival bieten, das Euren Bedürfnissen gerecht wird, doch die gegebenen Umstände machen es uns leider unmöglich, das Festival wie gewohnt im kommenden Jahr durchzuführen.",
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"content": "<p>Acht Jahre alt und doch leider aktueller denn je.</p>\n",
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